Suzannah Clark
Biographic Data
| ID | 3743702 |
|---|---|
| NAME | Suzannah Clark |
| GIVEN NAMES | Suzannah |
| FAMILY NAME | Clark |
| SIGNATURE | CLARK S |
| AFFILIATIONS | Music, Harvard University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Key and Modulation
What harmonic features are involved when a musical passage, or a work, is in a particular key? How is balance achieved between modulations that reinforce the home key and those that supplant it altogether? The chapter starts by analyzing “Im wunderschönen Monat Mai,” the opening song in Robert Schumann’s song-cycle Dichterliebe . It considers the criteria for identifying keys and provides a brief history of the role of closure in the definition o…
A Critical Companion to Medieval Motets
Schubert's Lieder and the Philosophy of Early German Romanticism by Lisa Feuerzeig
Reviewed by: Schubert’s Lieder and the Philosophy of Early German Romanticism by Lisa Feuerzeig Suzannah Clark Schubert’s Lieder and the Philosophy of Early German Romanticism. By Lisa Feuerzeig. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2014. [xvi, 198 pp. ISBN 978-1-4094-4788-7. $149.95 (cloth)] Schubert’s contemporaries cultivated the idea that Schubert was an intuitive composer with little intellectual acumen for handling large-scale i…
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
This article examines figures 1 and 2 in Riemann's 1914–1915 article. First, it examines the different aspect of Riemann's conception of tone: his notion of Klangvertretung, that any tone may project or assume meaning as one of the three elements of a major or minor triad. Second, it explores Riemann's notion of Klangvertretung as outlined in his “Ideen zu einer ‘Lehre on den Tonvorstellungen’”. Third, the article demonstrates the analytical util…
The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Schubert, Theory and Analysis
Refrain
The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Schubert, Theory and Analysis
Refrain
Schubert, Theory and Analysis
The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
This article examines figures 1 and 2 in Riemann's 1914–1915 article. First, it examines the different aspect of Riemann's conception of tone: his notion of Klangvertretung, that any tone may project or assume meaning as one of the three elements of a major or minor triad. Second, it explores Riemann's notion of Klangvertretung as outlined in his “Ideen zu einer ‘Lehre on den Tonvorstellungen’”. Third, the article demonstrates the analytical util…
Schubert's Lieder and the Philosophy of Early German Romanticism by Lisa Feuerzeig
Reviewed by: Schubert’s Lieder and the Philosophy of Early German Romanticism by Lisa Feuerzeig Suzannah Clark Schubert’s Lieder and the Philosophy of Early German Romanticism. By Lisa Feuerzeig. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2014. [xvi, 198 pp. ISBN 978-1-4094-4788-7. $149.95 (cloth)] Schubert’s contemporaries cultivated the idea that Schubert was an intuitive composer with little intellectual acumen for handling large-scale i…
A Critical Companion to Medieval Motets
Key and Modulation
What harmonic features are involved when a musical passage, or a work, is in a particular key? How is balance achieved between modulations that reinforce the home key and those that supplant it altogether? The chapter starts by analyzing “Im wunderschönen Monat Mai,” the opening song in Robert Schumann’s song-cycle Dichterliebe . It considers the criteria for identifying keys and provides a brief history of the role of closure in the definition o…
Musicology and Musical Analysis (5 works) · Art (4 works) · Computer Science (3 works) · Diverse Musicological Studies (2 works) · History (2 works) · Law (2 works) · Linguistics (2 works) · Literature (2 works) · Mathematics (2 works) · Philosophy (2 works)