Linda Phyllis Austern
Biographic Data
| ID | 3833156 |
|---|---|
| NAME | Linda Phyllis Austern |
| GIVEN NAMES | Linda Phyllis |
| FAMILY NAME | Austern |
| SIGNATURE | AUSTERN L P |
| AFFILIATIONS | Perfect Harmony Health |
| ORCID | 0000-0001-8038-4005 |
| VERIFIED | Yes |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Music in the Flesh: An Early Modern Musical Physiology . Bettina Varwig
Music, Dance and Drama in Early Modern English Schools Winkler Amanda Eubanks
Journal Article Music, Dance and Drama in Early Modern English SchoolsWinkler Amanda Eubanks Get access Music, Dance and Drama in Early Modern English Schools. By Winkler Amanda Eubanks. Pp. xviii + 242. ( Cambridge University Press, Cambridge and New York, 2020. ISBN 978-1-108-49086-3, £75.) Linda Phyllis Austern Linda Phyllis Austern Northwestern University E-mail: [email protected] Search for other works by this author on: Oxford Acad…
Beyond Boundaries: Rethinking Music Circulation in Early Modern England
Austern, Linda Phyllis, Candace Bailey, Amanda Eubanks Winkler, éds. Beyond Boundaries: Rethinking Music Circulation in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Utopia for 500 Years), on Érudit
Manipulating Music at the Court of Elizabeth I
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Music and Manly Wit in Seventeenth-Century England: The Case of the Catch
Concepts of Creativity in Seventeenth-Century England
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not conscio…
Music and Society in Early Modern England
Christopher Marsh. Music and Society in Early Modern England. With CD. Cambridge: Cambridge University Press, 2010. xiv + 609 pp. index. append. illus. tbls. bibl. $110. ISBN: 978–0–52189832–4. - Volume 64 Issue 4
O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
Amanda Eubanks Winkler O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage. Bloomington : Indiana University Press, 2007 ISBN: 978-0-253-34805-0 - Volume 61 Issue 1
The Early Tudor Court and International Musical Relations
Theodor Dumitrescu. The Early Tudor Court and International Musical Relations. Aldershot: Ashgate Publishing Company, 2007. xx + 330 pp. index. append. illus. tbls. $99.95. ISBN: 978–0–7546–6642–8. - Volume 61 Issue 3
Thomas Tomkins: The Last Elizabethan
Anthony Boden. Thomas Tomkins: The Last Elizabethan. With Denis Stevens, David R. A. Evans, Peter James, and Bernard Rose. Aldershot: Ashgate Publishing Company, 2005. xiv + 374 pp. index. illus. tbls. bibl. $134.95. ISBN: 0-7546-5118-5. - Volume 60 Issue 1
Music of the Sirens
An impressive range of views and analyses of the pervasive archetype of sirens and their music
Music Theory in Seventeenth-Century England
Rebecca Herissone. Music Theory in Seventeenth-Century England. (Oxford Monographs on Music.) Oxford: Oxford University Press, 2000. xvi + 316 pp. illus. bibl. index. $74. ISBN: 0-19-816700-8. - Volume 56 Issue 3
The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books
The emblem book, a collection of cryptic visual images accompanied by a motto and poetic epigram in Latin or the vernacular, was one of the most popular forms of early modern literature. It called upon the interplay between sensation and intellect, particularly auditory and visual pathways to understanding. The genre reached its apotheosis during the seventeenth century. Although these important compendia of culturally significant images have ten…
William Byrd: Gentleman of the Chapel Royal
John Harley, William Byrd: Gentleman of the Chapel Royal Aldershot, England: Scolar Press; and Brookfield, Vermont: Ashgate Publishing Company, 1997. 8 pis. + xvi + 480 pp. $76.95. ISBN: 1-85928-165-6. - Volume 52 Issue 2
Music in the English Courtly Masque 1604-1640
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Nature, Culture, Myth, and the Musician in Early Modern England
In sixteenth- and seventeenth-century England, music was often considered an aspect of natural philosophy, the general study of natural and cultural phenomena that had been inherited from classical antiquity and the Middle Ages, but was undergoing rapid metamorphosis into more modern fields of science, technology, and the arts. Against this background, many writers began to invoke machine metaphors and the triumph of cultural products over raw na…
Alluring the Auditorie to Effeminacie'; Music and the Idea of the Feminine in Early Modern England
RECENT SCHOLARSHIP in several disciplines, notably literary criticism, the history of medicine, and social history, has come to recognize that rapid change in political and social orders, coupled with new concerns in medicine, theology, moral philosophy and family life, led sixteenthand seventeenth-century thinkers to redefine feminine nature as especially disordered, convoluted, deceptive, changeable and uncontrolled, a literal inversion of the …
Art to Enchant’: Musical Magic and its Practitioners in English Renaissance Drama
Many practitioners of the magical arts in English Renaissance drama rely on music to achieve their occult goals. Indeed, music often comes to represent the audible sound of arcane forces at work, for to the Renaissance music itself was a dual art with both obvious and hidden properties. On one hand, music was a delightful, practical science concerned with the production of ordered sound by the human voice or artificial instruments. On the other h…
Sing Againe Syren: The Female Musician and Sexual Enchantment in Elizabethan Life and Literature
To Elizabethan observers in many disciplines, feminine beauty and music offered parallel benefits and dangers that influenced prescriptions for the actual musical behavior of contemporary Englishwomen and also the development of stock literary situations in which female musicians either caused spiritual fulfillment or physical destruction. Conflicting ideologies, based on the most respected ancient authorities and contemporary observers, attribut…
Musical Parody in the Jacobean City Comedy
Journal Article MUSICAL PARODY IN THE JACOBEAN CITY COMEDY Get access LINDA PHYLLIS AUSTERN LINDA PHYLLIS AUSTERN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 4, October 1985, Pages 355–366, https://doi.org/10.1093/ml/66.4.355 Published: 01 October 1985
Sing Againe Syren: The Female Musician and Sexual Enchantment in Elizabethan Life and Literature
To Elizabethan observers in many disciplines, feminine beauty and music offered parallel benefits and dangers that influenced prescriptions for the actual musical behavior of contemporary Englishwomen and also the development of stock literary situations in which female musicians either caused spiritual fulfillment or physical destruction. Conflicting ideologies, based on the most respected ancient authorities and contemporary observers, attribut…
Nature, Culture, Myth, and the Musician in Early Modern England
In sixteenth- and seventeenth-century England, music was often considered an aspect of natural philosophy, the general study of natural and cultural phenomena that had been inherited from classical antiquity and the Middle Ages, but was undergoing rapid metamorphosis into more modern fields of science, technology, and the arts. Against this background, many writers began to invoke machine metaphors and the triumph of cultural products over raw na…
Alluring the Auditorie to Effeminacie'; Music and the Idea of the Feminine in Early Modern England
RECENT SCHOLARSHIP in several disciplines, notably literary criticism, the history of medicine, and social history, has come to recognize that rapid change in political and social orders, coupled with new concerns in medicine, theology, moral philosophy and family life, led sixteenthand seventeenth-century thinkers to redefine feminine nature as especially disordered, convoluted, deceptive, changeable and uncontrolled, a literal inversion of the …
Musical Parody in the Jacobean City Comedy
Journal Article MUSICAL PARODY IN THE JACOBEAN CITY COMEDY Get access LINDA PHYLLIS AUSTERN LINDA PHYLLIS AUSTERN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 4, October 1985, Pages 355–366, https://doi.org/10.1093/ml/66.4.355 Published: 01 October 1985
Sing Againe Syren: The Female Musician and Sexual Enchantment in Elizabethan Life and Literature
To Elizabethan observers in many disciplines, feminine beauty and music offered parallel benefits and dangers that influenced prescriptions for the actual musical behavior of contemporary Englishwomen and also the development of stock literary situations in which female musicians either caused spiritual fulfillment or physical destruction. Conflicting ideologies, based on the most respected ancient authorities and contemporary observers, attribut…
Art to Enchant’: Musical Magic and its Practitioners in English Renaissance Drama
Many practitioners of the magical arts in English Renaissance drama rely on music to achieve their occult goals. Indeed, music often comes to represent the audible sound of arcane forces at work, for to the Renaissance music itself was a dual art with both obvious and hidden properties. On one hand, music was a delightful, practical science concerned with the production of ordered sound by the human voice or artificial instruments. On the other h…
Alluring the Auditorie to Effeminacie'; Music and the Idea of the Feminine in Early Modern England
RECENT SCHOLARSHIP in several disciplines, notably literary criticism, the history of medicine, and social history, has come to recognize that rapid change in political and social orders, coupled with new concerns in medicine, theology, moral philosophy and family life, led sixteenthand seventeenth-century thinkers to redefine feminine nature as especially disordered, convoluted, deceptive, changeable and uncontrolled, a literal inversion of the …
Music in the English Courtly Masque 1604-1640
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Nature, Culture, Myth, and the Musician in Early Modern England
In sixteenth- and seventeenth-century England, music was often considered an aspect of natural philosophy, the general study of natural and cultural phenomena that had been inherited from classical antiquity and the Middle Ages, but was undergoing rapid metamorphosis into more modern fields of science, technology, and the arts. Against this background, many writers began to invoke machine metaphors and the triumph of cultural products over raw na…
The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books
The emblem book, a collection of cryptic visual images accompanied by a motto and poetic epigram in Latin or the vernacular, was one of the most popular forms of early modern literature. It called upon the interplay between sensation and intellect, particularly auditory and visual pathways to understanding. The genre reached its apotheosis during the seventeenth century. Although these important compendia of culturally significant images have ten…
William Byrd: Gentleman of the Chapel Royal
John Harley, William Byrd: Gentleman of the Chapel Royal Aldershot, England: Scolar Press; and Brookfield, Vermont: Ashgate Publishing Company, 1997. 8 pis. + xvi + 480 pp. $76.95. ISBN: 1-85928-165-6. - Volume 52 Issue 2
Music Theory in Seventeenth-Century England
Rebecca Herissone. Music Theory in Seventeenth-Century England. (Oxford Monographs on Music.) Oxford: Oxford University Press, 2000. xvi + 316 pp. illus. bibl. index. $74. ISBN: 0-19-816700-8. - Volume 56 Issue 3
Music of the Sirens
An impressive range of views and analyses of the pervasive archetype of sirens and their music
Thomas Tomkins: The Last Elizabethan
Anthony Boden. Thomas Tomkins: The Last Elizabethan. With Denis Stevens, David R. A. Evans, Peter James, and Bernard Rose. Aldershot: Ashgate Publishing Company, 2005. xiv + 374 pp. index. illus. tbls. bibl. $134.95. ISBN: 0-7546-5118-5. - Volume 60 Issue 1
O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
Amanda Eubanks Winkler O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage. Bloomington : Indiana University Press, 2007 ISBN: 978-0-253-34805-0 - Volume 61 Issue 1
The Early Tudor Court and International Musical Relations
Theodor Dumitrescu. The Early Tudor Court and International Musical Relations. Aldershot: Ashgate Publishing Company, 2007. xx + 330 pp. index. append. illus. tbls. $99.95. ISBN: 978–0–7546–6642–8. - Volume 61 Issue 3
Music and Society in Early Modern England
Christopher Marsh. Music and Society in Early Modern England. With CD. Cambridge: Cambridge University Press, 2010. xiv + 609 pp. index. append. illus. tbls. bibl. $110. ISBN: 978–0–52189832–4. - Volume 64 Issue 4
Music and Manly Wit in Seventeenth-Century England: The Case of the Catch
Concepts of Creativity in Seventeenth-Century England
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not conscio…
Manipulating Music at the Court of Elizabeth I
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Beyond Boundaries: Rethinking Music Circulation in Early Modern England
Austern, Linda Phyllis, Candace Bailey, Amanda Eubanks Winkler, éds. Beyond Boundaries: Rethinking Music Circulation in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Utopia for 500 Years), on Érudit
Music, Dance and Drama in Early Modern English Schools Winkler Amanda Eubanks
Journal Article Music, Dance and Drama in Early Modern English SchoolsWinkler Amanda Eubanks Get access Music, Dance and Drama in Early Modern English Schools. By Winkler Amanda Eubanks. Pp. xviii + 242. ( Cambridge University Press, Cambridge and New York, 2020. ISBN 978-1-108-49086-3, £75.) Linda Phyllis Austern Linda Phyllis Austern Northwestern University E-mail: [email protected] Search for other works by this author on: Oxford Acad…
Music in the Flesh: An Early Modern Musical Physiology . Bettina Varwig
Art (18 works) · History (14 works) · Literature (13 works) · Art history (11 works) · History (9 works) · Sociology (8 works) · Visual arts (8 works) · Aesthetics (7 works) · Historical Influence and Diplomacy (7 works) · Musical (7 works)