Caleb Stuart
Biographic Data
| ID | 3685151 |
|---|---|
| NAME | Caleb Stuart |
| GIVEN NAMES | Caleb |
| FAMILY NAME | Stuart |
| SIGNATURE | STUART C |
| AFFILIATIONS | 3/6 Joseph Street, Rozelle, New South Wales 2039, Sydney, Australia. E-mail: <> |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval
From the initial release of the CD in 1982, artists have tampered with the system to test it, compose with it and sample from it. The author examines the use of the cracked and manipulated CD in the work of Yasunao Tone, Nicolas Collins and Oval in relation to their differing approaches and the role of the CD in sound expansion. Tone and Collins are interested in indeterminacy and the benevolent catastrophe in composition, while Oval's process ha…
The Object of Performance: Aural Performativity in Contemporary Laptop Music
The use of the laptop in performance causes various negative responses from the audience, who feel a loss of spectacle and performativity in the action. This occurs as a result of the lack of gesture and visual cues from the performer and the loss of focus from the audience, who have no visual object to ground their aural experience. A shift in focus from an understanding of the visual spectacle in performance to that of aural performativity is n…
The Object of Performance: Aural Performativity in Contemporary Laptop Music
The use of the laptop in performance causes various negative responses from the audience, who feel a loss of spectacle and performativity in the action. This occurs as a result of the lack of gesture and visual cues from the performer and the loss of focus from the audience, who have no visual object to ground their aural experience. A shift in focus from an understanding of the visual spectacle in performance to that of aural performativity is n…
Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval
From the initial release of the CD in 1982, artists have tampered with the system to test it, compose with it and sample from it. The author examines the use of the cracked and manipulated CD in the work of Yasunao Tone, Nicolas Collins and Oval in relation to their differing approaches and the role of the CD in sound expansion. Tone and Collins are interested in indeterminacy and the benevolent catastrophe in composition, while Oval's process ha…
The Object of Performance: Aural Performativity in Contemporary Laptop Music
The use of the laptop in performance causes various negative responses from the audience, who feel a loss of spectacle and performativity in the action. This occurs as a result of the lack of gesture and visual cues from the performer and the loss of focus from the audience, who have no visual object to ground their aural experience. A shift in focus from an understanding of the visual spectacle in performance to that of aural performativity is n…
Art (2 works) · Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Philosophy (2 works) · Visual arts (2 works) · Acoustics (1 works) · Aesthetics (1 works) · Cinema and Media Studies (1 works) · Cultural Studies and Postmodernism (1 works) · Epistemology (1 works)