Áron Kibédi Vargas
Biographic Data
| ID | 3852099 |
|---|---|
| NAME | Áron Kibédi Vargas |
| GIVEN NAMES | Áron Kibédi |
| FAMILY NAME | Vargas |
| SIGNATURE | VARGAS A K |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
La rhétorique et les arts
Il est impossible de dire ou de faire sans que nos paroles ou actions ne soient interprétées par les autres. Les arts n'échappent pas à cette règle. Malgré les nombreuses tentatives entreprises depuis le romantisme pour créer un art « pur », toute œuvre d'art - musique, poésie, peinture, film, roman - comporte en effet toujours un message qui cherche à persuader
La Rhétorique et les autres
Peindre le rêve
Painting Dreams Painters have tended to concentrate on exterior realities rather than interior musings; but the issue of historical painting, where of necessity a fixed image must evoke a story taking place in time, reminds us of the issue facing painters of dreams. Whether they represent the dreamer and his dream, the dream alone, or the dreamer alone, at issue is the choice of a still image to evoke a temporal series
Roman et savoir avant Cervantès
Novel and Knowledge before Cervantes Traditional narratives, whether epic narratives or romances, testify to a desire to control the passage of time. But closer examination, following Bakhtin, shows that Greek romances are already suffused by irony and by a lingering doubt that time can be vanquished - which is perhaps why Cervantes, criticising arthurian epic in Don Quichotte and imitating romances in Persiles, is a novelist
À la recherche du temps présent
Identification et distanciation en littérature. Réflexions sur l'art de Borges
Identification and Distance in Literature: Reflections on the Art of Borges. Story-telling is based on generating images. Identification gets the reader to co-operate in telling the story. To distance reader and story, various techniques can be used - none stronger than Borges's, who attacks the making of images through his tales, and vice-versa
Le récit postmoderne
Postmodern is both a concept and a period in time. Dating from May 1968 in France, postmodernism rejects legitimising discourse and both formalist and marxist rationalism, undermining them through deconstruction. With the gradual discrediting of structuralist linguistics and a new interest in history, philosophy and biology, the postmodernist adopts a stance that is neither archaic nor modern but which exists in an historic context. Through « ren…
Le roman est un anti-roman
Le récit postmoderne
Postmodern is both a concept and a period in time. Dating from May 1968 in France, postmodernism rejects legitimising discourse and both formalist and marxist rationalism, undermining them through deconstruction. With the gradual discrediting of structuralist linguistics and a new interest in history, philosophy and biology, the postmodernist adopts a stance that is neither archaic nor modern but which exists in an historic context. Through « ren…
La Rhétorique et les autres
Peindre le rêve
Painting Dreams Painters have tended to concentrate on exterior realities rather than interior musings; but the issue of historical painting, where of necessity a fixed image must evoke a story taking place in time, reminds us of the issue facing painters of dreams. Whether they represent the dreamer and his dream, the dream alone, or the dreamer alone, at issue is the choice of a still image to evoke a temporal series
Le roman est un anti-roman
Le récit postmoderne
Postmodern is both a concept and a period in time. Dating from May 1968 in France, postmodernism rejects legitimising discourse and both formalist and marxist rationalism, undermining them through deconstruction. With the gradual discrediting of structuralist linguistics and a new interest in history, philosophy and biology, the postmodernist adopts a stance that is neither archaic nor modern but which exists in an historic context. Through « ren…
Identification et distanciation en littérature. Réflexions sur l'art de Borges
Identification and Distance in Literature: Reflections on the Art of Borges. Story-telling is based on generating images. Identification gets the reader to co-operate in telling the story. To distance reader and story, various techniques can be used - none stronger than Borges's, who attacks the making of images through his tales, and vice-versa
À la recherche du temps présent
Roman et savoir avant Cervantès
Novel and Knowledge before Cervantes Traditional narratives, whether epic narratives or romances, testify to a desire to control the passage of time. But closer examination, following Bakhtin, shows that Greek romances are already suffused by irony and by a lingering doubt that time can be vanquished - which is perhaps why Cervantes, criticising arthurian epic in Don Quichotte and imitating romances in Persiles, is a novelist
Peindre le rêve
Painting Dreams Painters have tended to concentrate on exterior realities rather than interior musings; but the issue of historical painting, where of necessity a fixed image must evoke a story taking place in time, reminds us of the issue facing painters of dreams. Whether they represent the dreamer and his dream, the dream alone, or the dreamer alone, at issue is the choice of a still image to evoke a temporal series
La rhétorique et les arts
Il est impossible de dire ou de faire sans que nos paroles ou actions ne soient interprétées par les autres. Les arts n'échappent pas à cette règle. Malgré les nombreuses tentatives entreprises depuis le romantisme pour créer un art « pur », toute œuvre d'art - musique, poésie, peinture, film, roman - comporte en effet toujours un message qui cherche à persuader
La Rhétorique et les autres
Art (7 works) · Historical and Literary Analyses (4 works) · Linguistics and Discourse Analysis (4 works) · Philosophy (3 works) · Philosophy (3 works) · Art history (2 works) · Cultural Insights and Digital Impacts (2 works) · French Urban and Social Studies (2 works) · Historical and Literary Studies (2 works) · History (2 works)