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Amy Mcnair

Biographic Data

ID3829691
NAMEAmy Mcnair
GIVEN NAMESAmy
FAMILY NAMEMcnair
SIGNATUREMCNAIR A
AFFILIATIONS1University of Kansas
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS1
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Donors of Longmen

    Amy Mcnair•BOOK•Donors of Longmen•2017

    Donors of is the first work in a Western language to re-create the history of the Longmen Grottoes, one of China's great stone sculpture treasure houses. Longmen, a UNESCO World Heritage site located near the old capital of Luoyang in modern Henan Province, consists of thousands of ancient cave chapels and shrines containing Buddhist icons of all sizes that were carved into the towering limestone cliffs from the fifth to the eighth centuries. Bey…

  • Cultural Intersections in Later Chinese Buddhism

    Terese Tse Bartholomew, Patricia Berger et al.•BOOK•Cultural Intersections in Later…•2017

    In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…

  • Black Tigers

    Amy Mcnair•ARTICLE•T oung Pao•2010

  • Donors of Longmen

    Amy Mcnair•BOOK•Donors of Longmen•2007

  • Ouyang Xiu

    Amy Mcnair, Di Luo•CHAPTER•2003

  • Scroll

    Amy Mcnair, Jane Casey Singer et al.•CHAPTER•2003

  • Colour

    Geoffrey Newman, Geoffrey R Newman et al.•CHAPTER•2003

  • The Upright Brush

    Robert E Harrist, Amy Mcnair•ARTICLE•Journal of the American Oriental…•2001

    Arguing for the political rather than purely aesthetic basis for Yan Zhenqing's (709-785) reputation in Chinese calligraphy, the text posits that it was due to a handful of influential and well-educated men in the 11th century, who sought advancement by associating themselves with Yans' reputation

  • On the Patronage by Tang-Dynasty Nuns at Wanfo Grotto, Longmen

    Amy Mcnair•ARTICLE•Artibus Asiae•2000

    Cet article est consacre aux grottes de pelerinage bouddhistes apparues a l'epoque des Wei a Longmen (Chine). Ses grottes sont caracterisees par des mecenats successifs. Ainsi ces lieux saints renfermaient des statues, des petites niches statuaires ajoutees par les divers mecenes. Dans certaines grandes grottes, les programmes sculpturaux principaux etaient finis ou reactualises au cours de la dynastie des Tang sous l'impulsion d'un mecene appart…

  • Engraved Calligraphy in China

    Amy Mcnair•ARTICLE•The Art Bulletin•1995

    In contrast to the focus on biography and autograph in traditional Chinese criticism on ink-written calligraphy, examination of engraved calligraphy allows new questions concerning changes in physical form and critical reception of works of art. Model-letters compendia began as engraved copies of calligraphers' correspondence; these letters were later altered through copying, reengraving, connoisseurship, and textual research. Stele inscriptions …

  • Public Values in Calligraphy and Orthography in the Tang Dynasty

    Amy Mcnair•ARTICLE•Monumenta Serica•1995

    Une calligraphie et une orthographe correctes etaient les deux qualites essentielles recquises lors des examens d'acces a une fonction gouvernementale, a partir de la dynastie des Tang. L'auteur s'interroge sur la facon dont ces valeurs visuelles expriment les valeurs inherentes aux apparitions publiques. Il se demande egalement si celles-ci etaient imposees par l'Etat et les besoins du systeme d'examens, ou si elles ont ete adoptees independamme…

  • The Engraved Model-Letters Compendia of the Song Dynasty

    Amy Mcnair•ARTICLE•Journal of the American Oriental…•1994•Cited by: 1

    (Res.d'A.). The engraved model-letters calligraphy compendia of the Song dynasty functionned as performative histories of art. The course of their development, in terms of content and sponsorship, reveals how the compendia embodied the political tension between the scholar-official class and the throne during the Song. The compendia first display the universal acceptance of the classical tradition of Six Dynasties' calligraphy championned by the …

  • On the Date of the Shengmudian Sculptures at Jinci

    Amy Mcnair•ARTICLE•Artibus Asiae•1988

  • The Engraved Model-Letters Compendia of the Song Dynasty

    Amy Mcnair•ARTICLE•Journal of the American Oriental…•1994•Cited by: 1

    (Res.d'A.). The engraved model-letters calligraphy compendia of the Song dynasty functionned as performative histories of art. The course of their development, in terms of content and sponsorship, reveals how the compendia embodied the political tension between the scholar-official class and the throne during the Song. The compendia first display the universal acceptance of the classical tradition of Six Dynasties' calligraphy championned by the …

  • On the Date of the Shengmudian Sculptures at Jinci

    Amy Mcnair•ARTICLE•Artibus Asiae•1988

  • The Engraved Model-Letters Compendia of the Song Dynasty

    Amy Mcnair•ARTICLE•Journal of the American Oriental…•1994•Cited by: 1

    (Res.d'A.). The engraved model-letters calligraphy compendia of the Song dynasty functionned as performative histories of art. The course of their development, in terms of content and sponsorship, reveals how the compendia embodied the political tension between the scholar-official class and the throne during the Song. The compendia first display the universal acceptance of the classical tradition of Six Dynasties' calligraphy championned by the …

  • Engraved Calligraphy in China

    Amy Mcnair•ARTICLE•The Art Bulletin•1995

    In contrast to the focus on biography and autograph in traditional Chinese criticism on ink-written calligraphy, examination of engraved calligraphy allows new questions concerning changes in physical form and critical reception of works of art. Model-letters compendia began as engraved copies of calligraphers' correspondence; these letters were later altered through copying, reengraving, connoisseurship, and textual research. Stele inscriptions …

  • Public Values in Calligraphy and Orthography in the Tang Dynasty

    Amy Mcnair•ARTICLE•Monumenta Serica•1995

    Une calligraphie et une orthographe correctes etaient les deux qualites essentielles recquises lors des examens d'acces a une fonction gouvernementale, a partir de la dynastie des Tang. L'auteur s'interroge sur la facon dont ces valeurs visuelles expriment les valeurs inherentes aux apparitions publiques. Il se demande egalement si celles-ci etaient imposees par l'Etat et les besoins du systeme d'examens, ou si elles ont ete adoptees independamme…

  • On the Patronage by Tang-Dynasty Nuns at Wanfo Grotto, Longmen

    Amy Mcnair•ARTICLE•Artibus Asiae•2000

    Cet article est consacre aux grottes de pelerinage bouddhistes apparues a l'epoque des Wei a Longmen (Chine). Ses grottes sont caracterisees par des mecenats successifs. Ainsi ces lieux saints renfermaient des statues, des petites niches statuaires ajoutees par les divers mecenes. Dans certaines grandes grottes, les programmes sculpturaux principaux etaient finis ou reactualises au cours de la dynastie des Tang sous l'impulsion d'un mecene appart…

  • The Upright Brush

    Robert E Harrist, Amy Mcnair•ARTICLE•Journal of the American Oriental…•2001

    Arguing for the political rather than purely aesthetic basis for Yan Zhenqing's (709-785) reputation in Chinese calligraphy, the text posits that it was due to a handful of influential and well-educated men in the 11th century, who sought advancement by associating themselves with Yans' reputation

  • Ouyang Xiu

    Amy Mcnair, Di Luo•CHAPTER•2003

  • Scroll

    Amy Mcnair, Jane Casey Singer et al.•CHAPTER•2003

  • Colour

    Geoffrey Newman, Geoffrey R Newman et al.•CHAPTER•2003

  • Donors of Longmen

    Amy Mcnair•BOOK•Donors of Longmen•2007

  • Black Tigers

    Amy Mcnair•ARTICLE•T oung Pao•2010

  • Donors of Longmen

    Amy Mcnair•BOOK•Donors of Longmen•2017

    Donors of is the first work in a Western language to re-create the history of the Longmen Grottoes, one of China's great stone sculpture treasure houses. Longmen, a UNESCO World Heritage site located near the old capital of Luoyang in modern Henan Province, consists of thousands of ancient cave chapels and shrines containing Buddhist icons of all sizes that were carved into the towering limestone cliffs from the fifth to the eighth centuries. Bey…

  • Cultural Intersections in Later Chinese Buddhism

    Terese Tse Bartholomew, Patricia Berger et al.•BOOK•Cultural Intersections in Later…•2017

    In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…

Art (9 works) · Chinese history and philosophy (8 works) · History (7 works) · Ancient history (4 works) · Archaeology (4 works) · Calligraphy (4 works) · Painting (4 works) · China (3 works) · Geography (3 works) · Visual arts (3 works)

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