Schubert, Theory and Analysis
Bibliographic Data
| ID | 4316009 |
|---|---|
| Authors | Suzannah Clark (corresponding author) |
| Year | 2002 |
| Volume | 21 |
| Issue | 2 |
| Pages | 209-243 |
| Publication date | 2002-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/1468-2249.00157 |
| OpenAlex | W2101463414 |
| Language | EN |
| Citations received | 24 |
Citation · Library science · Computer Science · Diverse Musicological Studies · Musicology and Musical Analysis
Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit
Criteria for Analysis
Chromaticism and the Question of Tonality
Harmonic Dualism as Historical and Structural Imperative
Dualistic Forms
Neo-Riemannian Perspectives on the Harmonieschritte , with a Translation of Riemann's Systematik der Harmonieschritte
Riemannian Analytical Values, Paleo- and Neo
On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen
Dualism and the Beholder's Eye
“The Nature of Harmony”
The Problem of Harmonic Dualism
Three Short Essays on Neo-Riemannian Theory
What is a Function?
The Reception of Hugo Riemann's Music Theory
Tonal Pitch Space and the (neo-)Riemannian Tonnetz
Reading between the Lines
Metric Freedoms in Brahms's Songs
From Matrix to Map
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
Riemann and Melodic Analysis
The Oxford handbook of neo-Riemannian music theories
The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz
A nalysing E motions in S chubert ' s E rlkönig
Ganymede's Heavenly Descent
| Unique citing works | 24 |
|---|---|
| Citations per year | 1,26 |
| Citation span | 2007 - 2020 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 24 |