Distributed Creativity and Ecological Dynamics
A Case Study of Liza Lim's 'Tongue of the Invisible
Bibliographic Data
| ID | 3266476 |
|---|---|
| Authors | Eric Clarke (0000-0003-0375-6797, University of Oxford), Mark Doffman, Liza Lim (0000-0002-1331-7088, University of Huddersfield, corresponding author) |
| Year | 2013 |
| Volume | 94 |
| Issue | 4 |
| Pages | 628-663 |
| Publication date | 2013-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Music and Letters (JOURNAL) |
| Journal identifiers | ISSN: 0027-4224 • E-ISSN: 1477-4631 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/ml/gct118 |
| OpenAlex | W2066735589 |
| Language | EN |
| Citations received | 16 |
This essay addresses distributed creative processes in the preparation and performance of a new musical work—Tongue of the Invisible by Liza Lim, commissioned by the Cologne-based Ensemble musikFabrik. Situating the research within a broadly ecological perspective, and in the specific context of the interface between composition, improvisation, and performance, the study offers a social and distributed understanding of creative production. From the sizeable body of audio and video data recorded during the preparatory workshops, rehearsals, and performances of the new work, as well as interviews and discussions with the players, conductor, and composer, three discrete episodes from the piece are analysed in some detail. These three examples demonstrate the complex interweaving of musical role, institutional structure, spontaneity and intervention, and designed underdetermination in the creation of a performance, and are couched within an explanatory framework anchored in principles of ownership, signification, and the interanimation of social materials, understood as the components of a dynamic musical ecosystem.
Art · Composition (language) · Context (archaeology) · Creativity · Dynamics (music) · Improvisation · Literature · Musical · Pedagogy · Perspective (graphical) · Sociology · Visual arts · Arts, Culture, and Music Studies · Computer Science · Diverse Musicological Studies · History · Music Technology and Sound Studies · Psychology · Social Psychology
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Pirouetting on the twists and turns of music performance studies
Creativity beyond innovation
Tracking the creative process in music
Creative layers and continuities
Through the Silver Screen
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Repurposing the Past? The Historical Basset Clarinet in Creative Collaboration
Sonic Figurations for the Anthropocene
Meeting the Garden Halfway
À la croisée d’un double continuum ? Retour sur une expérience de co-création entre un compositeur et cinq improvisateurs
Notation Cultures
Involving Experiences
Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon
| Unique citing works | 16 |
|---|---|
| Citations per year | 1,6 |
| Citation span | 2016 - 2025 (10) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 16 |