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L’objet à l’œuvre dans l’art des British Young Artists

Bibliographic Data

ID21797339
AuthorsCharlotte Gould (0000-0003-2381-6304, Institute of Contemporary Art, corresponding author)
Year2022
Publication date2022-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevue LISA / LISA e-journal (JOURNAL)
Journal identifiersISSN: 1762-6153 • E-ISSN: 1762-6153
PublisherOpenEdition (PUBLISHER)
DOI10.4000/lisa.870
OpenAlexW1486474998
LanguageFR

While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of the eighties with its “truth to material” motto, by adopting a lighter approach, unencumbered with history, which does away with the unbearable heaviness of things

Art · Art history · Sculpture · Death, Funerary Practices, and Mourning · Diverse Cultural and Historical Studies · French Urban and Social Studies · Philosophy

Citation velocityhistorical
Highly citedNo

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