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The Text-Performance Relation in Theater

Bibliographic Data

ID5140706
AuthorsJames Hamilton (0000-0002-2928-8760), James R Hamilton (0000-0002-4214-5561, Kansas State University, corresponding author)
Year2009
Volume4
Issue4
Pages614-629
Publication date2009-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePhilosophy Compass (JOURNAL)
Journal identifiersISSN: 1747-9991 • E-ISSN: 1747-9991
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1747-9991.2009.00223.x
OpenAlexW2142453086
LanguageEN
Citations received1
References cited14

This essay is a survey of positions on the relation between texts and performances in theater. It proposes a simple framework within which to compare and evaluate these positions. The framework also allows us to see a pattern of thinking that reflects the historical fact of the importance of the literary tradition in theater. The essay points out certain challenges facing the positions surveyed and concludes with a brief sketch of the most recent views that have been put on offer. The latest positions re-situate the literary theater as a species of the more general phenomena of theatrical performance

Aesthetics · Art · Epistemology · Literature · Sketch · Sociology · Computer Science · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Theatre and Performance Studies

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    Bert Olen States•Great Reckonings in Little Rooms•1985

  • Presence and Resistance

    Open Access•Philip Auslander•Presence and Resistance:…•1993

  • Theatrical Performance

    Marvin Carlson•Theatre Journal•1985

  • The Interpretation of Music in Performance

    Paul Thom•The British Journal of Aesthetics•2003

  • Between Theater and Anthropology

    R Schechner, Victor Turner•Between Theater and Anthropology•1985

Citation velocityhistorical
Highly citedNo

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