James R Hamilton
Biographic Data
| ID | 3788499 |
|---|---|
| NAME | James R Hamilton |
| GIVEN NAMES | James R |
| FAMILY NAME | Hamilton |
| SIGNATURE | HAMILTON J R |
| AFFILIATIONS | Kansas State University |
| ORCID | 0000-0002-4214-5561 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1929 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Acts
What motivates spectators to come to the theatre is central to Tzachi Zamir's aims in this book. His thought is that there is something actors do that attracts spectators, and that we can explain what motivates spectators to come to the theatre by understanding what it is that actors do. This contrasts to an older view held by many, including most philosophers, that spectators come to the theatre to see plays. An audience certainly does come to t…
Notes on the Experience of Tragedy
Gregory Currie offers a statement of an interesting problem about tragedy: ‘(1) We want the fiction be such that something, E, occurs in it; [yet] (2) we react in ways which make it tempting to say we want E not to occur.’ He argues for one way to make (2) more precise with regard to what it is we are tempted to say. I argue he should not so readily have accepted (1). More significantly, however, I argue both that Currie is right to hold we need …
Living in an Artworld
This book contains a collection of fifty-nine essays of varying lengths, dating mostly from early in his career, long before Noël Carroll became one of the leading figures in aesthetics of the twentieth and early twenty-first centuries. Some of the essays appeared in academic journals of the kind with which many readers of this journal will be familiar. But most did not. Most, in fact, and especially those on dance, theatre, and performance, were…
The Text-Performance Relation in Theater
This essay is a survey of positions on the relation between texts and performances in theater. It proposes a simple framework within which to compare and evaluate these positions. The framework also allows us to see a pattern of thinking that reflects the historical fact of the importance of the literary tradition in theater. The essay points out certain challenges facing the positions surveyed and concludes with a brief sketch of the most recent…
L'Origine des Turcs
Cette etude vise a reperer dans les differentes sources, principalement chinoises et byzantines, les premieres apparitions de peuples turcophones, c.-a-d. de langue proto-turco-mongole, proto-turque, ou turque ancienne. Les peuples turcophones reconnaissables le plus anciennement se trouvaient dans la grande confederation des tribus nomades Hiong-nou ou Huns qui parcouraient les deserts et les steppes au nord de la Chine et de l'Asie Centrale ent…
Recherches autour de qars, nom d'une étoffe de poil
Dans leurs éditions respectives du manuscrit ouï;gour de Touen-houang, Pelliot chinois 3509, où figure le conte bouddhique du Prince Bien-pensant et de son mauvais frère, Huart et Pelliot ont tous deux lu, à la p. 2, 1. 4, 'qar(i)š', sans avoir réussi, cependant, à expliquer cette forme de façon satisfaisante. En fait, le mot doit se lire qars, défini par Kāšγarī comme 'vêtement (=étoffe) de poil de chameau et de laine de mouton', mot.qui a persi…
Les Ouighours a l'epoque des Cinq Dynasties d'apres les documents chinois
Autour Du Manuscrit Staël-Holstein
Praise, O Praise the Lord of Harvest. Anthem for Harvest
The Text-Performance Relation in Theater
This essay is a survey of positions on the relation between texts and performances in theater. It proposes a simple framework within which to compare and evaluate these positions. The framework also allows us to see a pattern of thinking that reflects the historical fact of the importance of the literary tradition in theater. The essay points out certain challenges facing the positions surveyed and concludes with a brief sketch of the most recent…
Recherches autour de qars, nom d'une étoffe de poil
Dans leurs éditions respectives du manuscrit ouï;gour de Touen-houang, Pelliot chinois 3509, où figure le conte bouddhique du Prince Bien-pensant et de son mauvais frère, Huart et Pelliot ont tous deux lu, à la p. 2, 1. 4, 'qar(i)š', sans avoir réussi, cependant, à expliquer cette forme de façon satisfaisante. En fait, le mot doit se lire qars, défini par Kāšγarī comme 'vêtement (=étoffe) de poil de chameau et de laine de mouton', mot.qui a persi…
Praise, O Praise the Lord of Harvest. Anthem for Harvest
Autour Du Manuscrit Staël-Holstein
Les Ouighours a l'epoque des Cinq Dynasties d'apres les documents chinois
Recherches autour de qars, nom d'une étoffe de poil
Dans leurs éditions respectives du manuscrit ouï;gour de Touen-houang, Pelliot chinois 3509, où figure le conte bouddhique du Prince Bien-pensant et de son mauvais frère, Huart et Pelliot ont tous deux lu, à la p. 2, 1. 4, 'qar(i)š', sans avoir réussi, cependant, à expliquer cette forme de façon satisfaisante. En fait, le mot doit se lire qars, défini par Kāšγarī comme 'vêtement (=étoffe) de poil de chameau et de laine de mouton', mot.qui a persi…
L'Origine des Turcs
Cette etude vise a reperer dans les differentes sources, principalement chinoises et byzantines, les premieres apparitions de peuples turcophones, c.-a-d. de langue proto-turco-mongole, proto-turque, ou turque ancienne. Les peuples turcophones reconnaissables le plus anciennement se trouvaient dans la grande confederation des tribus nomades Hiong-nou ou Huns qui parcouraient les deserts et les steppes au nord de la Chine et de l'Asie Centrale ent…
The Text-Performance Relation in Theater
This essay is a survey of positions on the relation between texts and performances in theater. It proposes a simple framework within which to compare and evaluate these positions. The framework also allows us to see a pattern of thinking that reflects the historical fact of the importance of the literary tradition in theater. The essay points out certain challenges facing the positions surveyed and concludes with a brief sketch of the most recent…
Living in an Artworld
This book contains a collection of fifty-nine essays of varying lengths, dating mostly from early in his career, long before Noël Carroll became one of the leading figures in aesthetics of the twentieth and early twenty-first centuries. Some of the essays appeared in academic journals of the kind with which many readers of this journal will be familiar. But most did not. Most, in fact, and especially those on dance, theatre, and performance, were…
Notes on the Experience of Tragedy
Gregory Currie offers a statement of an interesting problem about tragedy: ‘(1) We want the fiction be such that something, E, occurs in it; [yet] (2) we react in ways which make it tempting to say we want E not to occur.’ He argues for one way to make (2) more precise with regard to what it is we are tempted to say. I argue he should not so readily have accepted (1). More significantly, however, I argue both that Currie is right to hold we need …
Acts
What motivates spectators to come to the theatre is central to Tzachi Zamir's aims in this book. His thought is that there is something actors do that attracts spectators, and that we can explain what motivates spectators to come to the theatre by understanding what it is that actors do. This contrasts to an older view held by many, including most philosophers, that spectators come to the theatre to see plays. An audience certainly does come to t…
Art (8 works) · Aesthetics (4 works) · Literature (4 works) · Philosophy (4 works) · Epistemology (3 works) · History (3 works) · Humanities (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works)