Raymond depardon and that photograph, beirut 1978
Bibliographic Data
| ID | 12879448 |
|---|---|
| Authors | Andy Stafford (0000-0002-6762-0517, corresponding author) |
| Year | 2014 |
| Volume | 18 |
| Issue | 5 |
| Pages | 559-567 |
| Publication date | 2014-10-20 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French and Francophone Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-9292 • E-ISSN: 1740-9306 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17409292.2014.976379 |
| OpenAlex | W1964514246 |
| Language | EN |
| References cited | 1 |
By considering the changing attitude of French photographer, Raymond Depardon, to his iconic action-shot from the war in central Beirut 1978, this article suggests that the Lebanese capital's fate over the last forty years plays a crucial role in Depardon's critique of photojournalism
Action (physics · Art · Art history · Capital (architecture · Media studies · Photography · Photojournalism · Shot (pellet · Sociology · Visual arts · History · Jewish and Middle Eastern Studies · Middle East Politics and Society · Public Spaces through Art
| Highly cited | No |
|---|