Talita Alves
Biographic Data
| ID | 3718531 |
|---|---|
| NAME | Talita Alves |
| GIVEN NAMES | Talita |
| FAMILY NAME | Alves |
| SIGNATURE | ALVES T |
| AFFILIATIONS | Conselho Nacional de Desenvolvimento Científico e Tecnológico |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Living on or Textual Afterlife
Propomo-nos a ler Frankenstein de Mary Shelley como uma adaptação de Paradise Lost, de John Milton. Adaptação, na nossa leitura, se inicia na qualidade "palimpsestuosa" ou lógica suplementar inerente a este processo de criação, como teorizado por Julie Sanders e Linda Hutcheon, e chega ao momento em que um texto (Frankenstein), em face do evento de outro texto (Paradise Lost), tenta responder ou produzir uma contra-assinatura (Jacques Derrida). N…
The two faces of a myth
Frankenstein, written by Mary Shelley, alludes to the mythological figure of Prometheus since the subtitle of the novel. Frankenstein is a modern Prometheus, adjusted to the Romantic patterns of the time it was written. Like Prometheus, Frankenstein is also the creator of a new being; however his creature becomes an uncontrollable monster, which highlights human fallibility. Prometheus is not the only myth used by Mary Shelley to compose her work…
No prominent works on this page.
The two faces of a myth
Frankenstein, written by Mary Shelley, alludes to the mythological figure of Prometheus since the subtitle of the novel. Frankenstein is a modern Prometheus, adjusted to the Romantic patterns of the time it was written. Like Prometheus, Frankenstein is also the creator of a new being; however his creature becomes an uncontrollable monster, which highlights human fallibility. Prometheus is not the only myth used by Mary Shelley to compose her work…
Living on or Textual Afterlife
Propomo-nos a ler Frankenstein de Mary Shelley como uma adaptação de Paradise Lost, de John Milton. Adaptação, na nossa leitura, se inicia na qualidade "palimpsestuosa" ou lógica suplementar inerente a este processo de criação, como teorizado por Julie Sanders e Linda Hutcheon, e chega ao momento em que um texto (Frankenstein), em face do evento de outro texto (Paradise Lost), tenta responder ou produzir uma contra-assinatura (Jacques Derrida). N…
Art (2 works) · Humanities (2 works) · Afterlife (1 work) · Borges, Kipling, and Jewish Identity (1 work) · Computer Science (1 work) · Cultural, Media, and Literary Studies (1 work) · Economics (1 work) · Gothic Literature and Media Analysis (1 work) · Latin American Literature Analysis (1 work) · Literature (1 work)