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Sing Againe Syren

The Female Musician and Sexual Enchantment in Elizabethan Life and Literature

Bibliographic Data

ID10415908
AuthorsLinda Phyllis Austern (0000-0001-8038-4005, University of Notre Dame, corresponding author)
Year1989
Volume42
Issue3
Pages420-448
Publication date1989-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2862078
OpenAlexW2312628820
LanguageEN
Citations received10
References cited19

To Elizabethan observers in many disciplines, feminine beauty and music offered parallel benefits and dangers that influenced prescriptions for the actual musical behavior of contemporary Englishwomen and also the development of stock literary situations in which female musicians either caused spiritual fulfillment or physical destruction. Conflicting ideologies, based on the most respected ancient authorities and contemporary observers, attributed similarly opposite aspects to women and music, which had both come to be regarded as earthly embodiments of the divine and the damning by the final part of the sixteenth century. Women, who possessed the natures of both Mary and Eve, were regarded as agents alternately of salvation and destruction even as music was perceived as an inspiration to both heavenly rapture and carnal lust

Aesthetics · Art · Beauty · Human sexuality · Ideology · Literature · Lust · Musical · Political science · Politics · Sexual desire · Sociology · Gender Studies · Law · Musicology and Musical Analysis · Sustainable Development and Policies · Theater, Performance, and Music History

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  • Se vedesti qui dentro

    Seth J Coluzzi•Music and Letters•2013

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    Regula Hohl Trillini•Music and Letters•2008

  • By Instruments her Powers Appeare”

    Open Access•Katherine Butler•Renaissance Quarterly•2012

  • That suck’d the honey of his music vows’

    Open Access•Samantha Bassler•postmedieval a journal of…•2012

  • Unlyric

    Danila Sokolov•Exemplaria•2024

  • Tough Babies or Anger in the Superior Position

    Barbara Tomlinson•Cultural Critique•1998

  • Art to Enchant’

    Open Access•Linda Phyllis Austern•Journal of the Royal Musical…•1990

  • Portraits of a Lady

    Open Access•Georgianna Ziegler•Renaissance Quarterly•2023

  • Becoming visible

    Claudia Koonz, Renate Bridenthal•Becoming visible•1977

  • Women Making Music

    Open Access•Jane Bowers, Judith Tick•Women Making Music•1986

  • The Well-Tun'd Word

    Edward Doughtie, Elise Bickford Jorgens•Journal of Music Theory•1983

  • Women Making Music

    Jane Bowers, Jane M Bowers et al.•Women Making Music•1986

  • The Renaissance Notion of Woman

    Open Access•Ian Maclean•Renaissance Notion of Woman•1980

  • The Untuning of the Sky

    Calvin S Brown, Jocelyn Hollander et al.•Comparative Literature•1962

  • Chaste, Silent, and Obedient

    Suzanne W Hull, Sheila Ffolliott•Renaissance and Reformation•1969

  • The Occult Sciences in the Renaissance

    Wayne Shumaker, Chauncey Wood•Renaissance and Reformation•1969

  • The Occult Sciences in the Renaissance

    Wayne Shumaker•Occult Sciences in the Renaissance•1972

  • Ecstasy and Music in Seventeenth-Century England

    Gretchen L Finney•Journal of the History of Ideas•1947

Unique citing works10
Citations per year0,28
Citation span1990 - 2024 (35)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 10

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