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Celia Britton

Biographic Data

ID3672466
NAMECelia Britton
GIVEN NAMESCelia
FAMILY NAMEBritton
SIGNATUREBRITTON C
AFFILIATIONSUniversity College London
VERIFIEDNo
TOTAL WORKS34
TOTAL CITATIONS9
AUTHOR COUNT32
EDITOR COUNT1
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2024
H-INDEX2
  • A New Region of the World: Aesthetics I, by Édouard Glissant

    Open Access•Carmen Britton, Celia Britton•ARTICLE•New West Indian Guide / Nieuwe…•2024

  • “Double Consciousness,” Cultural Identity and Literary Style in the Work of René Ménil

    Carmen Britton, Celia Britton et al.•ARTICLE•The CLR James Journal•2020

    The notion of double consciousness, as a characterization of black subjectivity, is basic to Ménil’s critique of the alienated “mythologies” of Antillean life and its self-exoticizing literature. Double consciousness renders cultural identity deeply problematic. But it has other, more positive, manifestations, closer to a Bakhtinian idea of dialogism. Thus he praises Césaire’s use of irony as a dual voice. Ménil’s valorization of complexity and a…

  • Treatise on the Whole-World: By Édouard Glissant

    Open Access•Édouard Glissant, Celia Britton•BOOK•Treatise on the Whole-World•2020

  • Édouard Glissant: L’ identité généreuse, by François Noudelmann

    Open Access•Carmen Britton, Celia Britton•ARTICLE•New West Indian Guide / Nieuwe…•2019

    This biography is a massive undertaking.François Noudelmann charts Édouard Glissant's life in detail, emphasizing the enormous number of people who were his friends, acquaintances, and intellectual contacts, and the increasingly nomadic life that he led, moving between Martinique, Paris, and the United States, but also traveling to an astonishing number of places around the world.Noudelmann has clearly done a huge amount of research into Glissant…

  • Édouard Glissant, philosophe: Héraclite et Hegel dans le Tout-Monde, by Alexandre Leupin

    Open Access•Carmen Britton, Celia Britton•ARTICLE•New West Indian Guide / Nieuwe…•2018

  • In Praise of Complexity

    Dominique Chance, Carmen Britton et al.•ARTICLE•Small Axe A Caribbean Journal of…•2018

    This essay discusses Éloge de la créolité and Patrick Chamoiseau’s novels and later texts, arguing that créolité, or creoleness, is far more complex and ambiguous than its critics have hitherto assumed. It is not confined to the Creole language but can be expressed in French, as in Chamoiseau’s writing. More important, it is not a straightforward identitarian movement: it both claims a creole identity and simultaneously questions that claim. The …

  • Identity and Change in the Work of Édouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•Small Axe A Caribbean Journal of…•2017

    The theme of identity runs throughout Édouard Glissant's work and constitutes one of his most original contributions to postcolonial thought. It is always considered in relation to change, but his formulations of both identity and change themselves change in the course of his career. In this essay, three different versions of the interrelation of identity and change are considered. In Glissant's 1981 Le discours antillais, the emphasis is on the …

  • Eulogizing Creoleness? Éloge de la créolité and Caribbean Identity, Culture, and Politics

    M Munro, Carmen Britton et al.•ARTICLE•Small Axe A Caribbean Journal of…•2017

    This essay introduces part 1 of a special section on the créolité movement-"Eulogizing Creoleness? Rereading Éloge de la créolité"-in which a variety of essays explore and assess the impact, twenty-five-plus years on, of the controversial manifesto by Patrick Chamoiseau, Raphaël Confiant, and Jean Bernabé. Éloge de la créolité has been much discussed and critiqued in relation to Antillean politics and literature; its claim to replace essentialist…

  • Marrane et marronne: La co-écriture réversible d' André et de Simone Schwarz-Bart, written by Kathleen Gyssels

    Open Access•Carmen Britton, Celia Britton•ARTICLE•New West Indian Guide / Nieuwe…•2017

  • Édouard Glissant's Legacy: Transmitting without Universals

    François Noudelmann, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    Édouard Glissant's Legacy:Transmitting without Universals? François Noudelmann (bio) Translated by Celia Britton (bio) Ideas, as Montaigne remarked, belong to no one, and as soon as someone incorporates them into their thought they become theirs. Universal and shared, they circulate because human beings digest them and embody them in the sites of their own experience. But philosophy comes up against the paradox that it produces concepts which, wh…

  • Memories of Reading Les Indes for the First Time

    Maryse Conde, Carmen Britton et al.•ARTICLE•Callaloo•2013

    Memories of Reading Les Indes for the First Time Maryse Condé (bio) Translated by Celia Britton (bio) I first met Édouard Glissant late on in life. When we were both teaching in the United States. On his arrival in New York from Louisiana, I invited him to Columbia University where I had just set up the Center for Francophone Studies. I gave a paper on his “vision of the landscape” at the conference that CUNY (City University of New York) held in…

  • In Praise of the Different and of Difference

    Édouard Glissant, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    In Praise of the Different and of Difference Édouard Glissant Translated by Celia Britton (bio) “Beauty is the sign of what, here, is going to change.” All this accumulation of the World and everywhere the hideous ugliness and the indifference, the streaking acts of violence and outrage, and even those who “make art,” who seem to be such liberators, who seem to promise a transition to something different, to something which at least acknowledges …

  • Philosophy, Poetics, Politics

    Carmen Britton, Celia Britton•ARTICLE•Callaloo•2013

    Philosophy, Poetics, Politics Celia Britton (bio) The aim of this collection of translations and articles is to commemorate the life and work of Édouard Glissant, who died in February 2011. Glissant was one of the greatest writers of the Caribbean, and his work is read and studied throughout the world. The extent of his influence is reflected in the geographical spread of the contributors to this special issue of Callaloo: not only the Caribbean …

  • American Creoles: The Francophone Caribbean and the American South

    Open Access•Martin Munro, Celia Britton•BOOK•American Creoles•2012

  • Ethnography as Relation: The Significance of the French Caribbean in the Ethnographic Writing of Michel Leiris

    Carmen Britton, Celia Britton•ARTICLE•French Studies•2012•Cited by: 2

    This article considers two kinds of connection between Leiris and the French Caribbean: that between his ideas on ethnography and Martinican Édouard Glissant's concept of Relation; and the impact that his encounter with the French Caribbean had on those ideas. In 1950 Leiris develops a conception of ethnography as a partnership between Western and non-Western societies in which the ethnographer is not only politically involved in the societies sh…

  • Dual Identities: The Question of ‘Départementalisation’ in Michel Leiris's Contacts de civilisations en Martinique et en Guadeloupe

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•2011•References: 3

    In Contocts de civilisations en Martinique et en Guadeloupe (1955) Leiris's support for ‘départementalisation’ and cultural assimilation contrasts surprisingly with his previous commitment to celebrating cultural difference and to political independence for France's colonies. It can to some extent be explained by the book's being commissioned as part of a UNESCO project to combat racism by promoting integration, and by the support of the French C…

  • In Memory of Edouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•Callaloo•2011

  • Always Changing, while Still Remaining: A Tribute to Edouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•Small Axe A Caribbean Journal of…•2011

    In this personal tribute to Glissant Britton describes some of the most resonant themes of his novels (the idea of changing while still remaining, the significance of place, and his exploration of madness) and the “opaque” poetic characteristics of his style, which extend from the novels and poetry into his theoretical discourse. Glissant's essays display not a linear evolution of thought but the same structure of “changing-remaining.” Also, all …

  • How to be Primitive: Tropiques, Surrealism and Ethnography

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2009•Cited by: 3

    The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican i…

  • Common Being? and Organic Community in Jacques Roumain's Gouverneurs de la ros e

    Carmen Britton, Celia Britton•ARTICLE•Research in African Literatures•2006

    The representation of community in Roumain's Gouverneurs de la rosee is analysed in relation to Jean-Luc Nancy's concept of being, or organic community. The circular time-scale and spatial closure, the theme of martyrdom, and the narrative movement towards the elimination of difference and conflict through the revelation of an underlying homogeneity can all be seen as attributes of common being. Nancy's argument that communism and Christianity ar…

  • Breaking the Rules: Irrelevance/Irreverence in Maryse Condé’s Traversée de la Mangrove

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•2004

    Maryse Condé’s ironic treatment of stereotypes is a major feature of her novels. It has been much discussed in relation to plot and characterization; this article focuses instead on the small-scale discursive structures of Traversée de la mangrove, analysing them via Barthes’s concept of semiological codes and rules. Traversée de la mangrove transgresses the ‘rules’ of literary style through deliberately inelegant digressive sentences and paragra…

  • The (De)Construction of Subjectivity in Daniel Maximin's L'lle et une nuit

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2001•Cited by: 1

  • The Representation of Popular Culture in the nouveau roman

    Carmen Britton, Celia Britton•ARTICLE•Australian Journal of French…•1998

  • Opacity and Transparence: Conceptions of History and Cultural Difference in the Work of Michel Butor and Édouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•French Studies•1995•Cited by: 1

    Journal Article OPACITY AND TRANSPARENCE: CONCEPTIONS OF HISTORY AND CULTURAL DIFFERENCE IN THE WORK OF MICHEL BUTOR AND ÉDOUARD GLISSANT Get access CELIA BRITTON CELIA BRITTON UNIVERSITY OF ABERDEEN Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIX, Issue 3, July 1995, Pages 308–320, https://doi.org/10.1093/fs/XLIX.3.308 Published: 01 July 1995

  • Discours and histoire, magical and political discourse in Édouard Glissant's Le Quatrième Siècle

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•1994

Next
  • How to be Primitive: Tropiques, Surrealism and Ethnography

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2009•Cited by: 3

    The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican i…

  • Ethnography as Relation: The Significance of the French Caribbean in the Ethnographic Writing of Michel Leiris

    Carmen Britton, Celia Britton•ARTICLE•French Studies•2012•Cited by: 2

    This article considers two kinds of connection between Leiris and the French Caribbean: that between his ideas on ethnography and Martinican Édouard Glissant's concept of Relation; and the impact that his encounter with the French Caribbean had on those ideas. In 1950 Leiris develops a conception of ethnography as a partnership between Western and non-Western societies in which the ethnographer is not only politically involved in the societies sh…

  • Édouard Glissant's Legacy: Transmitting without Universals

    François Noudelmann, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    Édouard Glissant's Legacy:Transmitting without Universals? François Noudelmann (bio) Translated by Celia Britton (bio) Ideas, as Montaigne remarked, belong to no one, and as soon as someone incorporates them into their thought they become theirs. Universal and shared, they circulate because human beings digest them and embody them in the sites of their own experience. But philosophy comes up against the paradox that it produces concepts which, wh…

  • In Praise of the Different and of Difference

    Édouard Glissant, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    In Praise of the Different and of Difference Édouard Glissant Translated by Celia Britton (bio) “Beauty is the sign of what, here, is going to change.” All this accumulation of the World and everywhere the hideous ugliness and the indifference, the streaking acts of violence and outrage, and even those who “make art,” who seem to be such liberators, who seem to promise a transition to something different, to something which at least acknowledges …

  • The (De)Construction of Subjectivity in Daniel Maximin's L'lle et une nuit

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2001•Cited by: 1

  • Opacity and Transparence: Conceptions of History and Cultural Difference in the Work of Michel Butor and Édouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•French Studies•1995•Cited by: 1

    Journal Article OPACITY AND TRANSPARENCE: CONCEPTIONS OF HISTORY AND CULTURAL DIFFERENCE IN THE WORK OF MICHEL BUTOR AND ÉDOUARD GLISSANT Get access CELIA BRITTON CELIA BRITTON UNIVERSITY OF ABERDEEN Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIX, Issue 3, July 1995, Pages 308–320, https://doi.org/10.1093/fs/XLIX.3.308 Published: 01 July 1995

  • Metaphor/Metonymy, or the Imaginary Referent∗

    Christian Metz, Carmen Britton et al.•ARTICLE•Camera Obscura Feminism Culture…•1981

  • Psychoanalysis and Cinema: The Imaginary Signifier

    Open Access•Christian Metz, Celia Britton•BOOK•Psychoanalysis and Cinema•1982

  • Voices, Absence and Presence in the Novels of Claude Simon

    Carmen Britton, Celia Britton•ARTICLE•French Studies•1982

    Journal Article VOICES, ABSENCE AND PRESENCE IN THE NOVELS OF CLAUDE SIMON Get access CELIA BRITTON CELIA BRITTON READING Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXVI, Issue 4, October 1982, Pages 445–454, https://doi.org/10.1093/fs/XXXVI.4.445 Published: 01 October 1982

  • A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic

    Carmen Britton, Celia Britton et al.•ARTICLE•Poetics Today•1982

  • The Imaginary Signifier: Psychoanalysis and the Cinema

    Philip Rosen, Christian Metz et al.•ARTICLE•SubStance•1983

  • Diversity of Discourse in Claude Simon's Les Géorgiques

    Carmen Britton, Celia Britton•ARTICLE•French Studies•1984

  • Visual effects by Claude Simon

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•1987•References: 1

  • Pictures of Romance: Form against Context in Painting and Literature

    Martin Melaver, Wendy Steiner et al.•ARTICLE•Poetics Today•1989

  • The Nouveau Roman and Tel Quel Marxism

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•1989

  • Discours and histoire, magical and political discourse in Édouard Glissant's Le Quatrième Siècle

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•1994

  • Opacity and Transparence: Conceptions of History and Cultural Difference in the Work of Michel Butor and Édouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•French Studies•1995•Cited by: 1

    Journal Article OPACITY AND TRANSPARENCE: CONCEPTIONS OF HISTORY AND CULTURAL DIFFERENCE IN THE WORK OF MICHEL BUTOR AND ÉDOUARD GLISSANT Get access CELIA BRITTON CELIA BRITTON UNIVERSITY OF ABERDEEN Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIX, Issue 3, July 1995, Pages 308–320, https://doi.org/10.1093/fs/XLIX.3.308 Published: 01 July 1995

  • The Representation of Popular Culture in the nouveau roman

    Carmen Britton, Celia Britton•ARTICLE•Australian Journal of French…•1998

  • The (De)Construction of Subjectivity in Daniel Maximin's L'lle et une nuit

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2001•Cited by: 1

  • Breaking the Rules: Irrelevance/Irreverence in Maryse Condé’s Traversée de la Mangrove

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•2004

    Maryse Condé’s ironic treatment of stereotypes is a major feature of her novels. It has been much discussed in relation to plot and characterization; this article focuses instead on the small-scale discursive structures of Traversée de la mangrove, analysing them via Barthes’s concept of semiological codes and rules. Traversée de la mangrove transgresses the ‘rules’ of literary style through deliberately inelegant digressive sentences and paragra…

  • Common Being? and Organic Community in Jacques Roumain's Gouverneurs de la ros e

    Carmen Britton, Celia Britton•ARTICLE•Research in African Literatures•2006

    The representation of community in Roumain's Gouverneurs de la rosee is analysed in relation to Jean-Luc Nancy's concept of being, or organic community. The circular time-scale and spatial closure, the theme of martyrdom, and the narrative movement towards the elimination of difference and conflict through the revelation of an underlying homogeneity can all be seen as attributes of common being. Nancy's argument that communism and Christianity ar…

  • How to be Primitive: Tropiques, Surrealism and Ethnography

    Open Access•Carmen Britton, Celia Britton•ARTICLE•Paragraph•2009•Cited by: 3

    The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican i…

  • Dual Identities: The Question of ‘Départementalisation’ in Michel Leiris's Contacts de civilisations en Martinique et en Guadeloupe

    Open Access•Carmen Britton, Celia Britton•ARTICLE•French Cultural Studies•2011•References: 3

    In Contocts de civilisations en Martinique et en Guadeloupe (1955) Leiris's support for ‘départementalisation’ and cultural assimilation contrasts surprisingly with his previous commitment to celebrating cultural difference and to political independence for France's colonies. It can to some extent be explained by the book's being commissioned as part of a UNESCO project to combat racism by promoting integration, and by the support of the French C…

  • In Memory of Edouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•Callaloo•2011

  • Always Changing, while Still Remaining: A Tribute to Edouard Glissant

    Carmen Britton, Celia Britton•ARTICLE•Small Axe A Caribbean Journal of…•2011

    In this personal tribute to Glissant Britton describes some of the most resonant themes of his novels (the idea of changing while still remaining, the significance of place, and his exploration of madness) and the “opaque” poetic characteristics of his style, which extend from the novels and poetry into his theoretical discourse. Glissant's essays display not a linear evolution of thought but the same structure of “changing-remaining.” Also, all …

  • American Creoles: The Francophone Caribbean and the American South

    Open Access•Martin Munro, Celia Britton•BOOK•American Creoles•2012

  • Ethnography as Relation: The Significance of the French Caribbean in the Ethnographic Writing of Michel Leiris

    Carmen Britton, Celia Britton•ARTICLE•French Studies•2012•Cited by: 2

    This article considers two kinds of connection between Leiris and the French Caribbean: that between his ideas on ethnography and Martinican Édouard Glissant's concept of Relation; and the impact that his encounter with the French Caribbean had on those ideas. In 1950 Leiris develops a conception of ethnography as a partnership between Western and non-Western societies in which the ethnographer is not only politically involved in the societies sh…

  • Édouard Glissant's Legacy: Transmitting without Universals

    François Noudelmann, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    Édouard Glissant's Legacy:Transmitting without Universals? François Noudelmann (bio) Translated by Celia Britton (bio) Ideas, as Montaigne remarked, belong to no one, and as soon as someone incorporates them into their thought they become theirs. Universal and shared, they circulate because human beings digest them and embody them in the sites of their own experience. But philosophy comes up against the paradox that it produces concepts which, wh…

  • Memories of Reading Les Indes for the First Time

    Maryse Conde, Carmen Britton et al.•ARTICLE•Callaloo•2013

    Memories of Reading Les Indes for the First Time Maryse Condé (bio) Translated by Celia Britton (bio) I first met Édouard Glissant late on in life. When we were both teaching in the United States. On his arrival in New York from Louisiana, I invited him to Columbia University where I had just set up the Center for Francophone Studies. I gave a paper on his “vision of the landscape” at the conference that CUNY (City University of New York) held in…

  • In Praise of the Different and of Difference

    Édouard Glissant, Carmen Britton et al.•ARTICLE•Callaloo•2013•Cited by: 1

    In Praise of the Different and of Difference Édouard Glissant Translated by Celia Britton (bio) “Beauty is the sign of what, here, is going to change.” All this accumulation of the World and everywhere the hideous ugliness and the indifference, the streaking acts of violence and outrage, and even those who “make art,” who seem to be such liberators, who seem to promise a transition to something different, to something which at least acknowledges …

  • Philosophy, Poetics, Politics

    Carmen Britton, Celia Britton•ARTICLE•Callaloo•2013

    Philosophy, Poetics, Politics Celia Britton (bio) The aim of this collection of translations and articles is to commemorate the life and work of Édouard Glissant, who died in February 2011. Glissant was one of the greatest writers of the Caribbean, and his work is read and studied throughout the world. The extent of his influence is reflected in the geographical spread of the contributors to this special issue of Callaloo: not only the Caribbean …

Art (27 works) · Philosophy (20 works) · Literature (18 works) · Caribbean and African Literature and Culture (17 works) · History (15 works) · Sociology (13 works) · Aesthetics (11 works) · Epistemology (11 works) · Politics (11 works) · Humanities (9 works)

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