The two faces of a myth
The Frankenstein myth and its mythological heritage
Bibliographic Data
| ID | 3162908 |
|---|---|
| Authors | Talita Alves (corresponding author) |
| Year | 2014 |
| Volume | 20 |
| Issue | 2 |
| Pages | 128 |
| Publication date | 2014-08-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Em Tese (JOURNAL) |
| Journal identifiers | ISSN: 1415-594X • E-ISSN: 1982-0739 |
| Publisher | Faculdade de Letras da UFMG (PUBLISHER) |
| DOI | 10.17851/1982-0739.20.2.128-136 |
| OpenAlex | W4245522398, W1483278673 |
| Language | EN |
| References cited | 5 |
Frankenstein, written by Mary Shelley, alludes to the mythological figure of Prometheus since the subtitle of the novel. Frankenstein is a modern Prometheus, adjusted to the Romantic patterns of the time it was written. Like Prometheus, Frankenstein is also the creator of a new being; however his creature becomes an uncontrollable monster, which highlights human fallibility. Prometheus is not the only myth used by Mary Shelley to compose her work; she also alludes to the Christian story of creation and fall of mankind through John Milton's Paradise Lost. Frankenstein and his creature can be compared to several Paradise Lost's characters in different parts of the novel. Despite the allusions to Paradise Lost and Prometheus, Frankenstein is not a mere repetition of these myths, the story of ascientist who creates a monster became a Romantic myth that remains alive in people's imaginary
Art · Economics · Humanities · Literature · Mathematical economics · Mythology · Romance · Borges, Kipling, and Jewish Identity · Computer Science · Gothic Literature and Media Analysis · Latin American Literature Analysis · Science Education and Perceptions · Thomas Hardy Literature Studies
| Highly cited | No |
|---|