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Fusheini Angulu Hudu

Biographic Data

ID376164
NAMEFusheini Angulu Hudu
GIVEN NAMESFusheini Angulu
FAMILY NAMEHudu
SIGNATUREHUDU F A
AFFILIATIONSUniversity of Ghana
ORCID0000-0001-9088-6308
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS5
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Pragmatic Functions of Dagbani Diminutives

    Open Access•Fusheini Angulu Hudu•ARTICLE•Ghana Journal of Linguistics•2024

    This study examines how compounds can be distinguished from phrases in Kusaal, a Mabia language spoken in the Upper East region of Ghana as well as two neighbouring countries: Burkina Faso and Togo. Both compounds and phrases involve the combination of lexemes. It is, therefore, important to establish clear-cut criteria for distinguishing between them. However, due to individual language uniqueness, there are no universally acceptable criteria th…

  • The Covid-19 pandemic in Ghana

    Open Access•A Kwame, Veronika Makarova et al.•ARTICLE•Humanities and Social Sciences…•2023

    Communication during a crisis can affect crisis management and health outcomes. Only a few studies in Africa have examined political leaders’ speeches on Covid-19 pandemic preventive and restrictive lockdown measures. The purpose of this study is to examine the discourse strategies employed in President Nana Addo’s speeches delivered to Ghanaians on the measures taken to combat the coronavirus. The first ten speeches of Nana Addo since the incept…

  • The narrative discourse of a bilingual talking drum

    Open Access•Fusheini Angulu Hudu•ARTICLE•Legon Journal of the Humanities•2023

    This paper analyses the discourse structure of the language of the timpani (a single-membrane goblet-shaped drum) of the Dagomba. Using data from video recordings of predawn performances and interviews with the drummers, it shows that the timpani performance is an elaborate and structured narrative discourse that blends panegyrics, prayers and exhortations directed at chiefs, citizens, spiritual and historical beings. The use of the timpani is a …

  • The Ethnography of Surrogate Speech in a Foreign Language

    Fusheini Angulu Hudu•ARTICLE•Journal of African Cultural Studies•2023•Cited by: 1•References: 7

    This article presents a study of the timpani drum beats and the akarima drummer among the Dagomba of Ghana, using analysis of audio and video recordings of drumming sessions and interviews with the drummers. Borrowed from the Asantes in the eighteenth century, the timpani transmits limited, oft-repeated messages in Akan, a language that neither the drummer nor his Dagomba patrons understand. In spite of this, the timpani is an integral part of Da…

  • Linguistic Surrogacy With Minimal Semantics Among the Dagomba of Ghana

    Open Access•Fusheini Angulu Hudu•ARTICLE•Frontiers in Communication•2021

    This paper discusses critical questions on the processing of non-native surrogate languages of the Dagbamba (Dagomba) of Ghana. The Dagbamba use the fiddle, talking drum and double bell to encode speech in Hausa, Akan and other languages they do not speak. Fiddling and talking drums are integral to their festivals, funerals, the installation of chiefs and other cultural events. These instruments are used to entertain, praise, and send messages ra…

  • Nasality in Dagbani prosody

    Fusheini Angulu Hudu, Fusheini Hudu et al.•ARTICLE•Folia Linguistica•2020

    This paper presents a detailed analysis of nasality in Dagbani, a Gur language of Ghana, and the role it plays in Dagbani prosody. It demonstrates that the nasal is at the centre of defining the range of what is possible in Dagbani prosodic patterns. Nasals provide the basis for determining the full range of syllable types and the tone bearing unit of Dagbani; nasals are the only coda consonants that licence vowel lengthening; and nasals provide …

  • [ATR] feature involves a distinct tongue root articulation

    Open Access•Fusheini Angulu Hudu, Fusheini Hudu•ARTICLE•Lingua•2014•Cited by: 4•References: 22

  • [ATR] feature involves a distinct tongue root articulation

    Open Access•Fusheini Angulu Hudu, Fusheini Hudu•ARTICLE•Lingua•2014•Cited by: 4•References: 22

  • The Ethnography of Surrogate Speech in a Foreign Language

    Fusheini Angulu Hudu•ARTICLE•Journal of African Cultural Studies•2023•Cited by: 1•References: 7

    This article presents a study of the timpani drum beats and the akarima drummer among the Dagomba of Ghana, using analysis of audio and video recordings of drumming sessions and interviews with the drummers. Borrowed from the Asantes in the eighteenth century, the timpani transmits limited, oft-repeated messages in Akan, a language that neither the drummer nor his Dagomba patrons understand. In spite of this, the timpani is an integral part of Da…

  • [ATR] feature involves a distinct tongue root articulation

    Open Access•Fusheini Angulu Hudu, Fusheini Hudu•ARTICLE•Lingua•2014•Cited by: 4•References: 22

  • Nasality in Dagbani prosody

    Fusheini Angulu Hudu, Fusheini Hudu et al.•ARTICLE•Folia Linguistica•2020

    This paper presents a detailed analysis of nasality in Dagbani, a Gur language of Ghana, and the role it plays in Dagbani prosody. It demonstrates that the nasal is at the centre of defining the range of what is possible in Dagbani prosodic patterns. Nasals provide the basis for determining the full range of syllable types and the tone bearing unit of Dagbani; nasals are the only coda consonants that licence vowel lengthening; and nasals provide …

  • Linguistic Surrogacy With Minimal Semantics Among the Dagomba of Ghana

    Open Access•Fusheini Angulu Hudu•ARTICLE•Frontiers in Communication•2021

    This paper discusses critical questions on the processing of non-native surrogate languages of the Dagbamba (Dagomba) of Ghana. The Dagbamba use the fiddle, talking drum and double bell to encode speech in Hausa, Akan and other languages they do not speak. Fiddling and talking drums are integral to their festivals, funerals, the installation of chiefs and other cultural events. These instruments are used to entertain, praise, and send messages ra…

  • The Covid-19 pandemic in Ghana

    Open Access•A Kwame, Veronika Makarova et al.•ARTICLE•Humanities and Social Sciences…•2023

    Communication during a crisis can affect crisis management and health outcomes. Only a few studies in Africa have examined political leaders’ speeches on Covid-19 pandemic preventive and restrictive lockdown measures. The purpose of this study is to examine the discourse strategies employed in President Nana Addo’s speeches delivered to Ghanaians on the measures taken to combat the coronavirus. The first ten speeches of Nana Addo since the incept…

  • The narrative discourse of a bilingual talking drum

    Open Access•Fusheini Angulu Hudu•ARTICLE•Legon Journal of the Humanities•2023

    This paper analyses the discourse structure of the language of the timpani (a single-membrane goblet-shaped drum) of the Dagomba. Using data from video recordings of predawn performances and interviews with the drummers, it shows that the timpani performance is an elaborate and structured narrative discourse that blends panegyrics, prayers and exhortations directed at chiefs, citizens, spiritual and historical beings. The use of the timpani is a …

  • The Ethnography of Surrogate Speech in a Foreign Language

    Fusheini Angulu Hudu•ARTICLE•Journal of African Cultural Studies•2023•Cited by: 1•References: 7

    This article presents a study of the timpani drum beats and the akarima drummer among the Dagomba of Ghana, using analysis of audio and video recordings of drumming sessions and interviews with the drummers. Borrowed from the Asantes in the eighteenth century, the timpani transmits limited, oft-repeated messages in Akan, a language that neither the drummer nor his Dagomba patrons understand. In spite of this, the timpani is an integral part of Da…

  • The Pragmatic Functions of Dagbani Diminutives

    Open Access•Fusheini Angulu Hudu•ARTICLE•Ghana Journal of Linguistics•2024

    This study examines how compounds can be distinguished from phrases in Kusaal, a Mabia language spoken in the Upper East region of Ghana as well as two neighbouring countries: Burkina Faso and Togo. Both compounds and phrases involve the combination of lexemes. It is, therefore, important to establish clear-cut criteria for distinguishing between them. However, due to individual language uniqueness, there are no universally acceptable criteria th…

Linguistics (5 works) · Philosophy (4 works) · Sociology (4 works) · Computer Science (3 works) · Multilingual Education and Policy (3 works) · Phonetics and Phonology Research (3 works) · Acoustics (2 works) · Art (2 works) · Drum (2 works) · Linguistic Variation and Morphology (2 works)

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