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Andy Stafford

Biographic Data

ID3684760
NAMEAndy Stafford
GIVEN NAMESAndy
FAMILY NAMEStafford
SIGNATURESTAFFORD A
AFFILIATIONSUniversity of Leeds
ORCID0000-0002-6762-0517
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS10
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Dialectics beyond dialectics essay on totality and difference

    Andy Stafford•ARTICLE•Modern & Contemporary France•2017•Cited by: 1•References: 1

    Dialectics beyond dialectics essay on totality and difference." Modern & Contemporary France, 25(3), pp. 340–341

  • L'histoire ne pourra jamais marcher contre l'histoire ». Roland Barthes et l'antistalinisme, 1946-1953

    Andy Stafford•ARTICLE•Littérature•2017•References: 9

    Depuis son rejet du « réalisme socialiste » dans Le Degré zéro de l'écriture jusqu'à ses critiques de la science dans les pays soviétiques, la pensée politique de Barthes de l'après-guerre témoigne de l'influence constante de son ami trotskiste Georges Fournié qui l'initia au marxisme en 1946, un an avant son séjour à Bucarest. Mesurer cette influence permet de réévaluer son rapport au stalinisme. Infléchi par son association avec Maurice Nadeau,…

  • Roland Barthes'sTravels in China

    Andy Stafford•ARTICLE•Textual Practice•2016•Cited by: 1

    Considering the style of writing employed in his diaries Travels in China, published posthumously and without the author's permission, this article traces Roland Barthes's uneasy resistance to Maoist propaganda during and after his trip to China with Tel Quel in April 1974. By analysing the elliptical and easily distracted manner in which he records his impressions, the conclusion is that the diaries prefigure the quandary in which Barthes finds …

  • Raymond depardon and that photograph, beirut 1978

    Andy Stafford•ARTICLE•Contemporary French and…•2014

    By considering the changing attitude of French photographer, Raymond Depardon, to his iconic action-shot from the war in central Beirut 1978, this article suggests that the Lebanese capital's fate over the last forty years plays a crucial role in Depardon's critique of photojournalism

  • Bazin and Photography in the Twenty-First Century

    Open Access•Andy Stafford•ARTICLE•Paragraph•2013•References: 2

    According to André Rouillé (2005) the search for photography's ontology is both fruitless and pointless. Six decades after André Bazin's seminal essay, 'The Ontology of the Photographic Image' (1945), there is a concerted attempt to remove photography from the 'reliquary' of death in which Bazin had (seemingly) locked it. Preferring 'genesis' to 'result', Bazin had suggested that photography benefited from an 'essential objectivity' and that it w…

  • Tricontinentalism in recent Moroccan intellectual history

    Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 2•References: 1

  • Introduction

    Thea Pitman, Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 1•References: 5

  • Patrick Chamoiseau and Rodolphe Hammadi in the penal colony. Photo-text and memory-traces

    Andy Stafford•ARTICLE•Postcolonial Studies•2008

    I know the universe of prisons, but I have never written anything on prisons. I don't think I will. Patrick Chamoiseau1 This article is part of a wider trend within French and Francophone studies

  • Préparation du romanesque' in Roland Barthes's Reading of Sarrasine

    Open Access•Andy Stafford•ARTICLE•Paragraph•2008

    By considering S/Z (1970) as an early example of the romanesque (novelistic) in Roland Barthes's oeuvre, this article considers the generic and thematic anticipation of La Préparation du roman in Barthes's seminars of the late 1960s. It suggests that his seminar notes on Balzac's Sarrasine written in 1968 and 1969 (and on which S/Z is based) are a form of proto-essayism, albeit given as seminars in the institutional context of the Ecole Pratique …

  • La légende de l’histoire”

    Andy Stafford•ARTICLE•Contemporary French and…•2006•References: 1

    L’image renouvellera un jour l’enseignement historique. —Ernest Lavisse Notes Notes 1 See also Arnould Citation1878, and Noël's preface to a new edition of Arnould's L’Etat et La Révolution (Lyon, JML éditions, 1981), “Arthur Arnould ou La vie d’un mort est toujours fictive.” 2 Unfortunately, and inexplicably, the new edition of the Dictionnaire (Noël Citation2000) contains no images or captions. 3 And yet, as early as June 1871, Thomas Cook appa…

  • Poor old RB

    Andy Stafford•ARTICLE•Modern & Contemporary France•1997•References: 1

    Barthes, R., Œuvres complètes tome 3: 1974–1980, ed. E. Marty (Seuil, 1995), 1373 pp., 350 F., ISBN 2 02 020651 X

  • Obituary

    Andy Stafford•ARTICLE•Modern & Contemporary France•1997

    (1997). Obituary: Myron Kofman (1943–1996) Modern & Contemporary France: Vol. 5, No. 1, pp. 73-73

  • Dégel', Hegel and the launch of Arguments

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • Constructing a radical popular theatre

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1996•Cited by: 3

  • The incomplete works of Roland Barthes

    Andy Stafford•ARTICLE•Modern & Contemporary France•1994

    Barthes, R., Œuvres complètes I: 1942–1965 (Seuil, 1993), 1616pp., 330F., ISBN 2 02 017361 1

  • Roland Barthes

    Andy Stafford•ARTICLE•Modern & Contemporary France•1993•Cited by: 1

    Brown, A., Roland Barthes: The Figures of Writing (Oxford, Clarendon, 1992), 303pp., £35.00. ISBN 0 198 15171 3 Moriarty, M. Roland Barthes (Cambridge, Polity, 1991), 255pp., £10.95. ISBN 0 745 60456 0

  • Constructing a radical popular theatre

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1996•Cited by: 3

  • Tricontinentalism in recent Moroccan intellectual history

    Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 2•References: 1

  • Dialectics beyond dialectics essay on totality and difference

    Andy Stafford•ARTICLE•Modern & Contemporary France•2017•Cited by: 1•References: 1

    Dialectics beyond dialectics essay on totality and difference." Modern & Contemporary France, 25(3), pp. 340–341

  • Roland Barthes'sTravels in China

    Andy Stafford•ARTICLE•Textual Practice•2016•Cited by: 1

    Considering the style of writing employed in his diaries Travels in China, published posthumously and without the author's permission, this article traces Roland Barthes's uneasy resistance to Maoist propaganda during and after his trip to China with Tel Quel in April 1974. By analysing the elliptical and easily distracted manner in which he records his impressions, the conclusion is that the diaries prefigure the quandary in which Barthes finds …

  • Introduction

    Thea Pitman, Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 1•References: 5

  • Dégel', Hegel and the launch of Arguments

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • Roland Barthes

    Andy Stafford•ARTICLE•Modern & Contemporary France•1993•Cited by: 1

    Brown, A., Roland Barthes: The Figures of Writing (Oxford, Clarendon, 1992), 303pp., £35.00. ISBN 0 198 15171 3 Moriarty, M. Roland Barthes (Cambridge, Polity, 1991), 255pp., £10.95. ISBN 0 745 60456 0

  • Roland Barthes

    Andy Stafford•ARTICLE•Modern & Contemporary France•1993•Cited by: 1

    Brown, A., Roland Barthes: The Figures of Writing (Oxford, Clarendon, 1992), 303pp., £35.00. ISBN 0 198 15171 3 Moriarty, M. Roland Barthes (Cambridge, Polity, 1991), 255pp., £10.95. ISBN 0 745 60456 0

  • The incomplete works of Roland Barthes

    Andy Stafford•ARTICLE•Modern & Contemporary France•1994

    Barthes, R., Œuvres complètes I: 1942–1965 (Seuil, 1993), 1616pp., 330F., ISBN 2 02 017361 1

  • Constructing a radical popular theatre

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1996•Cited by: 3

  • Poor old RB

    Andy Stafford•ARTICLE•Modern & Contemporary France•1997•References: 1

    Barthes, R., Œuvres complètes tome 3: 1974–1980, ed. E. Marty (Seuil, 1995), 1373 pp., 350 F., ISBN 2 02 020651 X

  • Obituary

    Andy Stafford•ARTICLE•Modern & Contemporary France•1997

    (1997). Obituary: Myron Kofman (1943–1996) Modern & Contemporary France: Vol. 5, No. 1, pp. 73-73

  • Dégel', Hegel and the launch of Arguments

    Open Access•Andy Stafford•ARTICLE•French Cultural Studies•1997•Cited by: 1

  • La légende de l’histoire”

    Andy Stafford•ARTICLE•Contemporary French and…•2006•References: 1

    L’image renouvellera un jour l’enseignement historique. —Ernest Lavisse Notes Notes 1 See also Arnould Citation1878, and Noël's preface to a new edition of Arnould's L’Etat et La Révolution (Lyon, JML éditions, 1981), “Arthur Arnould ou La vie d’un mort est toujours fictive.” 2 Unfortunately, and inexplicably, the new edition of the Dictionnaire (Noël Citation2000) contains no images or captions. 3 And yet, as early as June 1871, Thomas Cook appa…

  • Patrick Chamoiseau and Rodolphe Hammadi in the penal colony. Photo-text and memory-traces

    Andy Stafford•ARTICLE•Postcolonial Studies•2008

    I know the universe of prisons, but I have never written anything on prisons. I don't think I will. Patrick Chamoiseau1 This article is part of a wider trend within French and Francophone studies

  • Préparation du romanesque' in Roland Barthes's Reading of Sarrasine

    Open Access•Andy Stafford•ARTICLE•Paragraph•2008

    By considering S/Z (1970) as an early example of the romanesque (novelistic) in Roland Barthes's oeuvre, this article considers the generic and thematic anticipation of La Préparation du roman in Barthes's seminars of the late 1960s. It suggests that his seminar notes on Balzac's Sarrasine written in 1968 and 1969 (and on which S/Z is based) are a form of proto-essayism, albeit given as seminars in the institutional context of the Ecole Pratique …

  • Tricontinentalism in recent Moroccan intellectual history

    Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 2•References: 1

  • Introduction

    Thea Pitman, Andy Stafford•ARTICLE•Journal of Transatlantic Studies•2009•Cited by: 1•References: 5

  • Bazin and Photography in the Twenty-First Century

    Open Access•Andy Stafford•ARTICLE•Paragraph•2013•References: 2

    According to André Rouillé (2005) the search for photography's ontology is both fruitless and pointless. Six decades after André Bazin's seminal essay, 'The Ontology of the Photographic Image' (1945), there is a concerted attempt to remove photography from the 'reliquary' of death in which Bazin had (seemingly) locked it. Preferring 'genesis' to 'result', Bazin had suggested that photography benefited from an 'essential objectivity' and that it w…

  • Raymond depardon and that photograph, beirut 1978

    Andy Stafford•ARTICLE•Contemporary French and…•2014

    By considering the changing attitude of French photographer, Raymond Depardon, to his iconic action-shot from the war in central Beirut 1978, this article suggests that the Lebanese capital's fate over the last forty years plays a crucial role in Depardon's critique of photojournalism

  • Roland Barthes'sTravels in China

    Andy Stafford•ARTICLE•Textual Practice•2016•Cited by: 1

    Considering the style of writing employed in his diaries Travels in China, published posthumously and without the author's permission, this article traces Roland Barthes's uneasy resistance to Maoist propaganda during and after his trip to China with Tel Quel in April 1974. By analysing the elliptical and easily distracted manner in which he records his impressions, the conclusion is that the diaries prefigure the quandary in which Barthes finds …

  • Dialectics beyond dialectics essay on totality and difference

    Andy Stafford•ARTICLE•Modern & Contemporary France•2017•Cited by: 1•References: 1

    Dialectics beyond dialectics essay on totality and difference." Modern & Contemporary France, 25(3), pp. 340–341

  • L'histoire ne pourra jamais marcher contre l'histoire ». Roland Barthes et l'antistalinisme, 1946-1953

    Andy Stafford•ARTICLE•Littérature•2017•References: 9

    Depuis son rejet du « réalisme socialiste » dans Le Degré zéro de l'écriture jusqu'à ses critiques de la science dans les pays soviétiques, la pensée politique de Barthes de l'après-guerre témoigne de l'influence constante de son ami trotskiste Georges Fournié qui l'initia au marxisme en 1946, un an avant son séjour à Bucarest. Mesurer cette influence permet de réévaluer son rapport au stalinisme. Infléchi par son association avec Maurice Nadeau,…

Art (11 works) · Philosophy (9 works) · Art history (7 works) · History (7 works) · Humanities (7 works) · Law (6 works) · Philosophy (6 works) · Political science (6 works) · Sociology (6 works) · French Literature and Criticism (5 works)

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