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Because she's worth it

The natural blonde from Grace Kelly to Nicole Kidman

Bibliographic Data

ID5675345
AuthorsPam Cook (University of Southampton, corresponding author)
Year2016
Volume7
Issue1
Pages6-20
Publication date2016-01-02
Open AccessNo
TypeARTICLE
VenueCelebrity Studies (JOURNAL)
Journal identifiersISSN: 1939-2397 • E-ISSN: 1939-2400
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19392397.2016.1104886
OpenAlexW2220625601
LanguageEN
Citations received1
References cited7

This article investigates the phenomenon of the ‘natural blonde’ as an ideal of feminine beauty, looking at notions of blond glamour in the 1950s and their deconstruction in recent periods. The article explores the fabricated nature of natural blondness and its relationship to changes in the beauty industry, stardom and celebrity culture since the late 1940s. The role of the beauty industry in fashioning star identities is analysed in relation to Grace Kelly, whose smooth, wavy, fair hair was a crucial element in defining her style as the ultimate cool blonde, an icon of understated elegance and impeccable grooming. Her ‘natural blonde’ look was crafted to produce an aspirational image of white femininity with specific class attributes, an ideal that was challenged in her film roles. Social change contributed to the decline of this ideal, as ‘natural’ beauty increasingly became something that could be acquired rather than an innate quality, and ‘ironic blondness’ gathered momentum. Nicole Kidman’s trajectory from flame-haired tomboy to epitome of manufactured blond star glamour, along with her impersonation of Grace Kelly in the 2014 film Grace of Monaco, is used to illuminate these cultural shifts

Aesthetics · Art · Art history · Beauty · Femininity · Icon · Literature · Sociology · Cinema and Media Studies · Fashion and Cultural Textiles · Gender Studies · Gender, Feminism, and Media · History · Philosophy

  • How to get away with authenticity

    F Sobande•Celebrity Studies•2019

  • Heavenly Bodies

    Richard Dyer•Stardom and Celebrity•2007

  • Blonde and blue‐eyed? Globalizing beauty , c. 1945– c. 1980 1

    Open Access•Geoffrey Jones•The Economic History Review•2008

  • The Spectacular Modern Woman

    Liz Conor•The spectacular modern woman•2004

  • Brand Hollywood

    Chris Johnson, Chris F Johnson•Screen•2009

  • Shame and Glory

    Anthony Synnott•British Journal of Sociology•1987

Citations per year0.14
Citation span2019 - 2019 (1)
Highly citedNo

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