Kim Hammond
Biographic Data
| ID | 3692618 |
|---|---|
| NAME | Kim Hammond |
| GIVEN NAMES | Kim |
| FAMILY NAME | Hammond |
| SIGNATURE | HAMMOND K |
| AFFILIATIONS | School of Geography and the Environment, University of Oxford |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Digital archives, e‐books and narrative space
In this paper we are concerned with the capacity of digital media to enable publics to tell their own environmental stories using digital broadcast archives ( DBA s). We consider how digital media afford different ways of telling stories in relation to digital media archives. Central to this discussion is our experience of writing e‐books as part of the AHRC ‐funded project “Earth in Vision: BBC coverage of environmental change 1960–2010.” The e‐…
Voicing climate change? Television, public engagement and the politics of voice
This paper examines a body of TV commissions made for BBC Television that formed components of the BBC Climate Chaos season (2006–2007). These commissions represent the first and, to date, only concerted attempt to address the issue of climate change with a range of approaches across a number of broadcast and online platforms within a public service broadcasting context across an extended season. The paper contributes to the task of balancing the…
Monsters of modernity: Frankenstein and modern environmentalism
The story of Frankenstein is often interpreted and mobilized as a powerful and popular symbol of concerns over the risks and dangers of science, progressive modernity and its ensuing technological creations, and - as in the recent GM 'Frankenstein food' debate - the dangers of 'messing with nature' or 'playing God'. Shelley's narrative is seen to symbolize Romantic fears, offering a dystopic tale of certain demise, one that demonizes technology i…
Monsters of modernity: Frankenstein and modern environmentalism
The story of Frankenstein is often interpreted and mobilized as a powerful and popular symbol of concerns over the risks and dangers of science, progressive modernity and its ensuing technological creations, and - as in the recent GM 'Frankenstein food' debate - the dangers of 'messing with nature' or 'playing God'. Shelley's narrative is seen to symbolize Romantic fears, offering a dystopic tale of certain demise, one that demonizes technology i…
Digital archives, e‐books and narrative space
In this paper we are concerned with the capacity of digital media to enable publics to tell their own environmental stories using digital broadcast archives ( DBA s). We consider how digital media afford different ways of telling stories in relation to digital media archives. Central to this discussion is our experience of writing e‐books as part of the AHRC ‐funded project “Earth in Vision: BBC coverage of environmental change 1960–2010.” The e‐…
Voicing climate change? Television, public engagement and the politics of voice
This paper examines a body of TV commissions made for BBC Television that formed components of the BBC Climate Chaos season (2006–2007). These commissions represent the first and, to date, only concerted attempt to address the issue of climate change with a range of approaches across a number of broadcast and online platforms within a public service broadcasting context across an extended season. The paper contributes to the task of balancing the…
Monsters of modernity: Frankenstein and modern environmentalism
The story of Frankenstein is often interpreted and mobilized as a powerful and popular symbol of concerns over the risks and dangers of science, progressive modernity and its ensuing technological creations, and - as in the recent GM 'Frankenstein food' debate - the dangers of 'messing with nature' or 'playing God'. Shelley's narrative is seen to symbolize Romantic fears, offering a dystopic tale of certain demise, one that demonizes technology i…
Voicing climate change? Television, public engagement and the politics of voice
This paper examines a body of TV commissions made for BBC Television that formed components of the BBC Climate Chaos season (2006–2007). These commissions represent the first and, to date, only concerted attempt to address the issue of climate change with a range of approaches across a number of broadcast and online platforms within a public service broadcasting context across an extended season. The paper contributes to the task of balancing the…
Digital archives, e‐books and narrative space
In this paper we are concerned with the capacity of digital media to enable publics to tell their own environmental stories using digital broadcast archives ( DBA s). We consider how digital media afford different ways of telling stories in relation to digital media archives. Central to this discussion is our experience of writing e‐books as part of the AHRC ‐funded project “Earth in Vision: BBC coverage of environmental change 1960–2010.” The e‐…
Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Art (2 works) · Context (archaeology (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works)