Renata Marquez
Biographic Data
| ID | 3688271 |
|---|---|
| NAME | Renata Marquez |
| GIVEN NAMES | Renata |
| FAMILY NAME | Marquez |
| SIGNATURE | MÁRQUEZ R |
| AFFILIATIONS | Universidade Federal de Minas Gerais |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Feeling stuck: (Im)mobility and transnational strategies of Chinese migrants in Belo Horizonte, Brazil
This paper examines why many Chinese trader‐migrants in Belo Horizonte, Brazil, experience a sense of “stuckness” in relation to return migration, despite long‐term settlement, economic embeddedness, and frequent cross‐border mobility. Drawing on ethnographic fieldwork conducted between 2024 and 2026, we argue that intensified transnational connectivity does not necessarily expand migrants’ freedom of movement. Instead, the intersection of shifti…
Les Pratiques sociales et l'art: Ambiguïtés Potentielles Et Pédagogie Cruciale
J’écris du Brésil, et ce détail a son importance pour le sujet que je m’apprête à aborder. Une semaine avant que le pays ne soit officiellement envahi par le Coronavirus, j’eus la chance de visiter le centre culturel Lá Da Favelinha, situé dans la deuxième plus grande favela du Brésil, l’Aglomerado da Serra, à Belo Horizonte. Aménagé dans une propriété au cœur d’une rue animée, cet espace a été créé à l’initiative d’habitants qui conçoivent la cu…
Social Practices and Art: Potential ambiguity, crucial pedagogy
I am writing in Brazil, and this detail is significant in relation to the topic I am addressing. A week before our country was officially invaded by Coronavirus, I was lucky enough to visit Lá Da Favelinha, a cultural centre situated in Brazil’s second largest favela, Aglomerado da Serra, in Belo Horizonte. The space was created in a private property on a busy street, initiated by residents who understood culture not as a privilege but as a right…
Neither a Hoax nor Art: Politics
On a Saturday morning in May 2013, a sign indicating a public work was installed on Padre Belchior Street, in central Belo Horizonte. According to the sign, in just a couple of days the busy street would become a construction site in which the main goal would be to undo four asphalted lanes and bring back instead the late Leitão stream – an urban stream which four decades ago was channeled and covered with concrete, giving place to a roadway. Thr…
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Neither a Hoax nor Art: Politics
On a Saturday morning in May 2013, a sign indicating a public work was installed on Padre Belchior Street, in central Belo Horizonte. According to the sign, in just a couple of days the busy street would become a construction site in which the main goal would be to undo four asphalted lanes and bring back instead the late Leitão stream – an urban stream which four decades ago was channeled and covered with concrete, giving place to a roadway. Thr…
Les Pratiques sociales et l'art: Ambiguïtés Potentielles Et Pédagogie Cruciale
J’écris du Brésil, et ce détail a son importance pour le sujet que je m’apprête à aborder. Une semaine avant que le pays ne soit officiellement envahi par le Coronavirus, j’eus la chance de visiter le centre culturel Lá Da Favelinha, situé dans la deuxième plus grande favela du Brésil, l’Aglomerado da Serra, à Belo Horizonte. Aménagé dans une propriété au cœur d’une rue animée, cet espace a été créé à l’initiative d’habitants qui conçoivent la cu…
Social Practices and Art: Potential ambiguity, crucial pedagogy
I am writing in Brazil, and this detail is significant in relation to the topic I am addressing. A week before our country was officially invaded by Coronavirus, I was lucky enough to visit Lá Da Favelinha, a cultural centre situated in Brazil’s second largest favela, Aglomerado da Serra, in Belo Horizonte. The space was created in a private property on a busy street, initiated by residents who understood culture not as a privilege but as a right…
Feeling stuck: (Im)mobility and transnational strategies of Chinese migrants in Belo Horizonte, Brazil
This paper examines why many Chinese trader‐migrants in Belo Horizonte, Brazil, experience a sense of “stuckness” in relation to return migration, despite long‐term settlement, economic embeddedness, and frequent cross‐border mobility. Drawing on ethnographic fieldwork conducted between 2024 and 2026, we argue that intensified transnational connectivity does not necessarily expand migrants’ freedom of movement. Instead, the intersection of shifti…
Art (2 works) · Arts and Performance Studies (2 works) · Humanities (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Ambiguity (1 works) · Art Education and Development (1 works) · Business (1 works) · China (1 works)