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Mikael Pettersson

Biographic Data

ID3789154
NAMEMikael Pettersson
GIVEN NAMESMikael
FAMILY NAMEPettersson
SIGNATUREPETTERSSON M
AFFILIATIONSStockholm University
ORCID0000-0003-3666-0396
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS3
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Shot in the Dark: Notes on Photography, Causality, and Content

    Mikael Pettersson•ARTICLE•The Philosophical Quarterly•2012

    Photography is often said to be an essentially causal medium. This paper addresses the role of causality in photography and argues for three main claims: (i) a causal theory of photography does not force us to say that images of backlit objects are photographs of the back surfaces of the said objects (as Roy Sorensen would have it); rather, (ii), such images, I suggest, are photographs of the objects and what Alva Noë would call their ‘looks’; (i…

  • Seeing What Is Not There: Pictorial Experience, Imagination and Non-localization

    Mikael Pettersson•ARTICLE•The British Journal of Aesthetics•2011•Cited by: 3

    Pictures let us see what is not there. Or rather, since what pictures depict is not really there, we do not really see the things they are pictures of. Ever since Richard Wollheim introduced the notion of seeing-in into philosophical aesthetics, as part of his theory of depiction, there has been a lively debate about how, precisely, to understand this experience. However, one (alleged) feature of seeing-in that Wollheim pointed to has been almost…

  • Soili-Maria Olli, Visioner av världen: Hädelse och djävulspakt i justitierevisionen 1680–1789, Skrifter från Institutionen för historiska studier 17 (Umeå: Umeå universitet, 2007). vi+194 s

    Open Access•Mikael Pettersson•ARTICLE•1700-tal: Nordic Journal for…•2009

  • Seeing What Is Not There: Pictorial Experience, Imagination and Non-localization

    Mikael Pettersson•ARTICLE•The British Journal of Aesthetics•2011•Cited by: 3

    Pictures let us see what is not there. Or rather, since what pictures depict is not really there, we do not really see the things they are pictures of. Ever since Richard Wollheim introduced the notion of seeing-in into philosophical aesthetics, as part of his theory of depiction, there has been a lively debate about how, precisely, to understand this experience. However, one (alleged) feature of seeing-in that Wollheim pointed to has been almost…

  • Soili-Maria Olli, Visioner av världen: Hädelse och djävulspakt i justitierevisionen 1680–1789, Skrifter från Institutionen för historiska studier 17 (Umeå: Umeå universitet, 2007). vi+194 s

    Open Access•Mikael Pettersson•ARTICLE•1700-tal: Nordic Journal for…•2009

  • Seeing What Is Not There: Pictorial Experience, Imagination and Non-localization

    Mikael Pettersson•ARTICLE•The British Journal of Aesthetics•2011•Cited by: 3

    Pictures let us see what is not there. Or rather, since what pictures depict is not really there, we do not really see the things they are pictures of. Ever since Richard Wollheim introduced the notion of seeing-in into philosophical aesthetics, as part of his theory of depiction, there has been a lively debate about how, precisely, to understand this experience. However, one (alleged) feature of seeing-in that Wollheim pointed to has been almost…

  • Shot in the Dark: Notes on Photography, Causality, and Content

    Mikael Pettersson•ARTICLE•The Philosophical Quarterly•2012

    Photography is often said to be an essentially causal medium. This paper addresses the role of causality in photography and argues for three main claims: (i) a causal theory of photography does not force us to say that images of backlit objects are photographs of the back surfaces of the said objects (as Roy Sorensen would have it); rather, (ii), such images, I suggest, are photographs of the objects and what Alva Noë would call their ‘looks’; (i…

Art (2 works) · Aesthetic Perception and Analysis (1 works) · Aesthetics (1 works) · Art history (1 works) · Causality (physics) (1 works) · Content (measure theory) (1 works) · Depiction (1 works) · Epistemology (1 works) · Ethics, Aesthetics, and Art (1 works) · Historical Legal Studies and Society (1 works)

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