Enunciating a Black Geography
Liliana Angulo and the Multicultural Turn in Colombia
Bibliographic Data
| ID | 14998973 |
|---|---|
| Authors | Danielle Roper (corresponding author) |
| Year | 2026 |
| Volume | 70 |
| Issue | 1 |
| Pages | 174-187 |
| Publication date | 2026-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1054204325101135 |
| OpenAlex | W7133564947 |
| Language | EN |
| References cited | 17 |
The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art
Blackface · Ethnic group · Genetic genealogy · Afro-Latin American Studies · Latin American and Latino Studies · Latin American Literature Studies
Transoceanic Blackface
Blackness and Race Mixture
Translocas
Slave Portraiture in the Atlantic World
Routes of Blackface
Williams, Walker, and Shine
Geographies of race and ethnicity II
Exporting Jim Crow
Black matters are spatial matters
Indigenous Inclusion/Black Exclusion
Imágenes del "negro" y nociones de raza en Colombia a principios del siglo XX
Travesti Dreams Outside in the Ethnographic Machine
Does Multiculturalism Menace? Governance, Cultural Rights and the Politics of Identity in Guatemala
The Beautiful Faces of my Black People
| Highly cited | No |
|---|