VCB 20.3 Review
Bibliographic Data
| ID | 21158823 |
|---|---|
| Authors | Deborah Jackson (0000-0001-6777-9707, Twitter (United States), corresponding author) |
| Year | 2020 |
| Volume | 21 |
| Issue | 1 |
| Pages | 133-143 |
| Publication date | 2020-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Culture in Britain (JOURNAL) |
| Journal identifiers | ISSN: 1471-4787 • E-ISSN: 1941-8361 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14714787.2020.1716574 |
| OpenAlex | W3010093255 |
| Language | EN |
| References cited | 3 |
This article examines the curatorial impulses of three exhibitions that are part of a recent flurry of shows which have focused, either directly or indirectly, on centuries of women’s marginality and invisibility in the arts. The exhibitions: ‘369 Remembered – The Women’; ‘Self Portrait as Saint Catherine of Alexandria’ and ‘The Future is Female’ all build on the historiography of feminist and women’s art that’s been evident for more than half a century. In this review, attention is focused on the curatorial practices rather than the artworks themselves in order to explore how knowledge is embodied within curatorial processes
| Citation velocity | historical |
|---|---|
| Highly cited | No |