Paul Hernadi
Biographic Data
| ID | 377586 |
|---|---|
| NAME | Paul Hernadi |
| GIVEN NAMES | Paul |
| FAMILY NAME | Hernadi |
| SIGNATURE | HERNADI P |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 3 |
On Cognition, Interpretation, and the Survival of Literature: A Response to Hans Adler and Sabine Gross
Research Article| June 01 2003 On Cognition, Interpretation, and the Survival of Literature: A Response to Hans Adler and Sabine Gross Paul Hernadi Paul Hernadi Search for other works by this author on: This Site Google Poetics Today (2003) 24 (2): 185–190. https://doi.org/10.1215/03335372-24-2-185 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Paul Hernadi; On Cognition, Interpretation, and the …
Why Is Literature: A Coevolutionary Perspective on Imaginative Worldmaking
Since prehistoric times literature has been serving two complementary functions: to expand the cognitive, emotive, and volitional horizons of human awareness and to integrate our beliefs, feelings, and desires within the fluid mentality required for survival in the complex social environments of human organisms. Frequent participation in protoliterary transactions may have made some early humans more astute planners, more sensitive mind readers, …
Literature and Evolution
SubStance - Issue 94/95 (Volume 30, Number 1&2), 2001
Interpreting Goethe's Faust Today
Guest Editor's Introduction
As natural organisms, social role-players and personal selves, human beings exist at the intersections of objective, intersubjective and subjective times. Postmodern life in particular invites being experienced as occurring at the temporal crossroads of a heterochronous world. Time as such may be impossible to define, but temporal phenomena are linked through various kinds of family resemblance. Theoretical awareness of the multiplicity of times …
Interpreting Events: Tragicomedies of History on the Modern Stage
Of Things, Selves, and Singers: New Studies in the Theory of Theater
What Is Criticism
What is Criticism
The Erotics of Retrospection: Historytelling, Audience Response, and the Strategies of Desire
Paul Hernadi, The Erotics of Retrospection: Historytelling, Audience Response, and the Strategies of Desire, New Literary History, Vol. 12, No. 2, Interpretation and Literary History (Winter, 1981), pp. 243-252
Linnaeus before Darwin: Response to Fredric Jameson
Entertaining commitments: A reception theory of literary genres
On the How, What, and Why of Narrative
Gattungstheorie: Information und Synthese
Re-Presenting the Past: A Note on Narrative Historiography and Historical Drama
It has often been noted how eagerly playwrights go to historical events for their plots. One reason for this is suggested in the ninth chapter of Aristotle's Poetics: dramatic works need an air of plausibility, and what better indication that a series of events is possible than the fact that it actually occurred? A no less valid reason for dramatizing history might be proposed from the historiographer's point of view: historical works need an air…
Clio's Cousins: Historiography as Translation, Fiction, and Criticism
Speaking is translating-from a language of angels into human language, that is, translating thoughts into words, things into names, images into signs. Whatever its value for a general theory of verbal communication, Johann Georg Hamann's fanciful proposition of 1762 suggests an instructive perspective on historiography.1 The historian tends to see his evidence as mainly consisting of original texts. Yet all documents at his disposal, as well as t…
Literary Theory: A Compass for Critics
Anagogic Qualities of Literature
Beyond Genre: New Directions in Literary Classification
Dual Perspective: Free Indirect Discourse and Related Techniques
T IS WELL KNOWN that Socrates, in the third book of Plato's Republic, distinguished three modes of literary discourse according to whether the poet, the characters, or poet and characters alternately speak. What has been overlooked too often is this: Mindful of his interlocutor's slow understanding, Socrates illustrated his concepts of authorial, figural, and mixed speech in the manner of a bad speaker who not take the of the subject, but will br…
Problems of Literary Evaluation
This is the latest volume of the critically acclaimed series entitled Yearbook of Comparative Criticism. The series devoted to the study of literature based on two assumptions: that literature is an expression of the culture in which it is written, and that the study of literature involves value-judgments.The volume includes contributions from: George Boas (U.S.A), David Daiches (Great Britain), Northrop Frye (Canada), Walter Hinderer (U.S.A.), E…
Literature and Evolution
SubStance - Issue 94/95 (Volume 30, Number 1&2), 2001
Why Is Literature: A Coevolutionary Perspective on Imaginative Worldmaking
Since prehistoric times literature has been serving two complementary functions: to expand the cognitive, emotive, and volitional horizons of human awareness and to integrate our beliefs, feelings, and desires within the fluid mentality required for survival in the complex social environments of human organisms. Frequent participation in protoliterary transactions may have made some early humans more astute planners, more sensitive mind readers, …
Literary Theory: A Compass for Critics
Clio's Cousins: Historiography as Translation, Fiction, and Criticism
Speaking is translating-from a language of angels into human language, that is, translating thoughts into words, things into names, images into signs. Whatever its value for a general theory of verbal communication, Johann Georg Hamann's fanciful proposition of 1762 suggests an instructive perspective on historiography.1 The historian tends to see his evidence as mainly consisting of original texts. Yet all documents at his disposal, as well as t…
Guest Editor's Introduction
As natural organisms, social role-players and personal selves, human beings exist at the intersections of objective, intersubjective and subjective times. Postmodern life in particular invites being experienced as occurring at the temporal crossroads of a heterochronous world. Time as such may be impossible to define, but temporal phenomena are linked through various kinds of family resemblance. Theoretical awareness of the multiplicity of times …
Entertaining commitments: A reception theory of literary genres
On the How, What, and Why of Narrative
Re-Presenting the Past: A Note on Narrative Historiography and Historical Drama
It has often been noted how eagerly playwrights go to historical events for their plots. One reason for this is suggested in the ninth chapter of Aristotle's Poetics: dramatic works need an air of plausibility, and what better indication that a series of events is possible than the fact that it actually occurred? A no less valid reason for dramatizing history might be proposed from the historiographer's point of view: historical works need an air…
Problems of Literary Evaluation
This is the latest volume of the critically acclaimed series entitled Yearbook of Comparative Criticism. The series devoted to the study of literature based on two assumptions: that literature is an expression of the culture in which it is written, and that the study of literature involves value-judgments.The volume includes contributions from: George Boas (U.S.A), David Daiches (Great Britain), Northrop Frye (Canada), Walter Hinderer (U.S.A.), E…
Dual Perspective: Free Indirect Discourse and Related Techniques
T IS WELL KNOWN that Socrates, in the third book of Plato's Republic, distinguished three modes of literary discourse according to whether the poet, the characters, or poet and characters alternately speak. What has been overlooked too often is this: Mindful of his interlocutor's slow understanding, Socrates illustrated his concepts of authorial, figural, and mixed speech in the manner of a bad speaker who not take the of the subject, but will br…
Anagogic Qualities of Literature
Beyond Genre: New Directions in Literary Classification
Gattungstheorie: Information und Synthese
Re-Presenting the Past: A Note on Narrative Historiography and Historical Drama
It has often been noted how eagerly playwrights go to historical events for their plots. One reason for this is suggested in the ninth chapter of Aristotle's Poetics: dramatic works need an air of plausibility, and what better indication that a series of events is possible than the fact that it actually occurred? A no less valid reason for dramatizing history might be proposed from the historiographer's point of view: historical works need an air…
Clio's Cousins: Historiography as Translation, Fiction, and Criticism
Speaking is translating-from a language of angels into human language, that is, translating thoughts into words, things into names, images into signs. Whatever its value for a general theory of verbal communication, Johann Georg Hamann's fanciful proposition of 1762 suggests an instructive perspective on historiography.1 The historian tends to see his evidence as mainly consisting of original texts. Yet all documents at his disposal, as well as t…
Literary Theory: A Compass for Critics
On the How, What, and Why of Narrative
The Erotics of Retrospection: Historytelling, Audience Response, and the Strategies of Desire
Paul Hernadi, The Erotics of Retrospection: Historytelling, Audience Response, and the Strategies of Desire, New Literary History, Vol. 12, No. 2, Interpretation and Literary History (Winter, 1981), pp. 243-252
Linnaeus before Darwin: Response to Fredric Jameson
Entertaining commitments: A reception theory of literary genres
What is Criticism
What Is Criticism
Of Things, Selves, and Singers: New Studies in the Theory of Theater
Interpreting Events: Tragicomedies of History on the Modern Stage
Guest Editor's Introduction
As natural organisms, social role-players and personal selves, human beings exist at the intersections of objective, intersubjective and subjective times. Postmodern life in particular invites being experienced as occurring at the temporal crossroads of a heterochronous world. Time as such may be impossible to define, but temporal phenomena are linked through various kinds of family resemblance. Theoretical awareness of the multiplicity of times …
Interpreting Goethe's Faust Today
Literature and Evolution
SubStance - Issue 94/95 (Volume 30, Number 1&2), 2001
Why Is Literature: A Coevolutionary Perspective on Imaginative Worldmaking
Since prehistoric times literature has been serving two complementary functions: to expand the cognitive, emotive, and volitional horizons of human awareness and to integrate our beliefs, feelings, and desires within the fluid mentality required for survival in the complex social environments of human organisms. Frequent participation in protoliterary transactions may have made some early humans more astute planners, more sensitive mind readers, …
On Cognition, Interpretation, and the Survival of Literature: A Response to Hans Adler and Sabine Gross
Research Article| June 01 2003 On Cognition, Interpretation, and the Survival of Literature: A Response to Hans Adler and Sabine Gross Paul Hernadi Paul Hernadi Search for other works by this author on: This Site Google Poetics Today (2003) 24 (2): 185–190. https://doi.org/10.1215/03335372-24-2-185 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Paul Hernadi; On Cognition, Interpretation, and the …
Art (17 works) · Literature (14 works) · Philosophy (10 works) · Computer Science (9 works) · History (9 works) · Aesthetics (5 works) · Criticism (5 works) · Epistemology (5 works) · Sociology (5 works) · Narrative (4 works)