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Sarah Ralph

Biographic Data

ID3674180
NAMESarah Ralph
GIVEN NAMESSarah
FAMILY NAMERalph
SIGNATURERALPH S
AFFILIATIONSUniversity of East Anglia
ORCID0000-0002-3293-6511
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS39
AUTHOR COUNT6
EDITOR COUNT1
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2024
H-INDEX3
  • Girl-Kind North East

    Amanda McBride, Tessa Holland et al.•ARTICLE•Girlhood Studies•2024•References: 8

    Research suggests that girls frequently experience a sense of devaluation in their everyday lives at school. Narrow models of learning and teaching further limit the scope of what can be valued. In contrast, Girl-Kind, a school-based program, aims not to address an assumed deficit but to allow girls to be recognized as excellent learners and experts in their own lives. We conceptualize the program as creating valuing spaces in which value is crea…

  • I Think Women are Possibly Judged More Harshly with Comedy

    Open Access•Brett Mills, Sarah Ralph•ARTICLE•Critical Studies in Television…•2015•Cited by: 2•References: 13

    Critics and creative workers have recently highlighted the lack of women working in British television comedy. Through thematic analysis of interviews with British television comedy professionals, this article explores how women talk about their work and their position within the industry. Outlining the specific industrial contexts within which female comedy professionals work, the article examines institutionalised gender norms and practical imp…

  • Using stars, not just 'reading' them

    Sarah Ralph•ARTICLE•Celebrity Studies•2015•Cited by: 1•References: 9

    This article explores the various and important ways in which film stars can function within mother–daughter relations over the life cycle of their relationship. Drawing on detailed qualitative material from an interdisciplinary audience study of mothers‘ and daughters’ shared relations to film stars, it demonstrates how a significant shift can be identified with regard to the kinds of roles that stars play in dyadic relations as a daughter exper…

  • Audiences for stardom and celebrity

    Martin Barker, Su Holme et al.•ARTICLE•Celebrity Studies•2015•Cited by: 3•References: 19

    In the 2003 co-edited collection Contemporary Hollywood Stardom (Austin and Barker 2003), Martin Barker observed how: [T]he remarkable thing about our knowledge of cinema audiences, let alone our k

  • Swivelling the spotlight

    Su Holme, Su Holmes et al.•ARTICLE•Celebrity Studies•2015•Cited by: 5•References: 25

    Celebrity studies critiques the ways in which celebrity culture constructs discourses of authenticity and disclosure, offering the cultural and economic circulation of the ‘private’ self. Rarely, however, do we turn the spotlight on ourselves as not only scholars of stardom and celebrity, but also part of the audience. Autoethnography has become increasingly important across different disciplines, although its status within media and cultural stu…

  • Archaeology of Violence, The

    Sarah Ralph•BOOK•Archaeology of Violence•2012•Cited by: 28•References: 42

  • Feasting and Social Complexity in Later Iron Age East Anglia

    Sarah Ralph•BOOK•Feasting and Social Complexity in…•2007

  • Archaeology of Violence, The

    Sarah Ralph•BOOK•Archaeology of Violence•2012•Cited by: 28•References: 42

  • Swivelling the spotlight

    Su Holme, Su Holmes et al.•ARTICLE•Celebrity Studies•2015•Cited by: 5•References: 25

    Celebrity studies critiques the ways in which celebrity culture constructs discourses of authenticity and disclosure, offering the cultural and economic circulation of the ‘private’ self. Rarely, however, do we turn the spotlight on ourselves as not only scholars of stardom and celebrity, but also part of the audience. Autoethnography has become increasingly important across different disciplines, although its status within media and cultural stu…

  • Audiences for stardom and celebrity

    Martin Barker, Su Holme et al.•ARTICLE•Celebrity Studies•2015•Cited by: 3•References: 19

    In the 2003 co-edited collection Contemporary Hollywood Stardom (Austin and Barker 2003), Martin Barker observed how: [T]he remarkable thing about our knowledge of cinema audiences, let alone our k

  • I Think Women are Possibly Judged More Harshly with Comedy

    Open Access•Brett Mills, Sarah Ralph•ARTICLE•Critical Studies in Television…•2015•Cited by: 2•References: 13

    Critics and creative workers have recently highlighted the lack of women working in British television comedy. Through thematic analysis of interviews with British television comedy professionals, this article explores how women talk about their work and their position within the industry. Outlining the specific industrial contexts within which female comedy professionals work, the article examines institutionalised gender norms and practical imp…

  • Using stars, not just 'reading' them

    Sarah Ralph•ARTICLE•Celebrity Studies•2015•Cited by: 1•References: 9

    This article explores the various and important ways in which film stars can function within mother–daughter relations over the life cycle of their relationship. Drawing on detailed qualitative material from an interdisciplinary audience study of mothers‘ and daughters’ shared relations to film stars, it demonstrates how a significant shift can be identified with regard to the kinds of roles that stars play in dyadic relations as a daughter exper…

  • Feasting and Social Complexity in Later Iron Age East Anglia

    Sarah Ralph•BOOK•Feasting and Social Complexity in…•2007

  • Archaeology of Violence, The

    Sarah Ralph•BOOK•Archaeology of Violence•2012•Cited by: 28•References: 42

  • I Think Women are Possibly Judged More Harshly with Comedy

    Open Access•Brett Mills, Sarah Ralph•ARTICLE•Critical Studies in Television…•2015•Cited by: 2•References: 13

    Critics and creative workers have recently highlighted the lack of women working in British television comedy. Through thematic analysis of interviews with British television comedy professionals, this article explores how women talk about their work and their position within the industry. Outlining the specific industrial contexts within which female comedy professionals work, the article examines institutionalised gender norms and practical imp…

  • Using stars, not just 'reading' them

    Sarah Ralph•ARTICLE•Celebrity Studies•2015•Cited by: 1•References: 9

    This article explores the various and important ways in which film stars can function within mother–daughter relations over the life cycle of their relationship. Drawing on detailed qualitative material from an interdisciplinary audience study of mothers‘ and daughters’ shared relations to film stars, it demonstrates how a significant shift can be identified with regard to the kinds of roles that stars play in dyadic relations as a daughter exper…

  • Audiences for stardom and celebrity

    Martin Barker, Su Holme et al.•ARTICLE•Celebrity Studies•2015•Cited by: 3•References: 19

    In the 2003 co-edited collection Contemporary Hollywood Stardom (Austin and Barker 2003), Martin Barker observed how: [T]he remarkable thing about our knowledge of cinema audiences, let alone our k

  • Swivelling the spotlight

    Su Holme, Su Holmes et al.•ARTICLE•Celebrity Studies•2015•Cited by: 5•References: 25

    Celebrity studies critiques the ways in which celebrity culture constructs discourses of authenticity and disclosure, offering the cultural and economic circulation of the ‘private’ self. Rarely, however, do we turn the spotlight on ourselves as not only scholars of stardom and celebrity, but also part of the audience. Autoethnography has become increasingly important across different disciplines, although its status within media and cultural stu…

  • Girl-Kind North East

    Amanda McBride, Tessa Holland et al.•ARTICLE•Girlhood Studies•2024•References: 8

    Research suggests that girls frequently experience a sense of devaluation in their everyday lives at school. Narrow models of learning and teaching further limit the scope of what can be valued. In contrast, Girl-Kind, a school-based program, aims not to address an assumed deficit but to allow girls to be recognized as excellent learners and experts in their own lives. We conceptualize the program as creating valuing spaces in which value is crea…

Sociology (6 works) · Art (5 works) · Gender, Feminism, and Media (5 works) · Visual arts (4 works) · Advertising (3 works) · Business (3 works) · Media studies (3 works) · Media, Gender, and Advertising (3 works) · Archaeology (2 works) · Archaeology and ancient environmental studies (2 works)

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