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Gerald Gillespie

Biographic Data

ID3681459
NAMEGerald Gillespie
GIVEN NAMESGerald
FAMILY NAMEGillespie
SIGNATUREGILLESPIE G
AFFILIATIONSStanford University
VERIFIEDNo
TOTAL WORKS36
TOTAL CITATIONS2
WORKS AS AUTHOR35
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR2011
H-INDEX1
  • The Incarnation of Language

    Gerald Gillespie•ARTICLE•Comparative Literature Studies•2011

    Book Review| March 01 2011 The Incarnation of Language: Joyce, Proust and a Philosophy of the Flesh O'Sullivan, MichaelThe Incarnation of Language: Joyce, Proust and a Philosophy of the Flesh. London: Continuum, 2008. 189 pp. Cloth $120.00. Gerald Gillespie Gerald Gillespie Stanford University Gerald Gillespie is a professor emeritus at Stanford University and a former president of the International Comparative Literature Association. He has taug…

  • Anna Balakian

    Open Access•Gerald Gillespie•ARTICLE•Comparative Critical Studies•2010•References: 2

    The realm of studies known for better or worse as Comparative Literature is so richly variegated that we always need to stand back from grandiose abstractions in order to appreciate in its specifics the good practice of individual accomplished figures like Anna Elizabeth Balakian. Roughly three major phases stand out in her long career, although in each the cumulative play-through of her earliest commitments is evident. The young Balakian (hencef…

  • Romantic Prose Fiction

    Gerald Gillespie, Manfred Engel et al.•EDITOR•BOOK•Romantic prose fiction•2008

    In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both i…

  • The International Comparative Literature Association (Ailc/Icla)

    Open Access•Gerald Gillespie•ARTICLE•Diogenes•2003

  • The relevance of irrelevance

    Open Access•Gerald Gillespie•ARTICLE•Journal of Literary Studies•1995

    An encyclopedic drive and ironic self‐critical consciousness have informed the humoristic tradition in Western narrative from Rabelais, Cervantes, Grimmelshausen, and Sterne down to Joyce, Mann and Barth. But also copresent at every major stage in the development of humoristic fiction has been a spirit of playfulness that enables dynamic movement toward larger synthesizing vision, as well as the recognition of cultural complexity and error. The l…

  • Artists, Ephebes, and Brownshirts

    Open Access•Gerald Gillespie•ARTICLE•German Life and Letters•1992•References: 1

  • Hieroglyphics of Finality in Eichendorff's Lyrics

    Open Access•Gerald Gillespie•ARTICLE•German Life and Letters•1989

  • German Romanticism Today

    Open Access•Gerald Gillespie•ARTICLE•German Life and Letters•1983

  • Kleist's Hypothesis of Affective Expression

    Gerald Gillespie•ARTICLE•Seminar A Journal of Germanic…•1981•Cited by: 2

    In A Concise History of Rhetoric Brian Vickers speaks of `an almost complete change of direction, one which still affects our conscious and unconscious thinking about literature,' when the Romantic age abandoned rhetoric and the traditional genres in favour of a supergeneric, subjective discourse.' In this paper I shall look at one intriguing case among the multitude which would have to be investigated in any attempt to demarcate the sinuous Roma…

  • Scientific Discourse and Postmodernity

    Gerald Gillespie•ARTICLE•boundary 2•1979

    Good faith demands that broad speculations about culture be so labeled. Admittedly, this paper speculates about matters which may seem at best tenuously related: on the one hand, the emergence of scientific discourse, its influence, and its originally anti-traditionalist program in the Anglo-American world; on the other hand, the revaluative, transformational, and apocalyptic thought of Postmodernism. My purpose is not to erect a grandiose thesis…

  • Herkommen und Erneuerung. Essays for Oskar Seidlin

    Eva Schiffer, Gerald Gillespie et al.•ARTICLE•Modern Language Notes•1979

  • Symbolismus und symbolische Logik

    Gerald Gillespie, John Neubauer•ARTICLE•Modern Language Notes•1979

  • Deutsche Drucke des Barock 1600-1720 in der Herzog August Bibliothek Wolfenbüttel. Abteilung A, Biblioteca Augusta

    Open Access•Gerald Gillespie•ARTICLE•Renaissance Quarterly•1979

    Martin Bircher. Deutsche Drucke des Barock 1600-1720 in der Herzog August Bibliothek Wolfenbüttel. Abteilung A, Biblioteca Augusta: Band 1, Ethica, Grammatica, Poetica, Rhetorica. Nendeln: KTO-Press, 1977. xv+346 pp. Fr.S.195. - Volume 32 Issue 4

  • Der gestiefelte Kater

    Lester N Caltvedt, Ludwig Tieck et al.•ARTICLE•The German Quarterly•1978

  • Geschichte, Politik und Gesellschaft im Drama des 17. Jahrhunderts

    Gerald Gillespie, Elida Maria Szarota•ARTICLE•The German Quarterly•1977

  • The Baroque Poem

    Gerald Gillespie, Harold B Segel•ARTICLE•Modern Language Notes•1977

  • Petrarkistische Lyrik

    Gerald Gillespie, Gerhart Hoffmeister•ARTICLE•The German Quarterly•1975

  • Die spanische Diana in Deutschland

    Gerald Gillespie, Gerhart Hoffmeister•ARTICLE•The German Quarterly•1975

  • New Apocalypse for Old

    Gerald Gillespie•ARTICLE•boundary 2•1975

    To assess Frank Kermode's larger contribution we would have to appreciate his discipline as journalist-critic, which he himself illuminates in such essays as A Modest Tribute to Edmund Wilson, and by negative contrast, Frye Reconsidered.1 The practical critic, a front-line, day-by-day exponent of cultural values, cannot stand back from the supposed whole picture and apply abstract terms with theological rigour (C 116). Yet from the aggregate of K…

  • The Night Watches of Bonaventura

    Egon Schwarz, Gerald Gillespie•ARTICLE•The German Quarterly•1974

  • The Social History of the Reformation

    Open Access•Gerald Gillespie•ARTICLE•Renaissance Quarterly•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • German Baroque Poetry

    Gerhart Hoffmeister, Gerald Gillespie•ARTICLE•The German Quarterly•1973

  • German Baroque Poetry

    Richard J Allen, Gerald Gillespie•ARTICLE•Modern Language Notes•1972

  • Bonaventura's Romantic Agony

    Gerald Gillespie•ARTICLE•Modern Language Notes•1970

  • Galdos and the Unlocking of the Psyche

    Gerald Gillespie•ARTICLE•Hispania•1970

    Gald6s' early conviction about dreaming accords with his acceptance of popularized Romantic psychology. In brief, early nineteenth-century theorists taught that every human being recapitulated, while at the same time contributing to, the larger drama of mankind's spiritual growth and that the motivating impulses in evolution streamed out of the unconscious or primordial to the conscious or developmental level. Like most positivists, Gald6s envisi…

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  • Kleist's Hypothesis of Affective Expression

    Gerald Gillespie•ARTICLE•Seminar A Journal of Germanic…•1981•Cited by: 2

    In A Concise History of Rhetoric Brian Vickers speaks of `an almost complete change of direction, one which still affects our conscious and unconscious thinking about literature,' when the Romantic age abandoned rhetoric and the traditional genres in favour of a supergeneric, subjective discourse.' In this paper I shall look at one intriguing case among the multitude which would have to be investigated in any attempt to demarcate the sinuous Roma…

  • Die Trauerspiele Lohensteins, Versuch einer Interpretation

    Gerald Gillespie, Klaus Gunther Just•ARTICLE•The German Quarterly•1962

  • Schelmuffsky

    Gerald Gillespie, Christian Reuter et al.•ARTICLE•The German Quarterly•1962

  • Benjamin Neukirchs Anthologie

    Gerald Gillespie, Angelo George De Capua et al.•ARTICLE•The German Quarterly•1962

  • Drama in Renaissance Germany and Switzerland

    Gerald Gillespie, Derek Van Abbe•ARTICLE•The German Quarterly•1963

  • Space and Time Seen through Stifter's Telescope

    Gerald Gillespie•ARTICLE•The German Quarterly•1964

    In his journalistic description, Die Sonnenfinsternis am 8. Juli 1842, Stifter peers through instruments at cataclysmic forces and celestial magnitudes.' Like Tennyson and many other nineteenthcentury writers, he is fascinated by science but clings to an optimistic faith, in spite of the terror and anxiety which his observations excite. When the threatening darkness again yields to the light, he is awestruck. His reverent dread for the deity is a…

  • Lohenstein’s Protagonists

    Gerald Gillespie•ARTICLE•The Germanic Review Literature…•1964

    NotesI give the dates of publication, which do not necessarily indicate the period of composition. For bibliographical information, see Hans von Müller, “Bibliographie der Schriften Lohensteins,” Werden und Wirken, Festgruss für K. W. Hiersemann (Leipzig, 1924) and the editorial commentaries to the Turkish, Roman, and African tragedies by Klaus Günther Just, Bibliothek des Li terarischen Vereins in Stuttgart, Nos. 292–294 (Stuttgart, 1953–1957). …

  • Notes on the Evolution of German Renaissance Lyricism

    Gerald Gillespie•ARTICLE•Modern Language Notes•1966

    Because our sensitivity for rhythm and diction is historically conditioned, it is only a seeming paradox that, after Luther, really native German verse sounds strange to us. The nature of German poetry was fundamentally altered by the end of the sixteenth century through the influence of Romance and ancient classical models. Martin Opitz (1597-1639), as modern criticism has come to recognize, did not usher in the new fashions; rather they were pr…

  • Elida Maria Szarota, Künstler, Grübler und Rebellen

    Gerald Gillespie•ARTICLE•The Germanic Review Literature…•1968

  • Miguel de Cervantes

    Gerald Gillespie, Werner Krauß et al.•ARTICLE•Hispanic Review•1968

  • Joseph Freiherr von Eichendorff

    Gerald Gillespie, Egon Schwarz•ARTICLE•The German Quarterly•1969

  • Bonaventura's Romantic Agony

    Gerald Gillespie•ARTICLE•Modern Language Notes•1970

  • Galdos and the Unlocking of the Psyche

    Gerald Gillespie•ARTICLE•Hispania•1970

    Gald6s' early conviction about dreaming accords with his acceptance of popularized Romantic psychology. In brief, early nineteenth-century theorists taught that every human being recapitulated, while at the same time contributing to, the larger drama of mankind's spiritual growth and that the motivating impulses in evolution streamed out of the unconscious or primordial to the conscious or developmental level. Like most positivists, Gald6s envisi…

  • Realidad, ficcion y simbolo en las novelas de Perez Galdos. Ensayo de estetica realista

    Gerald Gillespie, Gustavo Correa•ARTICLE•Hispanic Review•1970

  • German Baroque Poetry

    Richard J Allen, Gerald Gillespie•ARTICLE•Modern Language Notes•1972

  • German Baroque Poetry

    Gerhart Hoffmeister, Gerald Gillespie•ARTICLE•The German Quarterly•1973

  • The Night Watches of Bonaventura

    Egon Schwarz, Gerald Gillespie•ARTICLE•The German Quarterly•1974

  • The Social History of the Reformation

    Open Access•Gerald Gillespie•ARTICLE•Renaissance Quarterly•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Petrarkistische Lyrik

    Gerald Gillespie, Gerhart Hoffmeister•ARTICLE•The German Quarterly•1975

  • Die spanische Diana in Deutschland

    Gerald Gillespie, Gerhart Hoffmeister•ARTICLE•The German Quarterly•1975

  • New Apocalypse for Old

    Gerald Gillespie•ARTICLE•boundary 2•1975

    To assess Frank Kermode's larger contribution we would have to appreciate his discipline as journalist-critic, which he himself illuminates in such essays as A Modest Tribute to Edmund Wilson, and by negative contrast, Frye Reconsidered.1 The practical critic, a front-line, day-by-day exponent of cultural values, cannot stand back from the supposed whole picture and apply abstract terms with theological rigour (C 116). Yet from the aggregate of K…

  • Geschichte, Politik und Gesellschaft im Drama des 17. Jahrhunderts

    Gerald Gillespie, Elida Maria Szarota•ARTICLE•The German Quarterly•1977

  • The Baroque Poem

    Gerald Gillespie, Harold B Segel•ARTICLE•Modern Language Notes•1977

  • Der gestiefelte Kater

    Lester N Caltvedt, Ludwig Tieck et al.•ARTICLE•The German Quarterly•1978

  • Scientific Discourse and Postmodernity

    Gerald Gillespie•ARTICLE•boundary 2•1979

    Good faith demands that broad speculations about culture be so labeled. Admittedly, this paper speculates about matters which may seem at best tenuously related: on the one hand, the emergence of scientific discourse, its influence, and its originally anti-traditionalist program in the Anglo-American world; on the other hand, the revaluative, transformational, and apocalyptic thought of Postmodernism. My purpose is not to erect a grandiose thesis…

  • Herkommen und Erneuerung. Essays for Oskar Seidlin

    Eva Schiffer, Gerald Gillespie et al.•ARTICLE•Modern Language Notes•1979

Art (28 works) · Philosophy (20 works) · Literature (14 works) · German Literature and Culture Studies (12 works) · Art history (11 works) · History (8 works) · Philosophy (8 works) · German (7 works) · Epistemology (6 works) · Historical, Literary, and Cultural Studies (6 works)

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