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Portraits of a Lady

The Self-Presentation of Esther Inglis, Protestant Limner

Bibliographic Data

ID10420344
AuthorsGeorgianna Ziegler (0000-0003-0722-2880, Folger Shakespeare Library, corresponding author)
Year2023
Volume76
Issue2
Pages542-588
Publication date2023-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1017/rqx.2022.440
OpenAlexW4385234172
LanguageEN
References cited25

Esther Inglis (ca. 1570–1624), a Franco-Scottish writer, is known for her manuscript books, written in many handwriting styles and decorated with pen or brushwork in black-and-white or color. About twenty-five of her sixty or so surviving manuscripts contain self-portraits, which until now have not been examined in detail. This essay surveys the developing author portrait in manuscript and print for French women writers, along with portrait engravings and miniatures, considering their influence on Inglis. It shows further how she created a self within the broader context of transnational Protestant humanism and poetics, crossing boundaries of gender, language, and nationality

Art · Art history · Context (archaeology · Humanism · Literature · Nationality · Portrait · Protestantism · Theology · White (mutation · Historical Art and Culture Studies · Historical Influence and Diplomacy · History · Philosophy · Reformation and Early Modern Christianity · Religious studies

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Citation velocityhistorical
Highly citedNo

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