Feier Gao
Biographic Data
| ID | 3843504 |
|---|---|
| NAME | Feier Gao |
| GIVEN NAMES | Feier |
| FAMILY NAME | Gao |
| SIGNATURE | GAO F |
| AFFILIATIONS | Southeast University |
| ORCID | 0000-0002-3872-8852 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Crossmodal correspondence between lexical tones and visual motions
Crossmodal correspondence refers to the phenomenon in which individuals match stimulus features (e.g., auditory pitch) with different sensory modalities (e.g., visual size). While studies on correspondences exhibited by suprasegmentals have mostly focused on pitch-size and pitch-shape associations, audiospatial binding observed in the production and perception of Mandarin tones, where pitch of the syllable distinguishes word meanings, sheds light…
Incorporating Frequency Effects in the Lexical Access of Mandarin Tone 3 Sandhi
Mandarin tone 3 sandhi refers to the phenomenon whereby a tone 3 syllable changes to a tone 2 when followed by another tone 3. This phonological process creates a deviation between the tonal forms realized at morphemic (/tone3—tone3/) and word ([tone2—tone3]) levels, posing questions in terms of how disyllabic tone 3 sandhi words are represented and accessed. The current study conducted three cross-modal lexical decision priming experiments to in…
Indexical meaning of Mandarin full tone in the construction of femininity
Incorporating Frequency Effects in the Lexical Access of Mandarin Tone 3 Sandhi
Mandarin tone 3 sandhi refers to the phenomenon whereby a tone 3 syllable changes to a tone 2 when followed by another tone 3. This phonological process creates a deviation between the tonal forms realized at morphemic (/tone3—tone3/) and word ([tone2—tone3]) levels, posing questions in terms of how disyllabic tone 3 sandhi words are represented and accessed. The current study conducted three cross-modal lexical decision priming experiments to in…
Indexical meaning of Mandarin full tone in the construction of femininity
Crossmodal correspondence between lexical tones and visual motions
Crossmodal correspondence refers to the phenomenon in which individuals match stimulus features (e.g., auditory pitch) with different sensory modalities (e.g., visual size). While studies on correspondences exhibited by suprasegmentals have mostly focused on pitch-size and pitch-shape associations, audiospatial binding observed in the production and perception of Mandarin tones, where pitch of the syllable distinguishes word meanings, sheds light…
Incorporating Frequency Effects in the Lexical Access of Mandarin Tone 3 Sandhi
Mandarin tone 3 sandhi refers to the phenomenon whereby a tone 3 syllable changes to a tone 2 when followed by another tone 3. This phonological process creates a deviation between the tonal forms realized at morphemic (/tone3—tone3/) and word ([tone2—tone3]) levels, posing questions in terms of how disyllabic tone 3 sandhi words are represented and accessed. The current study conducted three cross-modal lexical decision priming experiments to in…
Linguistics (3 works) · Mandarin Chinese (3 works) · Psychology (3 works) · Perception (2 works) · Categorization, perception, and language (1 work) · Character (mathematics (1 work) · China (1 work) · Computer Science (1 work) · Crossmodal (1 work) · Discourse Analysis in Language Studies (1 work)