Zhiyi Yang
Biographic Data
| ID | 3675229 |
|---|---|
| NAME | Zhiyi Yang |
| GIVEN NAMES | Zhiyi |
| FAMILY NAME | Yang |
| SIGNATURE | YANG Z |
| AFFILIATIONS | Goethe University Frankfurt |
| ORCID | 0000-0003-4982-1187 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Alternative Lyric Modernity
Zhou Zuoren, a pioneer of the New Culture Movement, became a collaborator and classicist poet during the Second Sino-Japanese War. This article attempts to bridge the gap between two periods of Zhou's life: his later return to Chinese lyric classicism and his earlier career as a pioneer of vernacular poetry, translator of Japanese haiku, and literary critic championing a "Short Verse Movement." I argue that Zhou's wartime doggerels consisted of a…
Sinophone Classicism
In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as "fetishisms" or authenticating them as "Chinese traditions," I propose "Sinophone classicism" as a new critical expression for conceptualizing this diverse array of articulations. It refers to the appropriation, redeployment, a…
Site
Impact of Ambient Temperature and Relative Humidity on the Incidence of Hand-Foot-Mouth Disease in Wuhan, China
Background : Few studies have previously explored the relationship between hand, foot, and mouth disease (HFMD) and meteorological factors with the effect modification of air pollution, and these studies had inconsistent findings. We therefore applied a time-series analysis assessing the effects of temperature and humidity on the incidence of HFMD in Wuhan, China to deepen our understanding of the relationship between meteorological factors and t…
Towards a New History of Elite Cultural Expression in Japanese-Occupied China
This paper provides a ‘state of the field’ view of what the authors refer to as the ‘new cultural history’ of Japanese-occupied China. It explores how this small but growing field is beginning to provide new perspectives on questions of ‘collaboration’ and ‘resistance’ that have dominated many recent studies of wartime China. In addition, the authors argue that more research needs to focus on elite forms of Chinese cultural expression under occup…
Thatched Cottage in a Fallen City
This article examines the construction of lyric identities by Li Xuanti, a classical-style poet, cultural celebrity and prominent civil servant in collaborationist regimes based in Nanjing during the Second Sino-Japanese War. It argues that Li used his poetry to explore the confusion, ambivalence and sense of cultural pride while living with the occupiers. Despite his collaboration, a frequent identity that appears in Li’s poetry is that of a yim…
Dialectics of Spontaneity
of Spontaneity in a Work of Art 54 The Emphasis on Practice Oblivion as a Form of Liberation Lodging in a World of Resemblance Coda
Return to an Inner Utopia
This article examines Su Shi’s systematic matching of Tao Qian’s poetry during his last periods of exile to the far south. Su understood the aesthetic features of Tao’s poetry as having an ethical dimension. Through emulation of Tao Qian, Su Shi reinterpreted his exile to be a result of his natural inclinations, just like Tao’s reclusion, and even as a felicitous condition for his “return” to an original state of authenticity and spontaneity. By …
Zhu Xi as Poet
Sinophone Classicism
In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as "fetishisms" or authenticating them as "Chinese traditions," I propose "Sinophone classicism" as a new critical expression for conceptualizing this diverse array of articulations. It refers to the appropriation, redeployment, a…
Towards a New History of Elite Cultural Expression in Japanese-Occupied China
This paper provides a ‘state of the field’ view of what the authors refer to as the ‘new cultural history’ of Japanese-occupied China. It explores how this small but growing field is beginning to provide new perspectives on questions of ‘collaboration’ and ‘resistance’ that have dominated many recent studies of wartime China. In addition, the authors argue that more research needs to focus on elite forms of Chinese cultural expression under occup…
Zhu Xi as Poet
Zhu Xi as Poet
Return to an Inner Utopia
This article examines Su Shi’s systematic matching of Tao Qian’s poetry during his last periods of exile to the far south. Su understood the aesthetic features of Tao’s poetry as having an ethical dimension. Through emulation of Tao Qian, Su Shi reinterpreted his exile to be a result of his natural inclinations, just like Tao’s reclusion, and even as a felicitous condition for his “return” to an original state of authenticity and spontaneity. By …
Dialectics of Spontaneity
of Spontaneity in a Work of Art 54 The Emphasis on Practice Oblivion as a Form of Liberation Lodging in a World of Resemblance Coda
Site
Impact of Ambient Temperature and Relative Humidity on the Incidence of Hand-Foot-Mouth Disease in Wuhan, China
Background : Few studies have previously explored the relationship between hand, foot, and mouth disease (HFMD) and meteorological factors with the effect modification of air pollution, and these studies had inconsistent findings. We therefore applied a time-series analysis assessing the effects of temperature and humidity on the incidence of HFMD in Wuhan, China to deepen our understanding of the relationship between meteorological factors and t…
Towards a New History of Elite Cultural Expression in Japanese-Occupied China
This paper provides a ‘state of the field’ view of what the authors refer to as the ‘new cultural history’ of Japanese-occupied China. It explores how this small but growing field is beginning to provide new perspectives on questions of ‘collaboration’ and ‘resistance’ that have dominated many recent studies of wartime China. In addition, the authors argue that more research needs to focus on elite forms of Chinese cultural expression under occup…
Thatched Cottage in a Fallen City
This article examines the construction of lyric identities by Li Xuanti, a classical-style poet, cultural celebrity and prominent civil servant in collaborationist regimes based in Nanjing during the Second Sino-Japanese War. It argues that Li used his poetry to explore the confusion, ambivalence and sense of cultural pride while living with the occupiers. Despite his collaboration, a frequent identity that appears in Li’s poetry is that of a yim…
Alternative Lyric Modernity
Zhou Zuoren, a pioneer of the New Culture Movement, became a collaborator and classicist poet during the Second Sino-Japanese War. This article attempts to bridge the gap between two periods of Zhou's life: his later return to Chinese lyric classicism and his earlier career as a pioneer of vernacular poetry, translator of Japanese haiku, and literary critic championing a "Short Verse Movement." I argue that Zhou's wartime doggerels consisted of a…
Sinophone Classicism
In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as "fetishisms" or authenticating them as "Chinese traditions," I propose "Sinophone classicism" as a new critical expression for conceptualizing this diverse array of articulations. It refers to the appropriation, redeployment, a…
Chinese history and philosophy (7 works) · History (6 works) · Art (5 works) · Japanese History and Culture (5 works) · Literature (5 works) · Philosophy (5 works) · Law (3 works) · Law (3 works) · Poetry (3 works) · Political science (3 works)