Laura Tunbridge
Biographic Data
| ID | 3743705 |
|---|---|
| NAME | Laura Tunbridge |
| GIVEN NAMES | Laura |
| FAMILY NAME | Tunbridge |
| SIGNATURE | TUNBRIDGE L |
| AFFILIATIONS | University of Manchester |
| ORCID | 0000-0003-2081-950X |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Music Arranged and Deranged: An Introduction
Arrangement is a long-standing practice common to many genres of music and music-making.It can facilitate access to repertoire, enabling its transportation into different venues, genres or languages.Yet adapting music for other forces or contexts can also radically change the way in which it is perceived.Peter Szendy writes about arrangement as a kind of criture de l'coute or "writing of listening", akin to the transformative process of translati…
Robert Schumann’s Leipzig Chamber Works: Music in the Great Stream of Time by Julie Hedges Brown (review)
Schubert's Piano
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars
This round table grew out of two gatherings in 2018–19 that endeavoured to bring musicologists into dialogue with recent revisions in the history of international relations. 1 Our specific focus was the interwar period, more often discussed in terms of nationalism – or perhaps at best transnationalism – than within the context of internationalism, a principle that lay behind the foundation of elite governmental organizations such as the League of…
Sobre compartir
Este artículo, basado en una conferencia presentada en Barcelona, trata de la importancia de compartir en el ámbito de la investigación musicológica, desde la perspectiva de los intereses de investigación de la autora y por medio de una discusión sobre temas relacionados con el acceso abierto a las publicaciones académicas. Se considera la importancia de la transnacionalidad y los estudios sobre interpretación histórica como tendencias que están …
Reinventing the voice
Singing Translations
British attitudes toward German-language song repertoire were transformed in the interwar period by a potent combination of politics and technology. The use of translations gained and lost ground; native musicians struggled to compete with international stars; and new listening strategies developed around the gramophone and radio. In the process, notions of cosmopolitan connoisseurship became established that still dominate reception and performa…
Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor
Journal Article Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor. Get access Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor. pp. ix + 303. ( Cambridge University Press, Cambridge, 2011, £55. ISBN 978-1-107-00578-5.) Laura Tunbridge Laura Tunbridge University of Manchester Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Vol…
Robert Schumann: The Book of Songs. By Jon W. Finson
Schumann's songs remain the core of his reputation. As Jon Finson makes plain in the opening paragraph of this new volume, though, their interpretation in the English-speaking world has been dominated by one book: Eric Sams's The Songs of Robert Schumann (London, 1969). Criticizing Sams's Schumann as ‘long since out of date’ and in places inaccurate, Finson sets out to loosen its grip on ‘singers, pianists and writers’—and, we might add, students…
Schumann: A Lover's Guide
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres
The lavish productions of London's patent theatres, Covent Garden and Drury Lane, received their most nuanced critiques from an unlikely source: their burlesques. These satirical entertainments in the minor theatres often transferred their subjects to contemporary settings as a means to comment on social, political, and artistic affairs. Such was the case with Byron's Manfred, which - despite the poet's claim that it was unsuited to the stage - w…
Robert Schumann: The Book of Songs. By Jon W. Finson
Schumann's songs remain the core of his reputation. As Jon Finson makes plain in the opening paragraph of this new volume, though, their interpretation in the English-speaking world has been dominated by one book: Eric Sams's The Songs of Robert Schumann (London, 1969). Criticizing Sams's Schumann as ‘long since out of date’ and in places inaccurate, Finson sets out to loosen its grip on ‘singers, pianists and writers’—and, we might add, students…
From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres
The lavish productions of London's patent theatres, Covent Garden and Drury Lane, received their most nuanced critiques from an unlikely source: their burlesques. These satirical entertainments in the minor theatres often transferred their subjects to contemporary settings as a means to comment on social, political, and artistic affairs. Such was the case with Byron's Manfred, which - despite the poet's claim that it was unsuited to the stage - w…
Schumann: A Lover's Guide
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Robert Schumann: The Book of Songs. By Jon W. Finson
Schumann's songs remain the core of his reputation. As Jon Finson makes plain in the opening paragraph of this new volume, though, their interpretation in the English-speaking world has been dominated by one book: Eric Sams's The Songs of Robert Schumann (London, 1969). Criticizing Sams's Schumann as ‘long since out of date’ and in places inaccurate, Finson sets out to loosen its grip on ‘singers, pianists and writers’—and, we might add, students…
Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor
Journal Article Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor. Get access Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. By Benedict Taylor. pp. ix + 303. ( Cambridge University Press, Cambridge, 2011, £55. ISBN 978-1-107-00578-5.) Laura Tunbridge Laura Tunbridge University of Manchester Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Vol…
Singing Translations
British attitudes toward German-language song repertoire were transformed in the interwar period by a potent combination of politics and technology. The use of translations gained and lost ground; native musicians struggled to compete with international stars; and new listening strategies developed around the gramophone and radio. In the process, notions of cosmopolitan connoisseurship became established that still dominate reception and performa…
Reinventing the voice
Sobre compartir
Este artículo, basado en una conferencia presentada en Barcelona, trata de la importancia de compartir en el ámbito de la investigación musicológica, desde la perspectiva de los intereses de investigación de la autora y por medio de una discusión sobre temas relacionados con el acceso abierto a las publicaciones académicas. Se considera la importancia de la transnacionalidad y los estudios sobre interpretación histórica como tendencias que están …
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars
This round table grew out of two gatherings in 2018–19 that endeavoured to bring musicologists into dialogue with recent revisions in the history of international relations. 1 Our specific focus was the interwar period, more often discussed in terms of nationalism – or perhaps at best transnationalism – than within the context of internationalism, a principle that lay behind the foundation of elite governmental organizations such as the League of…
Schubert's Piano
Robert Schumann’s Leipzig Chamber Works: Music in the Great Stream of Time by Julie Hedges Brown (review)
Music Arranged and Deranged: An Introduction
Arrangement is a long-standing practice common to many genres of music and music-making.It can facilitate access to repertoire, enabling its transportation into different venues, genres or languages.Yet adapting music for other forces or contexts can also radically change the way in which it is perceived.Peter Szendy writes about arrangement as a kind of criture de l'coute or "writing of listening", akin to the transformative process of translati…
Musicology and Musical Analysis (9 works) · Art (8 works) · Literature (5 works) · Diverse Musicological Studies (4 works) · Law (4 works) · Art history (3 works) · History (3 works) · Musical (3 works) · Politics (3 works) · Sociology (3 works)