Voicing climate change? Television, public engagement and the politics of voice
Bibliographic Data
| ID | 8962867 |
|---|---|
| Authors | J D Smith (0000-0002-7674-6699, Department of Geography The Open University Milton Keynes UK), George Revill (0000-0002-7004-4960, Department of Geography The Open University Milton Keynes UK, corresponding author), Kim Hammond (Department of Geography The Open University Milton Keynes UK) |
| Year | 2018 |
| Volume | 43 |
| Issue | 4 |
| Pages | 601-614 |
| Publication date | 2018-06-07 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transactions of the Institute of British Geographers (JOURNAL) |
| Journal identifiers | ISSN: 0020-2754 • E-ISSN: 1475-5661 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/tran.12250 |
| OpenAlex | W2802451039 |
| Language | EN |
| Citations received | 4 |
| References cited | 47 |
This paper examines a body of TV commissions made for BBC Television that formed components of the BBC Climate Chaos season (2006–2007). These commissions represent the first and, to date, only concerted attempt to address the issue of climate change with a range of approaches across a number of broadcast and online platforms within a public service broadcasting context across an extended season. The paper contributes to the task of balancing the relatively extensive body of research into news media coverage of climate change with that of longer form broadcast content. It examines these programmes as a particular moment in the history of broadcasting, lying on the threshold of a proliferating number of TV channels and the burgeoning growth of interactive digital and social media based forms of leisure and public engagement. It takes as its starting point Couldry's plea to make voice a key focus for the promotion of more democratic media spaces. Specifically, it examines this assertion in relation to calls for polyvocality and the need for new and expanded political spaces in relation to human‐induced climate change. The paper contributes to the developing geography of voice in relation to public understanding and debate of complex global issues. At the most practical level, it also assesses a body of innovations and experiments in content, tone and media mix in broadcast television commissions on climate change, and points to areas for future investment
Context (archaeology · Democracy · Geography · Media studies · Political science · Politics · Public broadcasting · Public relations · Public service · Sociology · Climate Change Communication and Perception · Law · Social Acceptance of Renewable Energy · Sustainability and Climate Change Governance
Nature
Transmedia Television
Why Voice Matters
Dangerous News
Dividing climate change
Stabilization Wedges
The Politics of Accuracy in Judging Global Warming Films
Discursive Constructions of Climate Change
Participatory Culture in a Networked Era
Being digital citizens
Representing climate change on public service television
Voice
Convergence Culture
Climate Change as Social Drama
Culture, Politics and Climate Change
Engaging the Public with Climate Change
Who Speaks for the Climate
Why We Disagree about Climate Change
Gathering around stories
Climate change and visual imagery
Artful climate change communication
Media, Politics and Climate Change
Media attention for climate change around the world
Balance as bias
Arts, Sciences and Climate Change
Powerful environmentalisms
Palm oil not polar bears
Conspicuous redemption? Reflections on the promises and perils of the ‘Celebritization’ of climate change
The usefulness of climate change films
Imaging vulnerability
Narrating the Natural History Unit
In the Nature of Landscape
The Production and Consumption of Environmental Meanings in the Mass Media
How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound
Environment, media and communication
Culture and Democracy
The myth of 'us
A sonic geography of voice
Celebrity Ecologies
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,57 |
| Citation span | 2019 - 2024 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 4 |