Singing Translations
Bibliographic Data
| ID | 4369701 |
|---|---|
| Authors | Laura Tunbridge (0000-0003-2081-950X, corresponding author) |
| Year | 2013 |
| Volume | 123 |
| Issue | 1 |
| Pages | 53-86 |
| Publication date | 2013-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2013.123.1.53 |
| OpenAlex | W2331022633 |
| Language | EN |
| Citations received | 3 |
| References cited | 3 |
British attitudes toward German-language song repertoire were transformed in the interwar period by a potent combination of politics and technology. The use of translations gained and lost ground; native musicians struggled to compete with international stars; and new listening strategies developed around the gramophone and radio. In the process, notions of cosmopolitan connoisseurship became established that still dominate reception and performance practices today
Acoustics · Active listening · Aesthetics · Archaeology · Art · German · Interwar period · Literature · Physics · Political science · Politics · Repertoire · Singing · Sociology · Visual arts · World War II · Communication · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,27 |
| Citation span | 2015 - 2020 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |