Alain Renaud
Biographic Data
| ID | 3848538 |
|---|---|
| NAME | Alain Renaud |
| GIVEN NAMES | Alain |
| FAMILY NAME | Renaud |
| SIGNATURE | RENAUD A |
| AFFILIATIONS | Bournemouth University, 126 Fernhead Road, London W9 3EN, United Kingdom |
| ORCID | 0000-0001-8776-4684 |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Participatory presence – social connectedness through collaborative art practices
In a post-Covid context, the term presence has become the subject of renewed academic focus, amplified by mass phenomena such as Zoom-fatigue and online classroom teaching. The prism of new materialism allows for a new reading of relationships between technology and human sensing, physical and virtual presence and copresence, with possible design implications: Current research in public health and social-environment discourse is interested in the…
Kima
Over the last five years, KIMA, an art and research project on sound and vision, has investigated visual properties of sound. Previous iterations of KIMA focused on digital representations of cymatics—physical sound patterns—as media for performance. The most recent development incorporated neural networks and machine learning strategies to explore visual expressions of sound in participatory music creation. The project, displayed on a 360-degree…
Transmission
Transmission is both a telepresence performance and a research project. As a real-time visualization tool, Transmission creates alternate representations of neural activity through sound and vision, investigating the effect of interaction on human consciousness. As a sonification project, it creates an immersive experience for two users: a soundscape created by the human mind and the influence of kinetic interaction. An electroencephalographic (E…
Kima - A Holographic Telepresence Environment Based on Cymatic Principles
KIMA is a holographic surround-sound installation that visualizes telepresence as both a phonetic and a synaesthetic phenomenon. The performance piece is based on the physical conditions of cymatics-the study of physically visible sound wave patterns. Two environments, a quad surround and a holographic interface, build the framework of a telematic experience that illustrates communication as wave forms while focusing on the relationship between s…
L'image. De l'économie informationnelle à la pensée visuelle
Devised by the philosopher Rudolf Arnheim with a view to reconciling cognitive and aesthetic approaches, the notion of "visual thought" is, in today's technocultural climate, taking on an epistemological value. Besides the "geological" movements which it generates within social practices of communication and memory, by giving the image an identity and functionality based on logic, information economy highlights a new type of praxis : empirical or…
Habermas ou Rawls
L'élimination du paradigme du sujet dans "l'éthique de la discussion" chez Habermas apparaît à l'auteur comme une double erreur. Erreur historique (oublieuse de Fichte et Kant) autant que stratégique, dans la mesure où, faute de recomposer ce paradigme, on laisse le sujet se dissoudre dans l'individualisme. Le temps est venu pour Alain Renaut d'en finir avec le face à face stérile opposant les philosophes critiques de la raison moderne, successeu…
Le sujet de la communication
Devant la propension à déclarer périmé, parce que « monologique », le « paradigme du sujet », une relecture de l'histoire moderne de la subjectivité fait apparaître quelles virtualités contient en elle, sauf à être confondue avec celle d'individu, une notion en réalité inséparable d'un horizon d'intersubjectivité. En ce sens, bien plutôt que de surenchérir sur les subversions néo-structuralistes du sujet, s'agirait-il, pour donner tous ses droits…
L'image. De l'économie informationnelle à la pensée visuelle
Devised by the philosopher Rudolf Arnheim with a view to reconciling cognitive and aesthetic approaches, the notion of "visual thought" is, in today's technocultural climate, taking on an epistemological value. Besides the "geological" movements which it generates within social practices of communication and memory, by giving the image an identity and functionality based on logic, information economy highlights a new type of praxis : empirical or…
Habermas ou Rawls
L'élimination du paradigme du sujet dans "l'éthique de la discussion" chez Habermas apparaît à l'auteur comme une double erreur. Erreur historique (oublieuse de Fichte et Kant) autant que stratégique, dans la mesure où, faute de recomposer ce paradigme, on laisse le sujet se dissoudre dans l'individualisme. Le temps est venu pour Alain Renaut d'en finir avec le face à face stérile opposant les philosophes critiques de la raison moderne, successeu…
Le sujet de la communication
Devant la propension à déclarer périmé, parce que « monologique », le « paradigme du sujet », une relecture de l'histoire moderne de la subjectivité fait apparaître quelles virtualités contient en elle, sauf à être confondue avec celle d'individu, une notion en réalité inséparable d'un horizon d'intersubjectivité. En ce sens, bien plutôt que de surenchérir sur les subversions néo-structuralistes du sujet, s'agirait-il, pour donner tous ses droits…
L'image. De l'économie informationnelle à la pensée visuelle
Devised by the philosopher Rudolf Arnheim with a view to reconciling cognitive and aesthetic approaches, the notion of "visual thought" is, in today's technocultural climate, taking on an epistemological value. Besides the "geological" movements which it generates within social practices of communication and memory, by giving the image an identity and functionality based on logic, information economy highlights a new type of praxis : empirical or…
Habermas ou Rawls
L'élimination du paradigme du sujet dans "l'éthique de la discussion" chez Habermas apparaît à l'auteur comme une double erreur. Erreur historique (oublieuse de Fichte et Kant) autant que stratégique, dans la mesure où, faute de recomposer ce paradigme, on laisse le sujet se dissoudre dans l'individualisme. Le temps est venu pour Alain Renaut d'en finir avec le face à face stérile opposant les philosophes critiques de la raison moderne, successeu…
Kima - A Holographic Telepresence Environment Based on Cymatic Principles
KIMA is a holographic surround-sound installation that visualizes telepresence as both a phonetic and a synaesthetic phenomenon. The performance piece is based on the physical conditions of cymatics-the study of physically visible sound wave patterns. Two environments, a quad surround and a holographic interface, build the framework of a telematic experience that illustrates communication as wave forms while focusing on the relationship between s…
Transmission
Transmission is both a telepresence performance and a research project. As a real-time visualization tool, Transmission creates alternate representations of neural activity through sound and vision, investigating the effect of interaction on human consciousness. As a sonification project, it creates an immersive experience for two users: a soundscape created by the human mind and the influence of kinetic interaction. An electroencephalographic (E…
Kima
Over the last five years, KIMA, an art and research project on sound and vision, has investigated visual properties of sound. Previous iterations of KIMA focused on digital representations of cymatics—physical sound patterns—as media for performance. The most recent development incorporated neural networks and machine learning strategies to explore visual expressions of sound in participatory music creation. The project, displayed on a 360-degree…
Participatory presence – social connectedness through collaborative art practices
In a post-Covid context, the term presence has become the subject of renewed academic focus, amplified by mass phenomena such as Zoom-fatigue and online classroom teaching. The prism of new materialism allows for a new reading of relationships between technology and human sensing, physical and virtual presence and copresence, with possible design implications: Current research in public health and social-environment discourse is interested in the…
Computer Science (5 works) · Acoustics (3 works) · Human–computer interaction (3 works) · Music Technology and Sound Studies (3 works) · Philosophy (3 works) · Philosophy (3 works) · Psychology (3 works) · Sound (geography) (3 works) · Art (2 works) · Citizen journalism (2 works)