Liza Lim
Biographic Data
| ID | 3684967 |
|---|---|
| NAME | Liza Lim |
| GIVEN NAMES | Liza |
| FAMILY NAME | Lim |
| SIGNATURE | LIM L |
| AFFILIATIONS | University of Huddersfield |
| ORCID | 0000-0002-1331-7088 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim
This article presents a musical bestiary, a collection of creatures found in the work of the composer Liza Lim. It is a thought experiment, meant to unsettle current ways of thinking about music and its relationship with the world. Centring our discussion on sonic figurations rather than on a composer’s works, we experiment with alternative musical ontologies and consider their lessons for understanding the role of contemporary art in a time of e…
An Ecology of Time Traces in Extinction Events and Dawn Chorus
This article emerges out of an ongoing project that asks: What kinds of temporal attention spans and logics are proposed in a time of climate crisis and ecological collapse? What are the temporal dimensions of the uncanny, of post-human or almost-human forms of representation resonant in our bio-technocratic age? How can an understanding of these ecological 'time effects' generate new forms of musical thinking? The form of the article is itself a…
Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim's 'Tongue of the Invisible
This essay addresses distributed creative processes in the preparation and performance of a new musical work—Tongue of the Invisible by Liza Lim, commissioned by the Cologne-based Ensemble musikFabrik. Situating the research within a broadly ecological perspective, and in the specific context of the interface between composition, improvisation, and performance, the study offers a social and distributed understanding of creative production. From t…
Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim's 'Tongue of the Invisible
This essay addresses distributed creative processes in the preparation and performance of a new musical work—Tongue of the Invisible by Liza Lim, commissioned by the Cologne-based Ensemble musikFabrik. Situating the research within a broadly ecological perspective, and in the specific context of the interface between composition, improvisation, and performance, the study offers a social and distributed understanding of creative production. From t…
An Ecology of Time Traces in Extinction Events and Dawn Chorus
This article emerges out of an ongoing project that asks: What kinds of temporal attention spans and logics are proposed in a time of climate crisis and ecological collapse? What are the temporal dimensions of the uncanny, of post-human or almost-human forms of representation resonant in our bio-technocratic age? How can an understanding of these ecological 'time effects' generate new forms of musical thinking? The form of the article is itself a…
Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim's 'Tongue of the Invisible
This essay addresses distributed creative processes in the preparation and performance of a new musical work—Tongue of the Invisible by Liza Lim, commissioned by the Cologne-based Ensemble musikFabrik. Situating the research within a broadly ecological perspective, and in the specific context of the interface between composition, improvisation, and performance, the study offers a social and distributed understanding of creative production. From t…
An Ecology of Time Traces in Extinction Events and Dawn Chorus
This article emerges out of an ongoing project that asks: What kinds of temporal attention spans and logics are proposed in a time of climate crisis and ecological collapse? What are the temporal dimensions of the uncanny, of post-human or almost-human forms of representation resonant in our bio-technocratic age? How can an understanding of these ecological 'time effects' generate new forms of musical thinking? The form of the article is itself a…
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim
This article presents a musical bestiary, a collection of creatures found in the work of the composer Liza Lim. It is a thought experiment, meant to unsettle current ways of thinking about music and its relationship with the world. Centring our discussion on sonic figurations rather than on a composer’s works, we experiment with alternative musical ontologies and consider their lessons for understanding the role of contemporary art in a time of e…
Art (3 works) · Diverse Musicological Studies (3 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Philosophy (2 works) · Sociology (2 works)