Deborah Jackson
Biographic Data
| ID | 3822227 |
|---|---|
| NAME | Deborah Jackson |
| GIVEN NAMES | Deborah |
| FAMILY NAME | Jackson |
| SIGNATURE | JACKSON D |
| AFFILIATIONS | Earlham College |
| ORCID | 0000-0001-6777-9707 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 53 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
VCB 20.3 Review
This article examines the curatorial impulses of three exhibitions that are part of a recent flurry of shows which have focused, either directly or indirectly, on centuries of women’s marginality and invisibility in the arts. The exhibitions: ‘369 Remembered – The Women’; ‘Self Portrait as Saint Catherine of Alexandria’ and ‘The Future is Female’ all build on the historiography of feminist and women’s art that’s been evident for more than half a …
A perfect storm: Embodied workers, emplaced corporations, and delayed reflexivity in a Canadian 'Risk Society
At the turn of the 21st century, an occupational disease epidemic began to unfold in Sarnia, Ontario, home to the petrochemical complex known as Canada's 'Chemical Valley.' Given the long latency periods for these diseases, the hazardous exposures that produced them would have occurred over a period of decades during the latter 20th century. This suggests a paradox: what accounts for unionized Canadian men working for decades in conditions that p…
Artists Running: Fifty Years of Scottish Cultural Devolution
It is just over fifty years since the Arts Council of Great Britain (ACGB) devolved the governance and subsidy of Scotland’s arts from London to Edinburgh. Dan Brown, Deborah Jackson and Neil Mulholland discuss how artists, curators, arts administrators and the Scottish Arts Council (SAC) learned to cohabit. They examine the tensions between the SAC’s Keynesian values, Scotland’s emerging artist-run organizational culture and its long-established…
Canadian History through the Senses
2011). Canadian History through the Senses. The Senses and Society: Vol. 6, No. 2, pp. 225-228
Scents of Place: The Dysplacement of a First Nations Community in Canada
Here I explore how the experience of place at a First Nations reserve in Ontario, located in the middle of Canada's "Chemical Valley," is disrupted by the extraordinary levels of pollution found there. In so doing, I give special attention to air pollution and residents' responses to associated odors-that is, to the sense of smell. Focusing on a unique feature of smell-that it operates primarily through indexicality-I draw on C. S. Peirce's semio…
Not traditional, not assimilated: Elderly American Indians and the notion of 'cohort
This Hole in Our Heart: Urban Indian Identity and the Power of Silence
The majority of us [city-raised Indian people] walk around with this hole in our heart. We know we’re different, that there’s a piece of our life that is missing.\n—Michelle Duncan\nSince the middle of the twentieth century, when large numbers of American Indian people began migrating from reservations to cities in search of work and a better life, a great deal has been published on the “urban Indian” phenomenon. While a few ethnographic or ethno…
Scents of Place: The Dysplacement of a First Nations Community in Canada
Here I explore how the experience of place at a First Nations reserve in Ontario, located in the middle of Canada's "Chemical Valley," is disrupted by the extraordinary levels of pollution found there. In so doing, I give special attention to air pollution and residents' responses to associated odors-that is, to the sense of smell. Focusing on a unique feature of smell-that it operates primarily through indexicality-I draw on C. S. Peirce's semio…
Not traditional, not assimilated: Elderly American Indians and the notion of 'cohort
This Hole in Our Heart: Urban Indian Identity and the Power of Silence
The majority of us [city-raised Indian people] walk around with this hole in our heart. We know we’re different, that there’s a piece of our life that is missing.\n—Michelle Duncan\nSince the middle of the twentieth century, when large numbers of American Indian people began migrating from reservations to cities in search of work and a better life, a great deal has been published on the “urban Indian” phenomenon. While a few ethnographic or ethno…
This Hole in Our Heart: Urban Indian Identity and the Power of Silence
The majority of us [city-raised Indian people] walk around with this hole in our heart. We know we’re different, that there’s a piece of our life that is missing.\n—Michelle Duncan\nSince the middle of the twentieth century, when large numbers of American Indian people began migrating from reservations to cities in search of work and a better life, a great deal has been published on the “urban Indian” phenomenon. While a few ethnographic or ethno…
Not traditional, not assimilated: Elderly American Indians and the notion of 'cohort
Canadian History through the Senses
2011). Canadian History through the Senses. The Senses and Society: Vol. 6, No. 2, pp. 225-228
Scents of Place: The Dysplacement of a First Nations Community in Canada
Here I explore how the experience of place at a First Nations reserve in Ontario, located in the middle of Canada's "Chemical Valley," is disrupted by the extraordinary levels of pollution found there. In so doing, I give special attention to air pollution and residents' responses to associated odors-that is, to the sense of smell. Focusing on a unique feature of smell-that it operates primarily through indexicality-I draw on C. S. Peirce's semio…
Artists Running: Fifty Years of Scottish Cultural Devolution
It is just over fifty years since the Arts Council of Great Britain (ACGB) devolved the governance and subsidy of Scotland’s arts from London to Edinburgh. Dan Brown, Deborah Jackson and Neil Mulholland discuss how artists, curators, arts administrators and the Scottish Arts Council (SAC) learned to cohabit. They examine the tensions between the SAC’s Keynesian values, Scotland’s emerging artist-run organizational culture and its long-established…
VCB 20.3 Review
This article examines the curatorial impulses of three exhibitions that are part of a recent flurry of shows which have focused, either directly or indirectly, on centuries of women’s marginality and invisibility in the arts. The exhibitions: ‘369 Remembered – The Women’; ‘Self Portrait as Saint Catherine of Alexandria’ and ‘The Future is Female’ all build on the historiography of feminist and women’s art that’s been evident for more than half a …
A perfect storm: Embodied workers, emplaced corporations, and delayed reflexivity in a Canadian 'Risk Society
At the turn of the 21st century, an occupational disease epidemic began to unfold in Sarnia, Ontario, home to the petrochemical complex known as Canada's 'Chemical Valley.' Given the long latency periods for these diseases, the hazardous exposures that produced them would have occurred over a period of decades during the latter 20th century. This suggests a paradox: what accounts for unionized Canadian men working for decades in conditions that p…
Art (4 works) · Sociology (4 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Canadian Identity and History (2 works) · History (2 works) · History (2 works) · Indigenous Health, Education, and Rights (2 works) · Politics (2 works)