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Simon Brown

Biographic Data

ID3687933
NAMESimon Brown
GIVEN NAMESSimon
FAMILY NAMEBrown
SIGNATUREBROWN S
AFFILIATIONSKingston University
ORCID0000-0001-7596-7724
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Documenting Change on the SS Thistlegorm, Red Sea, Egypt

    Open Access•Simon Brown, Jon Henderson•ARTICLE•Heritage•2025•References: 6

    The SS Thistlegorm, a British World War II cargo vessel sunk in 1941 in the Red Sea, is one of the world’s most visited wreck dives, attracting thousands of divers annually. This popularity has accelerated structural deterioration and artefact loss through unsustainable mooring practices, looting, and unintentional diver impacts. The Thistlegorm Project—a collaboration between Alexandria University and the University of Edinburgh—conducted high-r…

  • Navigating the journey into formal employment for youth with disabilities in Bangladesh

    Open Access•Stevens Bechange, Emma Jolley et al.•ARTICLE•Children and Youth Services Review•2024•References: 50

    In this article, we examine how youth with disabilities are transitioning into formal employment, and the effects of this transition on their lives and livelihoods. • Young people’s hope for better livelihoods is often mixed with uncertainty, based on the realization that opportunities to earn a decent salary and have a true career path are not guaranteed. • In our study, an ongoing process of adjustment is evident, beginning with young people se…

  • Making a Trade of Preaching

    Open Access•Simon Brown•ARTICLE•Journal of British Studies•2023•References: 4

    Many writers of political economy in the 1660s and 1670s agreed that there were too many clergy and divinity students in England. This surplus of ministers and aspiring clerics, they argued, would better contribute to the public if they worked as productive laborers in agriculture and manufacturing. The question of whether preaching constituted labor had been a contentious theological debate in the late years of the Interregnum, and the proposals…

  • Logique de l’archipel

    Open Access•Paul D Miller, Simon Brown•ARTICLE•Circuit Musiques contemporaines•2015•References: 3

    Dans cette traduction inédite d’un texte accompagnant une installation sonore exposée au Pavillon des Maldives lors de la Biennale de Venise en 2013, le réalisateur de musique électronique et auteur DJ Spooky se livre à une méditation sur la cartographie, le concept d’île, ainsi que sur quelques « dérives » notables de l’état d’insularité, symptomatiques de la conjoncture actuelle, notamment les paradis fiscaux et les menaces écologiques

  • The sounds of the silents in Britain

    Simon Brown•ARTICLE•Early Popular Visual Culture•2014

    A new volume on British silent cinema is always a cause for celebration, and especially one that is as significant and enjoyable as The Sounds of the Silents in Britain. The origins of the book lie

  • From inventor to renter

    Simon Brown•ARTICLE•Early Popular Visual Culture•2013•References: 2

    The concept of the ‘second birth of cinema’ developed by André Gaudreault offers a new model for thinking about the development of early cinema. By proposing a new paradigm for the relationship between ‘pre-cinema’, early cinema and the formation of cinema as an institution, Gaudreault calls into question both our understanding of this crucial developmental period in cinema history, and our understanding of what cinema is, harking back to André B…

  • From Novelty to Normal

    Open Access•Simon Brown•ARTICLE•Critical Studies in Television…•2013

    In cinemas and on television, the 3D viewing experience is marketed as being both more 'immersive' than 2D, and as an 'experience' which augments the normal 2D viewing experience. Focussing on 3D on television, this article presents an aesthetic analysis of a range of 3DTV content. In doing so it considers the extent to which the variety of 3DTV programming, coupled with its low market penetration, offers a barrier to 3DTV becoming familiar enoug…

  • Censorship Under Siege

    Open Access•Simon Brown•CHAPTER•2012

  • Silent Films

    Simon Brown•ARTICLE•Early Popular Visual Culture•2012

  • Early Cinema in Britain and the Smoking Concert Film

    Simon Brown•ARTICLE•Early Popular Visual Culture•2005•References: 2

    The ‘smoking concert’ film is a term commonly used to identify erotic or risqué films produced during the first ten years of cinema. This name derives from contemporary sources, where certain types of films were set aside in catalogues as being specifically aimed at social events which were known as smoking concerts. The purpose of this paper is to consider first of all the validity of applying the smoking concert label to erotic material by cons…

No prominent works on this page.

  • Early Cinema in Britain and the Smoking Concert Film

    Simon Brown•ARTICLE•Early Popular Visual Culture•2005•References: 2

    The ‘smoking concert’ film is a term commonly used to identify erotic or risqué films produced during the first ten years of cinema. This name derives from contemporary sources, where certain types of films were set aside in catalogues as being specifically aimed at social events which were known as smoking concerts. The purpose of this paper is to consider first of all the validity of applying the smoking concert label to erotic material by cons…

  • Censorship Under Siege

    Open Access•Simon Brown•CHAPTER•2012

  • Silent Films

    Simon Brown•ARTICLE•Early Popular Visual Culture•2012

  • From inventor to renter

    Simon Brown•ARTICLE•Early Popular Visual Culture•2013•References: 2

    The concept of the ‘second birth of cinema’ developed by André Gaudreault offers a new model for thinking about the development of early cinema. By proposing a new paradigm for the relationship between ‘pre-cinema’, early cinema and the formation of cinema as an institution, Gaudreault calls into question both our understanding of this crucial developmental period in cinema history, and our understanding of what cinema is, harking back to André B…

  • From Novelty to Normal

    Open Access•Simon Brown•ARTICLE•Critical Studies in Television…•2013

    In cinemas and on television, the 3D viewing experience is marketed as being both more 'immersive' than 2D, and as an 'experience' which augments the normal 2D viewing experience. Focussing on 3D on television, this article presents an aesthetic analysis of a range of 3DTV content. In doing so it considers the extent to which the variety of 3DTV programming, coupled with its low market penetration, offers a barrier to 3DTV becoming familiar enoug…

  • The sounds of the silents in Britain

    Simon Brown•ARTICLE•Early Popular Visual Culture•2014

    A new volume on British silent cinema is always a cause for celebration, and especially one that is as significant and enjoyable as The Sounds of the Silents in Britain. The origins of the book lie

  • Logique de l’archipel

    Open Access•Paul D Miller, Simon Brown•ARTICLE•Circuit Musiques contemporaines•2015•References: 3

    Dans cette traduction inédite d’un texte accompagnant une installation sonore exposée au Pavillon des Maldives lors de la Biennale de Venise en 2013, le réalisateur de musique électronique et auteur DJ Spooky se livre à une méditation sur la cartographie, le concept d’île, ainsi que sur quelques « dérives » notables de l’état d’insularité, symptomatiques de la conjoncture actuelle, notamment les paradis fiscaux et les menaces écologiques

  • Making a Trade of Preaching

    Open Access•Simon Brown•ARTICLE•Journal of British Studies•2023•References: 4

    Many writers of political economy in the 1660s and 1670s agreed that there were too many clergy and divinity students in England. This surplus of ministers and aspiring clerics, they argued, would better contribute to the public if they worked as productive laborers in agriculture and manufacturing. The question of whether preaching constituted labor had been a contentious theological debate in the late years of the Interregnum, and the proposals…

  • Navigating the journey into formal employment for youth with disabilities in Bangladesh

    Open Access•Stevens Bechange, Emma Jolley et al.•ARTICLE•Children and Youth Services Review•2024•References: 50

    In this article, we examine how youth with disabilities are transitioning into formal employment, and the effects of this transition on their lives and livelihoods. • Young people’s hope for better livelihoods is often mixed with uncertainty, based on the realization that opportunities to earn a decent salary and have a true career path are not guaranteed. • In our study, an ongoing process of adjustment is evident, beginning with young people se…

  • Documenting Change on the SS Thistlegorm, Red Sea, Egypt

    Open Access•Simon Brown, Jon Henderson•ARTICLE•Heritage•2025•References: 6

    The SS Thistlegorm, a British World War II cargo vessel sunk in 1941 in the Red Sea, is one of the world’s most visited wreck dives, attracting thousands of divers annually. This popularity has accelerated structural deterioration and artefact loss through unsustainable mooring practices, looting, and unintentional diver impacts. The Thistlegorm Project—a collaboration between Alexandria University and the University of Edinburgh—conducted high-r…

Art (7 works) · Sociology (6 works) · Cinema and Media Studies (5 works) · History (5 works) · Visual arts (5 works) · History (4 works) · Media studies (4 works) · Movie theater (4 works) · Aesthetics (3 works) · Advertising (2 works)

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