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How to be Primitive

Tropiques, Surrealism and Ethnography

Bibliographic Data

ID3198167
AuthorsCarmen Britton (0000-0001-7165-8983, corresponding author), Celia Britton
Year2009
Volume32
Issue2
Pages168-181
Publication date2009-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueParagraph (JOURNAL)
Journal identifiersISSN: 0264-8334 • E-ISSN: 1750-0176
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/e0264833409000510
OpenAlexW2118576250
LanguageEN
Citations received3

The review Tropiques, founded in Martinique by Aimé Césaire and colleagues in 1941, was heavily influenced by French surrealism, both for its emphasis on political liberation and its investment in primitivism and the revalorization of non-European cultures. But Tropiques's attitude to primitivism was far more ambivalent and contradictory than is usually assumed. While the editors and contributors sometimes do indeed claim to have, as Martinican intellectuals, a close identificatory connection to primitivist sensibility (and are encouraged in this by French surrealists), elsewhere their attitude to such supposed examples of primitivism as African-American poetry and Caribbean folklore is extremely distanced and rather patronizing. Moreover, their claims to an 'authentic' relation to primitive culture, especially where this is defined as African, are complicated by the fact that they have to rely on European ethnographic sources in order to make these claims; and the writing in Tropiques shows them grappling with this contradiction

Ambivalence · Art · Contradiction · Epistemology · Ethnography · Ethnology · Folklore · Literature · Martinique · Poetry · Political science · Politics · Psychoanalysis · Sensibility · Sociology · West indies · African history and culture studies · Anthropology · Canadian Identity and History · Caribbean and African Literature and Culture · History · Law · Philosophy · Psychology

Citation velocityhistorical
Highly citedNo

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