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Martin Crowley

Biographic Data

ID3745979
NAMEMartin Crowley
GIVEN NAMESMartin
FAMILY NAMECrowley
SIGNATURECROWLEY M
AFFILIATIONSQueens' College, Cambridge
VERIFIEDNo
TOTAL WORKS29
TOTAL CITATIONS6
AUTHOR COUNT29
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Autonomy and Alliance

    Open Access•Martin Crowley•ARTICLE•Contemporary French and…•2025•References: 2

  • Exscription and Ecopoetics

    Martin Crowley•ARTICLE•Cultural Politics an International…•2025•References: 6

    This article explores the possibilities offered by Jean-Luc Nancy's notion of “exscription” for ecopoetic practice and ecocritical thought. Bringing this notion into relation with the work of Nancy's friend and collaborator Jean-Christophe Bailly, as well as writing by Olga Tokarczuk that engages other-than-human existences, the article argues that if duly extended beyond its strict purview within Nancy's writings, “exscription” names a non-appro…

  • Après l'ignorance

    Martin Crowley•ARTICLE•Lignes•2024

  • En passant

    Martin Crowley•ARTICLE•Lignes•2024

  • Earthlings Against Latour

    Open Access•Martin Crowley•ARTICLE•Parallax•2021•References: 10

  • Impuissances

    Martin Crowley•ARTICLE•Lignes•2020

  • Houellebecq’s France

    Martin Crowley•ARTICLE•Australian Journal of French…•2019•Cited by: 3

    This article starts from the observation that in La Carte et le territoire and Soumission, Houellebecq thematizes the current state of France more directly than he had done in previous novels. Focussing on La Carte et le territoire as the site where this development begins, the article examines how this novel represents France: not just what vision it offers of the country, but in particular, the techniques it employs to present this. Through det…

  • Inhabitants planétaires

    Martin Crowley•ARTICLE•Lignes•2019

  • The Many Worlds of Jean-Luc Nancy

    Open Access•Martin Crowley•ARTICLE•Paragraph•2019•References: 2

    This article explores what the work of Jean-Luc Nancy might offer to an ecological and ontological pluralism, by considering Nancy's treatment of the relation between the worlds inhabited by beings of all sorts. Situating Nancy's work in this area in relation to its key reference point, namely Heidegger's assertion a of pre-eminently human access to 'world' in The Fundamental Concepts of Metaphysics, and through this, to the work of Jakob von Uex…

  • La défaite de la pensée (non mais, vraiment)

    Martin Crowley•ARTICLE•Lignes•2017

  • Présentation

    Martin Crowley•ARTICLE•Lignes•2016

  • No Futures (Duras 72/77)

    Martin Crowley•ARTICLE•Qui Parle•2016

    This is a metadata record relating to an article that cannot be shared due to publisher copyright

  • De rien

    Martin Crowley•ARTICLE•Lignes•2016

  • Des actions espacées

    Martin Crowley•ARTICLE•Lignes•2016

  • Being Beyond Politics, with Jean-Luc Nancy

    Martin Crowley•ARTICLE•Qui Parle•2014

    Research Article| December 01 2014 Being Beyond Politics, with Jean-Luc Nancy Martin Crowley Martin Crowley Search for other works by this author on: This Site Google Qui Parle (2014) 22 (2): 123–145. https://doi.org/10.5250/quiparle.22.2.0123 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Martin Crowley; Being Beyond Politics, with Jean-Luc Nancy. Qui Parle 1 December 2014; 22 (2): 123–145. doi: https://doi.org/10.5250/…

  • Pas politique

    Martin Crowley•ARTICLE•Lignes•2014

  • Deleuze on Painting

    Martin Crowley•ARTICLE•French Studies•2013

    In keeping with the position maintained throughout his work, Deleuze's writings on painting reject an aesthetics of mimesis in favour of a celebration of effectivity. Mobilizing a dynamic of combative extraction, Deleuze shows in these writings how works of art can engage with local instances of suffering and constraint in such a way as to open these on to other, livelier possibilities. Examining Deleuze's most extended analyses of the work of pa…

  • Vivre à l'écart

    Martin Crowley•ARTICLE•Lignes•2011

  • Each Time therefore also Common

    Martin Crowley•ARTICLE•Contemporary French and…•2010•Cited by: 1

  • Vie

    Martin Crowley•ARTICLE•Lignes•2010

    est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement

  • Dialectique intempestive

    Martin Crowley•ARTICLE•Lignes•2007

  • The Human Without

    Open Access•Martin Crowley•ARTICLE•Oxford Literary Review•2005

    As Derrida pointed out in a discussion closing a two-day conference on Nancys work in 2002, Nancy is distinguished by the fact that he has the courage dare I say, the heart', says Derrida 'to confront all the immense conceptual ghosts that some of us, at least I, had believed, or judged, to be as tiring as they were tired', and to treat them 'in a deconstructive, postdeconstructive fashion', 'lucidly, and without backsliding'. This 'continual and…

  • Frightful, Yes, Frightful

    Martin Crowley, Matthew Crowley•ARTICLE•French Studies•2005

  • L'homme sans

    Martin Crowley•ARTICLE•Lignes•2005

  • Bataille's Tacky Touch

    Martin Crowley•ARTICLE•Modern Language Notes•2004

    Testimony, confession, "reality TV": everywhere, we dream of referential contact. Against the context of this impossible dream, this paper considers the vision of aesthetic communication offered by Georges Bataille, which both demands contact between author and reader, and renders this contact unjustifiable. Bataille's practice as author is analysed along these lines, with particular reference to Histoire de l' il and related discussions by Jean-…

Next
  • Houellebecq’s France

    Martin Crowley•ARTICLE•Australian Journal of French…•2019•Cited by: 3

    This article starts from the observation that in La Carte et le territoire and Soumission, Houellebecq thematizes the current state of France more directly than he had done in previous novels. Focussing on La Carte et le territoire as the site where this development begins, the article examines how this novel represents France: not just what vision it offers of the country, but in particular, the techniques it employs to present this. Through det…

  • Remaining Human

    Martin Crowley, Michael J Crowley•ARTICLE•French Studies•2002•Cited by: 2

    1Queens' College, Cambridge

  • Each Time therefore also Common

    Martin Crowley•ARTICLE•Contemporary French and…•2010•Cited by: 1

  • "C'est curieux un mort"

    Martin Crowley•ARTICLE•The Modern Language Review•1998

  • Possible suicide

    Open Access•Martin Crowley•ARTICLE•Paragraph•2000

  • Remaining Human

    Martin Crowley, Michael J Crowley•ARTICLE•French Studies•2002•Cited by: 2

    1Queens' College, Cambridge

  • Robert Antelme

    Martin Crowley•BOOK•ROBERT ANTELME: HUMANITY,…•2003

    "Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He …

  • Bataille's Tacky Touch

    Martin Crowley•ARTICLE•Modern Language Notes•2004

    Testimony, confession, "reality TV": everywhere, we dream of referential contact. Against the context of this impossible dream, this paper considers the vision of aesthetic communication offered by Georges Bataille, which both demands contact between author and reader, and renders this contact unjustifiable. Bataille's practice as author is analysed along these lines, with particular reference to Histoire de l' il and related discussions by Jean-…

  • The Human Without

    Open Access•Martin Crowley•ARTICLE•Oxford Literary Review•2005

    As Derrida pointed out in a discussion closing a two-day conference on Nancys work in 2002, Nancy is distinguished by the fact that he has the courage dare I say, the heart', says Derrida 'to confront all the immense conceptual ghosts that some of us, at least I, had believed, or judged, to be as tiring as they were tired', and to treat them 'in a deconstructive, postdeconstructive fashion', 'lucidly, and without backsliding'. This 'continual and…

  • Frightful, Yes, Frightful

    Martin Crowley, Matthew Crowley•ARTICLE•French Studies•2005

  • L'homme sans

    Martin Crowley•ARTICLE•Lignes•2005

  • Dialectique intempestive

    Martin Crowley•ARTICLE•Lignes•2007

  • Each Time therefore also Common

    Martin Crowley•ARTICLE•Contemporary French and…•2010•Cited by: 1

  • Vie

    Martin Crowley•ARTICLE•Lignes•2010

    est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement

  • Vivre à l'écart

    Martin Crowley•ARTICLE•Lignes•2011

  • Deleuze on Painting

    Martin Crowley•ARTICLE•French Studies•2013

    In keeping with the position maintained throughout his work, Deleuze's writings on painting reject an aesthetics of mimesis in favour of a celebration of effectivity. Mobilizing a dynamic of combative extraction, Deleuze shows in these writings how works of art can engage with local instances of suffering and constraint in such a way as to open these on to other, livelier possibilities. Examining Deleuze's most extended analyses of the work of pa…

  • Being Beyond Politics, with Jean-Luc Nancy

    Martin Crowley•ARTICLE•Qui Parle•2014

    Research Article| December 01 2014 Being Beyond Politics, with Jean-Luc Nancy Martin Crowley Martin Crowley Search for other works by this author on: This Site Google Qui Parle (2014) 22 (2): 123–145. https://doi.org/10.5250/quiparle.22.2.0123 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Martin Crowley; Being Beyond Politics, with Jean-Luc Nancy. Qui Parle 1 December 2014; 22 (2): 123–145. doi: https://doi.org/10.5250/…

  • Pas politique

    Martin Crowley•ARTICLE•Lignes•2014

  • Présentation

    Martin Crowley•ARTICLE•Lignes•2016

  • No Futures (Duras 72/77)

    Martin Crowley•ARTICLE•Qui Parle•2016

    This is a metadata record relating to an article that cannot be shared due to publisher copyright

  • De rien

    Martin Crowley•ARTICLE•Lignes•2016

  • Des actions espacées

    Martin Crowley•ARTICLE•Lignes•2016

  • La défaite de la pensée (non mais, vraiment)

    Martin Crowley•ARTICLE•Lignes•2017

  • Houellebecq’s France

    Martin Crowley•ARTICLE•Australian Journal of French…•2019•Cited by: 3

    This article starts from the observation that in La Carte et le territoire and Soumission, Houellebecq thematizes the current state of France more directly than he had done in previous novels. Focussing on La Carte et le territoire as the site where this development begins, the article examines how this novel represents France: not just what vision it offers of the country, but in particular, the techniques it employs to present this. Through det…

  • Inhabitants planétaires

    Martin Crowley•ARTICLE•Lignes•2019

  • The Many Worlds of Jean-Luc Nancy

    Open Access•Martin Crowley•ARTICLE•Paragraph•2019•References: 2

    This article explores what the work of Jean-Luc Nancy might offer to an ecological and ontological pluralism, by considering Nancy's treatment of the relation between the worlds inhabited by beings of all sorts. Situating Nancy's work in this area in relation to its key reference point, namely Heidegger's assertion a of pre-eminently human access to 'world' in The Fundamental Concepts of Metaphysics, and through this, to the work of Jakob von Uex…

  • Impuissances

    Martin Crowley•ARTICLE•Lignes•2020

  • Earthlings Against Latour

    Open Access•Martin Crowley•ARTICLE•Parallax•2021•References: 10

Philosophy (12 works) · Art (9 works) · French Urban and Social Studies (8 works) · Computer Science (7 works) · Epistemology (5 works) · Philosophy (5 works) · Political science (5 works) · Psychology (5 works) · Sociology (5 works) · Aesthetics (4 works)

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