Shuxin Cheng
Biographic Data
| ID | 3687018 |
|---|---|
| NAME | Shuxin Cheng |
| GIVEN NAMES | Shuxin |
| FAMILY NAME | Cheng |
| SIGNATURE | CHENG S |
| AFFILIATIONS | University of Nottingham Ningbo China |
| ORCID | 0009-0002-7657-1689 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Belonging Experiences of International Graduate Students: A Phenomenological Study
This phenomenological study explored how international graduate students experience and make sense of belonging across academic, social, and institutional contexts. Fifteen international master’s and doctoral students participated. Semi-structured interviews captured students’ lived experiences of belonging, including comfort, connection, recognition, and value. Four themes emerged: (1) core experiences of belonging; (2) contexts for partial belo…
Adverse childhood experiences and depressive symptoms among international students in the U.S: The roles of acculturative stress and psychological flexibility
Preparing International Returnees: Insights from Chinese Mental Health Professionals Educated in the U.S
The Racialization Experiences of East Asian International Counseling Students
Counselor educators need to consider the unique racializing experiences of international students of color when providing social justice education. This study applied interpretative phenomenological analysis and interviewed eight East Asian international counseling students about their experiences of racialization. We identified five themes: assimilating into US racial discourses, re-constructing the racialized self, navigating race in interperso…
From copycat to copyright: Intellectual property amendments and the development of Chinese online video industries
Many commentators have in the past hailed the production in China of lower cost versions of famous Chinese and international cultural and media products, better known as a shanzhai (山寨) form of production. Against that, this paper argues that there has been a significant move away from a copycat model in the Chinese creative industries, a trend which should be viewed within the context of China’s obligations as a full member of the WTO. This pape…
Sang subculture in post-reform China
This article examines Sang (丧) subculture within the context of positive energy (正能量) in post-reform China, and how as an emergent subculture it is characterised by feelings of defeatism and loss. Chinese youths share Sang memes via social media as a form of affective identification to communicate their sense of disenchantment with the ‘main melody’ of official discourse in post-reform China, and in this sense it is similar to other Internet cult…
How online video platforms could support China’s independent microfilm (short film) makers and enhance the Chinese film industry
As with the US and EU media landscapes, the Chinese film industry is dominated by platforms similar to Netflix, Hulu and Amazon, most notably in the form of the BAT (Baidu, Alibaba, Tencent) companies that according to He (2015) are “taking over the film industry”. These have been described as “imperialistic” in the monopolization of their respective markets and in the use of their financial muscle to squeeze content creators' incomes (Jin, 2015)…
International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement
The relationship between online media platforms in China and fan groups is a dynamic one when it comes to the distribution of international TV series and other media content, as media platforms incorporate user-generated content to encourage or foster audience engagement. Through a series of case studies, this article investigates how international TV series are acquired, distributed, marketed and curated on Chinese online video platforms. This h…
How online video platforms could support China’s independent microfilm (short film) makers and enhance the Chinese film industry
As with the US and EU media landscapes, the Chinese film industry is dominated by platforms similar to Netflix, Hulu and Amazon, most notably in the form of the BAT (Baidu, Alibaba, Tencent) companies that according to He (2015) are “taking over the film industry”. These have been described as “imperialistic” in the monopolization of their respective markets and in the use of their financial muscle to squeeze content creators' incomes (Jin, 2015)…
The Racialization Experiences of East Asian International Counseling Students
Counselor educators need to consider the unique racializing experiences of international students of color when providing social justice education. This study applied interpretative phenomenological analysis and interviewed eight East Asian international counseling students about their experiences of racialization. We identified five themes: assimilating into US racial discourses, re-constructing the racialized self, navigating race in interperso…
From copycat to copyright: Intellectual property amendments and the development of Chinese online video industries
Many commentators have in the past hailed the production in China of lower cost versions of famous Chinese and international cultural and media products, better known as a shanzhai (山寨) form of production. Against that, this paper argues that there has been a significant move away from a copycat model in the Chinese creative industries, a trend which should be viewed within the context of China’s obligations as a full member of the WTO. This pape…
International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement
The relationship between online media platforms in China and fan groups is a dynamic one when it comes to the distribution of international TV series and other media content, as media platforms incorporate user-generated content to encourage or foster audience engagement. Through a series of case studies, this article investigates how international TV series are acquired, distributed, marketed and curated on Chinese online video platforms. This h…
How online video platforms could support China’s independent microfilm (short film) makers and enhance the Chinese film industry
As with the US and EU media landscapes, the Chinese film industry is dominated by platforms similar to Netflix, Hulu and Amazon, most notably in the form of the BAT (Baidu, Alibaba, Tencent) companies that according to He (2015) are “taking over the film industry”. These have been described as “imperialistic” in the monopolization of their respective markets and in the use of their financial muscle to squeeze content creators' incomes (Jin, 2015)…
Sang subculture in post-reform China
This article examines Sang (丧) subculture within the context of positive energy (正能量) in post-reform China, and how as an emergent subculture it is characterised by feelings of defeatism and loss. Chinese youths share Sang memes via social media as a form of affective identification to communicate their sense of disenchantment with the ‘main melody’ of official discourse in post-reform China, and in this sense it is similar to other Internet cult…
From copycat to copyright: Intellectual property amendments and the development of Chinese online video industries
Many commentators have in the past hailed the production in China of lower cost versions of famous Chinese and international cultural and media products, better known as a shanzhai (山寨) form of production. Against that, this paper argues that there has been a significant move away from a copycat model in the Chinese creative industries, a trend which should be viewed within the context of China’s obligations as a full member of the WTO. This pape…
Preparing International Returnees: Insights from Chinese Mental Health Professionals Educated in the U.S
The Racialization Experiences of East Asian International Counseling Students
Counselor educators need to consider the unique racializing experiences of international students of color when providing social justice education. This study applied interpretative phenomenological analysis and interviewed eight East Asian international counseling students about their experiences of racialization. We identified five themes: assimilating into US racial discourses, re-constructing the racialized self, navigating race in interperso…
Belonging Experiences of International Graduate Students: A Phenomenological Study
This phenomenological study explored how international graduate students experience and make sense of belonging across academic, social, and institutional contexts. Fifteen international master’s and doctoral students participated. Semi-structured interviews captured students’ lived experiences of belonging, including comfort, connection, recognition, and value. Four themes emerged: (1) core experiences of belonging; (2) contexts for partial belo…
Adverse childhood experiences and depressive symptoms among international students in the U.S: The roles of acculturative stress and psychological flexibility
Political science (5 works) · China (4 works) · Advertising (3 works) · Business (3 works) · Computer Science (3 works) · Mental health (3 works) · Psychology (3 works) · Asian Culture and Media Studies (2 works) · Cultural Industries and Urban Development (2 works) · Economics (2 works)