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Mario Rossi

Biographic Data

ID3694263
NAMEMario Rossi
GIVEN NAMESMario
FAMILY NAMERossi
SIGNATUREROSSI M
AFFILIATIONSUniversité Provence
ORCID0000-0002-4974-0339
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS12
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1950
LATEST PUBLICATION YEAR2011
H-INDEX3
  • L’intonation modale

    Mario Rossi•ARTICLE•Modèles linguistiques•2011

    Selon le Dictionnaire de Linguistique « dans la problématique de l’énonciation, la modalation définit la marque donnée par le sujet à son énoncé ». Je m’en tiendrai à cette définition simple de la modalisation. Je distingue dans l’intonation sa fonction syntaxique et sa fonction pragmatique. Je parlerai donc de l’intonation pragmatique qui relève de l’intonation modale. L'intonation pragmatique a essentiellement une triple fonction : établir le l…

  • L’intonation

    Mario Rossi•ARTICLE•Modèles linguistiques•2001

    Introduction L’intonation, qui a longtemps été confondue avec l’un de ses paramètres privilégiés, la mélodie, est un système linguistique destiné à organiser et à hiérarchiser l’infor­mation que le locuteur entend communiquer à l’allocutaire ou aux allocutaires dans son message, et à linéariser la hiérarchie des structures syntaxiques. L’into­na­tion est une partie de la prosodie qui est un ensemble constitué de l’accentuation, de l’into­nation e…

  • United States Military Authorities and Free France, 1942-1944

    Mario Rossi•ARTICLE•The Journal of Military History•1997

  • Auditory and Visual Cueing of the [±Rounded] Feature Of Vowels

    Open Access•Leigh Lisker, Mario Rossi•ARTICLE•Language and Speech•1992•Cited by: 3•References: 30

    That lipreading plays a role in phoneme recognition, even when the acoustic signal alone is phonologically unambiguous, has been concluded from experiments in the perception of discrepant combinations of acoustic and visual speech signals. Little is known about the effect of visual information on explicitly phonetic judgments, the kind of judgments made by trained observers that are the basis for describing the phonological pattern of a language.…

  • Methodology for the Transcription and Labeling of a Speech Corpus

    Open Access•Denis Autesserre, Guy Pérennou et al.•ARTICLE•Journal of the International…•1989

    SAM, an international project funded by the European ESPRIT initiative, is concerned with the methodology of assessment of the speech interface with computers. The applications at which the SAM Project aims require that recorded-speech corpora be both defined and created on a European scale. Within the present stage of development (called the “extension phase”) some three different aspects of this work have to be specified and developed

  • Phonétique et Dialogue Homme-Machine

    Mario Rossi•ARTICLE•DRLAV Documentation et Recherche…•1985

    The paper insists upon the amazing qualitative mutation which has been achieved in the recent development of phonetics (no longer to be separated from phonology). Both substance and form are to be taken into account to analyse encoding as well as decoding. The paper compares different theoretical approaches and, in relation with them, different technical simulations in the field of Speech Recognition and Speech Synthesis, which lay the foundation…

  • Problemes de prosodie, I: Approches theoriques

    Clifton Pye, Pierre Léon et al.•ARTICLE•Language•1983

  • Stage Fright in Musicians: A Model Illustrating the Effect of Beta Blockers

    Klaus A Neftel, K Neftel et al.•ARTICLE•Psychosomatic Medicine•1982

    Stage fright was used to investigate the mode of action of beta blockers in acute anxiety and on the technical-motor performance of 22 performing string players. They received 100 mg of atenolol or placebo 6.5 hr before performing either in the presence or absence of an audience. Continuous heart rate, stage fright (especially devised rating scale), technical-motor performance (runs of fast notes, trills, vibratos), and urine catecholamine levels…

  • Movements of the hyoid and the larynx and the intrinsic frequency of vowels

    Open Access•Mario Rossi, Denis Autesserre•ARTICLE•Journal of Phonetics•1981•Cited by: 4•References: 8

  • Interactions of Intensity Glides and Frequency Glissandos

    Open Access•Mario Rossi•ARTICLE•Language and Speech•1978•Cited by: 1•References: 7

    The influence of positive intensity glides is investigated on static and both rising and falling contour tones. After determining the glissando threshold by the method of discrimination, it is found that a positive or negative intensity glide associated with a static tone is perceived as a glissando in the same direction and above the threshold. A negative intensity glide, however, associated with a rising or falling glissando, hinders the percep…

  • The perception of non-repetitive intensity glides on vowels

    Open Access•Mario Rossi•ARTICLE•Journal of Phonetics•1978•Cited by: 3•References: 5

  • L’intonation Prédicative Dans Les Phrases Transformées Par Permutation

    Open Access•Mario Rossi•ARTICLE•Linguistics•1973

  • Le Seuil Différentiel De Durée

    Mario Rossi•CHAPTER•Papers in Linguistics and…•1972

  • The Third World

    John B Wood, Mario Rossi•ARTICLE•Pacific Affairs•1964

  • Dante's Conception of Ulysses

    Mario M Rossi, Mario Rossi•ARTICLE•Italica•1953•Cited by: 1

  • The Life of George Berkeley, Bishop of Cloyne

    Mario M Rossi, Mario Rossi et al.•ARTICLE•The Philosophical Quarterly•1950

    Book Reviews The Life of George Berkeley, Bishop of Cloyne. By A. A. Luce (Edinburgh: Nelson, 1949. Pp. xii + 260. Price 25/-). Mario M. Rossi Mario M. Rossi Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 1, Issue 1, October 1950, Pages 73–74, https://doi.org/10.2307/2216502 Published: 01 October 1950

  • Movements of the hyoid and the larynx and the intrinsic frequency of vowels

    Open Access•Mario Rossi, Denis Autesserre•ARTICLE•Journal of Phonetics•1981•Cited by: 4•References: 8

  • Auditory and Visual Cueing of the [±Rounded] Feature Of Vowels

    Open Access•Leigh Lisker, Mario Rossi•ARTICLE•Language and Speech•1992•Cited by: 3•References: 30

    That lipreading plays a role in phoneme recognition, even when the acoustic signal alone is phonologically unambiguous, has been concluded from experiments in the perception of discrepant combinations of acoustic and visual speech signals. Little is known about the effect of visual information on explicitly phonetic judgments, the kind of judgments made by trained observers that are the basis for describing the phonological pattern of a language.…

  • The perception of non-repetitive intensity glides on vowels

    Open Access•Mario Rossi•ARTICLE•Journal of Phonetics•1978•Cited by: 3•References: 5

  • Interactions of Intensity Glides and Frequency Glissandos

    Open Access•Mario Rossi•ARTICLE•Language and Speech•1978•Cited by: 1•References: 7

    The influence of positive intensity glides is investigated on static and both rising and falling contour tones. After determining the glissando threshold by the method of discrimination, it is found that a positive or negative intensity glide associated with a static tone is perceived as a glissando in the same direction and above the threshold. A negative intensity glide, however, associated with a rising or falling glissando, hinders the percep…

  • Dante's Conception of Ulysses

    Mario M Rossi, Mario Rossi•ARTICLE•Italica•1953•Cited by: 1

  • The Life of George Berkeley, Bishop of Cloyne

    Mario M Rossi, Mario Rossi et al.•ARTICLE•The Philosophical Quarterly•1950

    Book Reviews The Life of George Berkeley, Bishop of Cloyne. By A. A. Luce (Edinburgh: Nelson, 1949. Pp. xii + 260. Price 25/-). Mario M. Rossi Mario M. Rossi Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 1, Issue 1, October 1950, Pages 73–74, https://doi.org/10.2307/2216502 Published: 01 October 1950

  • Dante's Conception of Ulysses

    Mario M Rossi, Mario Rossi•ARTICLE•Italica•1953•Cited by: 1

  • The Third World

    John B Wood, Mario Rossi•ARTICLE•Pacific Affairs•1964

  • Le Seuil Différentiel De Durée

    Mario Rossi•CHAPTER•Papers in Linguistics and…•1972

  • L’intonation Prédicative Dans Les Phrases Transformées Par Permutation

    Open Access•Mario Rossi•ARTICLE•Linguistics•1973

  • Interactions of Intensity Glides and Frequency Glissandos

    Open Access•Mario Rossi•ARTICLE•Language and Speech•1978•Cited by: 1•References: 7

    The influence of positive intensity glides is investigated on static and both rising and falling contour tones. After determining the glissando threshold by the method of discrimination, it is found that a positive or negative intensity glide associated with a static tone is perceived as a glissando in the same direction and above the threshold. A negative intensity glide, however, associated with a rising or falling glissando, hinders the percep…

  • The perception of non-repetitive intensity glides on vowels

    Open Access•Mario Rossi•ARTICLE•Journal of Phonetics•1978•Cited by: 3•References: 5

  • Movements of the hyoid and the larynx and the intrinsic frequency of vowels

    Open Access•Mario Rossi, Denis Autesserre•ARTICLE•Journal of Phonetics•1981•Cited by: 4•References: 8

  • Stage Fright in Musicians: A Model Illustrating the Effect of Beta Blockers

    Klaus A Neftel, K Neftel et al.•ARTICLE•Psychosomatic Medicine•1982

    Stage fright was used to investigate the mode of action of beta blockers in acute anxiety and on the technical-motor performance of 22 performing string players. They received 100 mg of atenolol or placebo 6.5 hr before performing either in the presence or absence of an audience. Continuous heart rate, stage fright (especially devised rating scale), technical-motor performance (runs of fast notes, trills, vibratos), and urine catecholamine levels…

  • Problemes de prosodie, I: Approches theoriques

    Clifton Pye, Pierre Léon et al.•ARTICLE•Language•1983

  • Phonétique et Dialogue Homme-Machine

    Mario Rossi•ARTICLE•DRLAV Documentation et Recherche…•1985

    The paper insists upon the amazing qualitative mutation which has been achieved in the recent development of phonetics (no longer to be separated from phonology). Both substance and form are to be taken into account to analyse encoding as well as decoding. The paper compares different theoretical approaches and, in relation with them, different technical simulations in the field of Speech Recognition and Speech Synthesis, which lay the foundation…

  • Methodology for the Transcription and Labeling of a Speech Corpus

    Open Access•Denis Autesserre, Guy Pérennou et al.•ARTICLE•Journal of the International…•1989

    SAM, an international project funded by the European ESPRIT initiative, is concerned with the methodology of assessment of the speech interface with computers. The applications at which the SAM Project aims require that recorded-speech corpora be both defined and created on a European scale. Within the present stage of development (called the “extension phase”) some three different aspects of this work have to be specified and developed

  • Auditory and Visual Cueing of the [±Rounded] Feature Of Vowels

    Open Access•Leigh Lisker, Mario Rossi•ARTICLE•Language and Speech•1992•Cited by: 3•References: 30

    That lipreading plays a role in phoneme recognition, even when the acoustic signal alone is phonologically unambiguous, has been concluded from experiments in the perception of discrepant combinations of acoustic and visual speech signals. Little is known about the effect of visual information on explicitly phonetic judgments, the kind of judgments made by trained observers that are the basis for describing the phonological pattern of a language.…

  • United States Military Authorities and Free France, 1942-1944

    Mario Rossi•ARTICLE•The Journal of Military History•1997

  • L’intonation

    Mario Rossi•ARTICLE•Modèles linguistiques•2001

    Introduction L’intonation, qui a longtemps été confondue avec l’un de ses paramètres privilégiés, la mélodie, est un système linguistique destiné à organiser et à hiérarchiser l’infor­mation que le locuteur entend communiquer à l’allocutaire ou aux allocutaires dans son message, et à linéariser la hiérarchie des structures syntaxiques. L’into­na­tion est une partie de la prosodie qui est un ensemble constitué de l’accentuation, de l’into­nation e…

  • L’intonation modale

    Mario Rossi•ARTICLE•Modèles linguistiques•2011

    Selon le Dictionnaire de Linguistique « dans la problématique de l’énonciation, la modalation définit la marque donnée par le sujet à son énoncé ». Je m’en tiendrai à cette définition simple de la modalisation. Je distingue dans l’intonation sa fonction syntaxique et sa fonction pragmatique. Je parlerai donc de l’intonation pragmatique qui relève de l’intonation modale. L'intonation pragmatique a essentiellement une triple fonction : établir le l…

Linguistics (7 works) · Philosophy (7 works) · Phonetics and Phonology Research (6 works) · Psychology (6 works) · Computer Science (5 works) · Speech recognition (5 works) · Acoustics (3 works) · Art (3 works) · Linguistics and Discourse Analysis (3 works) · Mathematics (3 works)

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