Charlotte Gould
Biographic Data
| ID | 3688372 |
|---|---|
| NAME | Charlotte Gould |
| GIVEN NAMES | Charlotte |
| FAMILY NAME | Gould |
| SIGNATURE | GOULD C |
| AFFILIATIONS | Université Paris Nanterre |
| ORCID | 0000-0003-2381-6304 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Art, Performance, and Outsourcing in Corporate Art Commissioning: An American Scenario
At a time when corporate sponsorship of contemporary art has become increasingly widespread, allowing sponsors to enhance their brands and receive return on investment in the shape of tax breaks and publicity, business has maximized this association by also capitalizing on what it perceives as the work ethic and entrepreneurial skills of the art world. The art world has indeed become a benchmark of production and management for the business world…
Video Introduction to Issue 15
David Hockney. A Year in Normandy, du 13 octobre 2021 au 14 février 2022, Musée de l’Orangerie, Paris: Compte rendu critique
et contredire la maxime de la Rochefoucault qui la prcde, crite de la main de l'artiste : Souvenez-vous, le soleil ni la mort ne se peuvent regarder fixement
L’objet à l’œuvre dans l’art des British Young Artists
While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of …
Britain’s Pop Ups: Guerrilla Exhibiting, Disrupting, Occupying and Gentrifying at the Intersection of Art and Business
This article explores the pop up phenomenon in the context of turn-of-the-century Britain, namely objects of visibility which have appeared and then, even more importantly, disappeared in public space. The pop up phenomenon, which has been a popular object of study for cultural geographers, while also commanding attention in marketing and public policy studies, evokes a composite and sometimes contradictory imaginary: the temporary, the alternati…
Artangel and Financing British Art: Adapting to Social and Economic Change
Dissemination, the New Sites of Art
All the World’s a Screen, featuring: The seven stages of man
Charlotte Gould and Paul Sermon developed and presented this collaborative new artwork entitled All the World’s a Screen, a live interactive telecommunications performance, to link public audiences in Manchester and Barcelona. On the evening of Saturday 28 May 2011 participants at MadLab in Manchester’s Northern Quarter and Hangar Artist Studios in Poblenou, Barcelona were joined together on-screen for the first time to create their very own inte…
Simon Starling and Superflex. Reprototypes, Triangulations and Road Tests
Le catalogue Reprototypes, Triangulations and Road Tests accompagne l’exposition qui inaugure l’implantation de Thyssen-Bornemisza Art Contemporary (TBA21) dans l’Augarten de Vienne. L’exposition comprend huit œuvres du Britannique Simon Starling, une du collectif danois Superflex et une collaboration. Leurs préoccupations se rejoignent en ce qu’ils s’intéressent aux stratégies permettant de reconfigurer le modernisme sur un mode contemporain plu…
Marc Quinn, The Littoral Zone
Après Mark Dion et Damien Hirst, le spectaculaire Musée océanographique de Monaco a invité le Britannique Marc Quinn à installer une soixantaine d’œuvres parmi ses collections. On comprend aisément comment des travaux aux confins de l’art et de la science bénéficient d’une telle juxtaposition. Objets d’étude et objets esthétiques se rejoignent parfois dans The Littoral Zone et certains spécimens aquatiques pourraient facilement être pris pour des…
Didier Ottinger. Hopper, Ombre et Lumière du mythe américain
Le commissaire de l’exposition Edward Hopper organisée au Grand Palais à l’hiver 2012-2013 livre un ouvrage court mais complet sur un Américain incontournable qui fascine la France. Et c’est depuis la France que Didier Ottinger aborde cette figure inclassable, adoubée aussi bien par les réalistes que par les formalistes, évitant ainsi l’écueil de la répétition de ce qui a déjà cent fois été écrit sur Edward Hopper. Il parvient à adopter un point …
Jacques Villeglé - François Dufrêne - Pierre Restany: Collective Realities
Pieces of writing, photographs, publications, videos and audio recordings to do with the work of Jacques Villegl are among the many collections held at the Archives de la critique d'art. These documents, all produced at key moments of the artist's career, are testimonies to the many different ways his work was received between 1959, when he first presented his ripped posters in an institutional exhibition, and the beginning of the 2000s, when he …
Le Groupe de Bloomsbury: Conversation Anglaise
Cette « conversation anglaise » a d’abord lieu entre la France et l’Angleterre. La Piscine de Roubaix a organisé là la première exposition française du groupe, et il est surprenant que cet hommage soit si tardif, tant les liens tissés par Bloomsbury avec la France ont été étroits. Ce fut Roger Fry qui inventa le terme « postimpressionniste » pour qualifier les héritiers d’Edouard Manet qu’il fit découvrir à ses compatriotes lors de deux expositio…
Determinants of foster care placement for the maltreated child
This study examined the records of the North Carolina Central Registry of Child Abuse and Neglect to determine which social, family, and child characteristics were most influential in the decision to place a child in foster care. These records contained all theoretically relevant factors as well as demographic data. Analysis included the computation of odds ratios for foster care for each of 250 variables. A maximum likelihood logistic regression…
Determinants of foster care placement for the maltreated child
This study examined the records of the North Carolina Central Registry of Child Abuse and Neglect to determine which social, family, and child characteristics were most influential in the decision to place a child in foster care. These records contained all theoretically relevant factors as well as demographic data. Analysis included the computation of odds ratios for foster care for each of 250 variables. A maximum likelihood logistic regression…
Determinants of foster care placement for the maltreated child
This study examined the records of the North Carolina Central Registry of Child Abuse and Neglect to determine which social, family, and child characteristics were most influential in the decision to place a child in foster care. These records contained all theoretically relevant factors as well as demographic data. Analysis included the computation of odds ratios for foster care for each of 250 variables. A maximum likelihood logistic regression…
Le Groupe de Bloomsbury: Conversation Anglaise
Cette « conversation anglaise » a d’abord lieu entre la France et l’Angleterre. La Piscine de Roubaix a organisé là la première exposition française du groupe, et il est surprenant que cet hommage soit si tardif, tant les liens tissés par Bloomsbury avec la France ont été étroits. Ce fut Roger Fry qui inventa le terme « postimpressionniste » pour qualifier les héritiers d’Edouard Manet qu’il fit découvrir à ses compatriotes lors de deux expositio…
Jacques Villeglé - François Dufrêne - Pierre Restany: Collective Realities
Pieces of writing, photographs, publications, videos and audio recordings to do with the work of Jacques Villegl are among the many collections held at the Archives de la critique d'art. These documents, all produced at key moments of the artist's career, are testimonies to the many different ways his work was received between 1959, when he first presented his ripped posters in an institutional exhibition, and the beginning of the 2000s, when he …
All the World’s a Screen, featuring: The seven stages of man
Charlotte Gould and Paul Sermon developed and presented this collaborative new artwork entitled All the World’s a Screen, a live interactive telecommunications performance, to link public audiences in Manchester and Barcelona. On the evening of Saturday 28 May 2011 participants at MadLab in Manchester’s Northern Quarter and Hangar Artist Studios in Poblenou, Barcelona were joined together on-screen for the first time to create their very own inte…
Simon Starling and Superflex. Reprototypes, Triangulations and Road Tests
Le catalogue Reprototypes, Triangulations and Road Tests accompagne l’exposition qui inaugure l’implantation de Thyssen-Bornemisza Art Contemporary (TBA21) dans l’Augarten de Vienne. L’exposition comprend huit œuvres du Britannique Simon Starling, une du collectif danois Superflex et une collaboration. Leurs préoccupations se rejoignent en ce qu’ils s’intéressent aux stratégies permettant de reconfigurer le modernisme sur un mode contemporain plu…
Marc Quinn, The Littoral Zone
Après Mark Dion et Damien Hirst, le spectaculaire Musée océanographique de Monaco a invité le Britannique Marc Quinn à installer une soixantaine d’œuvres parmi ses collections. On comprend aisément comment des travaux aux confins de l’art et de la science bénéficient d’une telle juxtaposition. Objets d’étude et objets esthétiques se rejoignent parfois dans The Littoral Zone et certains spécimens aquatiques pourraient facilement être pris pour des…
Didier Ottinger. Hopper, Ombre et Lumière du mythe américain
Le commissaire de l’exposition Edward Hopper organisée au Grand Palais à l’hiver 2012-2013 livre un ouvrage court mais complet sur un Américain incontournable qui fascine la France. Et c’est depuis la France que Didier Ottinger aborde cette figure inclassable, adoubée aussi bien par les réalistes que par les formalistes, évitant ainsi l’écueil de la répétition de ce qui a déjà cent fois été écrit sur Edward Hopper. Il parvient à adopter un point …
Artangel and Financing British Art: Adapting to Social and Economic Change
Dissemination, the New Sites of Art
Britain’s Pop Ups: Guerrilla Exhibiting, Disrupting, Occupying and Gentrifying at the Intersection of Art and Business
This article explores the pop up phenomenon in the context of turn-of-the-century Britain, namely objects of visibility which have appeared and then, even more importantly, disappeared in public space. The pop up phenomenon, which has been a popular object of study for cultural geographers, while also commanding attention in marketing and public policy studies, evokes a composite and sometimes contradictory imaginary: the temporary, the alternati…
Video Introduction to Issue 15
David Hockney. A Year in Normandy, du 13 octobre 2021 au 14 février 2022, Musée de l’Orangerie, Paris: Compte rendu critique
et contredire la maxime de la Rochefoucault qui la prcde, crite de la main de l'artiste : Souvenez-vous, le soleil ni la mort ne se peuvent regarder fixement
L’objet à l’œuvre dans l’art des British Young Artists
While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of …
Art, Performance, and Outsourcing in Corporate Art Commissioning: An American Scenario
At a time when corporate sponsorship of contemporary art has become increasingly widespread, allowing sponsors to enhance their brands and receive return on investment in the shape of tax breaks and publicity, business has maximized this association by also capitalizing on what it perceives as the work ethic and entrepreneurial skills of the art world. The art world has indeed become a benchmark of production and management for the business world…
Art (7 works) · Cinema and Media Studies (3 works) · Historical Studies and Socio-cultural Analysis (3 works) · History (3 works) · Art history (2 works) · Art History and Market Analysis (2 works) · Business (2 works) · Computer Science (2 works) · Cultural Industries and Urban Development (2 works) · Diverse Cultural and Historical Studies (2 works)