Damaged Sound
Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval
Bibliographic Data
| ID | 20486306 |
|---|---|
| Authors | Caleb Stuart (3/6 Joseph Street, Rozelle, New South Wales 2039, Sydney, Australia. E-mail: <>, corresponding author) |
| Year | 2003 |
| Volume | 13 |
| Pages | 47-52 |
| Publication date | 2003-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/096112104322750782 |
| OpenAlex | W2034776815 |
| Language | EN |
| Citations received | 7 |
| References cited | 2 |
From the initial release of the CD in 1982, artists have tampered with the system to test it, compose with it and sample from it. The author examines the use of the cracked and manipulated CD in the work of Yasunao Tone, Nicolas Collins and Oval in relation to their differing approaches and the role of the CD in sound expansion. Tone and Collins are interested in indeterminacy and the benevolent catastrophe in composition, while Oval's process has more in common with pop production and studio practices
Acoustics · Art · Epistemology · Literature · Physics · Sound recording and reproduction · Studio · Visual arts · Computer Science · Music History and Culture · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy
| Unique citing works | 7 |
|---|---|
| Citations per year | 0,37 |
| Citation span | 2007 - 2024 (18) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |