Pam Cook
Biographic Data
| ID | 3674275 |
|---|---|
| NAME | Pam Cook |
| GIVEN NAMES | Pam |
| FAMILY NAME | Cook |
| SIGNATURE | COOK P |
| AFFILIATIONS | University of Southampton |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Because she's worth it
This article investigates the phenomenon of the ‘natural blonde’ as an ideal of feminine beauty, looking at notions of blond glamour in the 1950s and their deconstruction in recent periods. The article explores the fabricated nature of natural blondness and its relationship to changes in the beauty industry, stardom and celebrity culture since the late 1940s. The role of the beauty industry in fashioning star identities is analysed in relation to…
Transnational utopias
Drawing on original research conducted in Australia, I explore the industrial context, collaborative working practices, transnational ethos and aesthetic of Australian film-maker Baz Luhrmann’s Sydney-based independent production company Bazmark Inq. I trace the potential and limitations inherent in Bazmark’s relationship with major Hollywood studio Twentieth Century Fox, covering issues of copyright, branding and artistic autonomy. I look at the…
Mirror Phase
Other| May 01 1979 Mirror Phase (Carola Klein) (1978, 46 min., Color, 16 mm) Pam Cook; Pam Cook Search for other works by this author on: This Site Google Carola Klein; Carola Klein Search for other works by this author on: This Site Google Elizabeth Cowie Elizabeth Cowie Search for other works by this author on: This Site Google Camera Obscura (1979) 1-2 (3-1 (3-4)): 227–231. https://doi.org/10.1215/02705346-1-2-3-1_3-4-227 Cite Icon Cite Share …
Because she's worth it
This article investigates the phenomenon of the ‘natural blonde’ as an ideal of feminine beauty, looking at notions of blond glamour in the 1950s and their deconstruction in recent periods. The article explores the fabricated nature of natural blondness and its relationship to changes in the beauty industry, stardom and celebrity culture since the late 1940s. The role of the beauty industry in fashioning star identities is analysed in relation to…
Mirror Phase
Other| May 01 1979 Mirror Phase (Carola Klein) (1978, 46 min., Color, 16 mm) Pam Cook; Pam Cook Search for other works by this author on: This Site Google Carola Klein; Carola Klein Search for other works by this author on: This Site Google Elizabeth Cowie Elizabeth Cowie Search for other works by this author on: This Site Google Camera Obscura (1979) 1-2 (3-1 (3-4)): 227–231. https://doi.org/10.1215/02705346-1-2-3-1_3-4-227 Cite Icon Cite Share …
Transnational utopias
Drawing on original research conducted in Australia, I explore the industrial context, collaborative working practices, transnational ethos and aesthetic of Australian film-maker Baz Luhrmann’s Sydney-based independent production company Bazmark Inq. I trace the potential and limitations inherent in Bazmark’s relationship with major Hollywood studio Twentieth Century Fox, covering issues of copyright, branding and artistic autonomy. I look at the…
Because she's worth it
This article investigates the phenomenon of the ‘natural blonde’ as an ideal of feminine beauty, looking at notions of blond glamour in the 1950s and their deconstruction in recent periods. The article explores the fabricated nature of natural blondness and its relationship to changes in the beauty industry, stardom and celebrity culture since the late 1940s. The role of the beauty industry in fashioning star identities is analysed in relation to…
Art (3 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Gender, Feminism, and Media (2 works) · Icon (2 works) · Aesthetics (1 work) · Beauty (1 work) · Citation (1 work) · Computer graphics (images (1 work) · Computer Science (1 work)