Danielle Roper
Biographic Data
| ID | 3846156 |
|---|---|
| NAME | Danielle Roper |
| GIVEN NAMES | Danielle |
| FAMILY NAME | Roper |
| SIGNATURE | ROPER D |
| AFFILIATIONS | University of Chicago |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Enunciating a Black Geography
The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art
The Tambourine Army
In 2017 the radical women's rights group known as the Tambourine Army emerged in response to gender-based violence, sexual abuse, and structures of impunity in Jamaica. The group used hashtags, organized marches, and teach-ins to encourage women to speak out against their abusers, to break the silence surrounding sexual abuse, and to advocate for survivors. Situating the Tambourine Army within traditions of women's protest and contemporary forms …
Blackface at the Andean Fiesta
This study assesses the deployment of blackface in a performance of the Danza de Caporales at La Fiesta de la Virgen de la Candelaria in Puno, Peru, by the performance troupe Sambos Illimani con Sentimiento y Devoción. Since blackface is so widely associated with the nineteenth-century US blackface minstrel tradition, this article develops the concept of “hemispheric blackface” to expand common understandings of the form. It historicizes Sambos’ …
The Tambourine Army
In 2017 the radical women's rights group known as the Tambourine Army emerged in response to gender-based violence, sexual abuse, and structures of impunity in Jamaica. The group used hashtags, organized marches, and teach-ins to encourage women to speak out against their abusers, to break the silence surrounding sexual abuse, and to advocate for survivors. Situating the Tambourine Army within traditions of women's protest and contemporary forms …
Blackface at the Andean Fiesta
This study assesses the deployment of blackface in a performance of the Danza de Caporales at La Fiesta de la Virgen de la Candelaria in Puno, Peru, by the performance troupe Sambos Illimani con Sentimiento y Devoción. Since blackface is so widely associated with the nineteenth-century US blackface minstrel tradition, this article develops the concept of “hemispheric blackface” to expand common understandings of the form. It historicizes Sambos’ …
The Tambourine Army
In 2017 the radical women's rights group known as the Tambourine Army emerged in response to gender-based violence, sexual abuse, and structures of impunity in Jamaica. The group used hashtags, organized marches, and teach-ins to encourage women to speak out against their abusers, to break the silence surrounding sexual abuse, and to advocate for survivors. Situating the Tambourine Army within traditions of women's protest and contemporary forms …
Enunciating a Black Geography
The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art
Art (2 works) · Blackface (2 works) · Aesthetics (1 work) · Afro-Latin American Studies (1 work) · Art history (1 work) · Caribbean history, culture, and politics (1 work) · Centrality (1 work) · Counterculture (1 work) · Criminology (1 work) · Diaspora, migration, transnational identity (1 work)