Eric Harvey
Biographic Data
| ID | 3692968 |
|---|---|
| NAME | Eric Harvey |
| GIVEN NAMES | Eric |
| FAMILY NAME | Harvey |
| SIGNATURE | HARVEY E |
| AFFILIATIONS | Grand Valley State University |
| ORCID | 0009-0004-0668-6338 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Beyoncé's Digital Stardom
In this essay, I contend that, since 2013, Beyoncé has become the exemplar of digital stardom in the popular music world by negotiating the representational affordances of social media platforms and striving to innovate in digital music commerce. I examine three specific moments in which Beyoncé transformed her star image in ways that are uniquely digital. In the promotional documentary Life Is But a Dream (2013), she adopts the visual aesthetics…
Sound Ideas
Despite the MP3's ubiquity, the compressed audio file's presence in scholarly literature has been relatively scarce. Most often, the format has taken second place to the iPods and other gadgets des
Recording industries, technologies and cultures in flux
Siding with vinyl
In response to the digitization and corporatization of the record industry, Record Store Day brands music consumption as an ethical decision, coordinating the release of exclusive vinyl records to independent, locally owned retailers and framing an engineered collectors’ market as an annual holiday. In this article, I evaluate Record Store Day as an ambivalent brand culture – a perspective highlighting the affective and relational components of b…
Siding with vinyl
In response to the digitization and corporatization of the record industry, Record Store Day brands music consumption as an ethical decision, coordinating the release of exclusive vinyl records to independent, locally owned retailers and framing an engineered collectors’ market as an annual holiday. In this article, I evaluate Record Store Day as an ambivalent brand culture – a perspective highlighting the affective and relational components of b…
Recording industries, technologies and cultures in flux
Siding with vinyl
In response to the digitization and corporatization of the record industry, Record Store Day brands music consumption as an ethical decision, coordinating the release of exclusive vinyl records to independent, locally owned retailers and framing an engineered collectors’ market as an annual holiday. In this article, I evaluate Record Store Day as an ambivalent brand culture – a perspective highlighting the affective and relational components of b…
Beyoncé's Digital Stardom
In this essay, I contend that, since 2013, Beyoncé has become the exemplar of digital stardom in the popular music world by negotiating the representational affordances of social media platforms and striving to innovate in digital music commerce. I examine three specific moments in which Beyoncé transformed her star image in ways that are uniquely digital. In the promotional documentary Life Is But a Dream (2013), she adopts the visual aesthetics…
Sound Ideas
Despite the MP3's ubiquity, the compressed audio file's presence in scholarly literature has been relatively scarce. Most often, the format has taken second place to the iPods and other gadgets des
Diverse Musicological Studies (3 works) · Music History and Culture (3 works) · Sociology (3 works) · Advertising (2 works) · Business (2 works) · Media studies (2 works) · Political science (2 works) · Acoustics (1 works) · Aesthetics (1 works) · Affordance (1 works)