L’objet à l’œuvre dans l’art des British Young Artists
Bibliographic Data
| ID | 21797339 |
|---|---|
| Authors | Charlotte Gould (0000-0003-2381-6304, Institute of Contemporary Art, corresponding author) |
| Year | 2022 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revue LISA / LISA e-journal (JOURNAL) |
| Journal identifiers | ISSN: 1762-6153 • E-ISSN: 1762-6153 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/lisa.870 |
| OpenAlex | W1486474998 |
| Language | FR |
While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of the eighties with its “truth to material” motto, by adopting a lighter approach, unencumbered with history, which does away with the unbearable heaviness of things
Art · Art history · Sculpture · Death, Funerary Practices, and Mourning · Diverse Cultural and Historical Studies · French Urban and Social Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |