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Jonathan Crewe

Biographic Data

ID3853497
NAMEJonathan Crewe
GIVEN NAMESJonathan
FAMILY NAMECrewe
SIGNATURECREWE J
AFFILIATIONSUniversity of Tulsa
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS1
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Hamlet” in Purgatory

    Jonathan Crewe•ARTICLE•Safundi•2014

    Since readers of this article will likely have read David Schalkwyk’s Hamlet’s Dreams, I will keep summary to a minimum while trying to convey my sense of what is important about this book. Briefly

  • Black Hamlet

    Jonathan Crewe•ARTICLE•Poetics Today•2001•References: 3

    This article examines Black Hamlet, written in 1937 by the pioneering South African psychoanalyst Wulf Sachs. Sachs's book stages a cultural exchange in the guise of a professional dialogue between the author and a Manyika healer-diviner given the pseudonym John Chavafambira in the book. Sachs reports the dialogue extensively and stages it artfully, yet the superiority of Western medical-scientific and psychoanalytic practices to traditional Afri…

  • Transcoding the World

    Jonathan Crewe•ARTICLE•Signs: Journal of Women in…•1997

  • Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form

    Jonathan Crewe•ARTICLE•Tulsa Studies in Women s Literature•1995

  • In the Field of Dreams

    Jonathan Crewe•ARTICLE•Representations•1995•References: 3

    Research Article| April 01 1995 In the Field of Dreams: Transvestism in Twelfth Night and The Crying Game Jonathan Crewe Jonathan Crewe Search for other works by this author on: This Site PubMed Google Scholar Representations (1995) 50: 101–121. https://doi.org/10.2307/2928727 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon C…

  • Baby Killers

    Jonathan Crewe•ARTICLE•differences•1995•References: 2

    Research Article| November 01 1995 Baby Killers Jonathan Crewe Jonathan Crewe jonathan crewe teaches Renaissance literature and critical theory at Dartmouth College and has published extensively on Renaissance texts. He is now at work on a book dealing with topics and problems in criticism in the aftermath of the new historicism and in a cultural milieu increasingly dominated by the agendas of the new right. Search for other works by this author …

  • Defining Marginality

    Jonathan Crewe•ARTICLE•Tulsa Studies in Women s Literature•1991

  • Gerald Bruns's Cavell

    Jonathan Crewe•ARTICLE•Critical Inquiry•1991

  • The Violence of Drama

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•boundary 2•1990

  • Theatrical Legitimation

    Open Access•Jonathan Crewe•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The "Encomium Moriae" of William Roper

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•ELH•1988

  • Humanist Poetics

    Open Access•Jonathan Crewe•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Renaissance Tragedy and the Senecan Tradition

    Jonathan Crewe•REVIEW•Modern Language Notes•1986

  • Radical Tragedy

    Jonathan Crewe, Jonathan Dollimore•ARTICLE•Modern Language Notes•1985

  • The Theatre of the Idols

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•Theatre Journal•1984•Cited by: 1

    No less than that of Shakespeare and Jonson, Marlowe's drama was written in the wake of the antitheatrical campaign initiated in 1579 by Stephen Gosson and pursued by succeeding pamphleteers.' With Tamburlaine, Part 1, then, Marlowe began his career in a cultural and political milieu preconditioned by antitheatricalism. While it might be suggested that Marlowe's drama, like that of his major successors, constitutes a response to this antitheatric…

  • Toward Uncritical Practice

    Jonathan Crewe•ARTICLE•Critical Inquiry•1983

  • Unredeemed Rhetoric

    Jonathan V Crewe, Jonathan Crewe et al.•ARTICLE•Renaissance and Reformation•1969

  • The Theatre of the Idols

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•Theatre Journal•1984•Cited by: 1

    No less than that of Shakespeare and Jonson, Marlowe's drama was written in the wake of the antitheatrical campaign initiated in 1579 by Stephen Gosson and pursued by succeeding pamphleteers.' With Tamburlaine, Part 1, then, Marlowe began his career in a cultural and political milieu preconditioned by antitheatricalism. While it might be suggested that Marlowe's drama, like that of his major successors, constitutes a response to this antitheatric…

  • Unredeemed Rhetoric

    Jonathan V Crewe, Jonathan Crewe et al.•ARTICLE•Renaissance and Reformation•1969

  • Toward Uncritical Practice

    Jonathan Crewe•ARTICLE•Critical Inquiry•1983

  • The Theatre of the Idols

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•Theatre Journal•1984•Cited by: 1

    No less than that of Shakespeare and Jonson, Marlowe's drama was written in the wake of the antitheatrical campaign initiated in 1579 by Stephen Gosson and pursued by succeeding pamphleteers.' With Tamburlaine, Part 1, then, Marlowe began his career in a cultural and political milieu preconditioned by antitheatricalism. While it might be suggested that Marlowe's drama, like that of his major successors, constitutes a response to this antitheatric…

  • Radical Tragedy

    Jonathan Crewe, Jonathan Dollimore•ARTICLE•Modern Language Notes•1985

  • Renaissance Tragedy and the Senecan Tradition

    Jonathan Crewe•REVIEW•Modern Language Notes•1986

  • The "Encomium Moriae" of William Roper

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•ELH•1988

  • Humanist Poetics

    Open Access•Jonathan Crewe•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Theatrical Legitimation

    Open Access•Jonathan Crewe•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Violence of Drama

    Jonathan V Crewe, Jonathan Crewe•ARTICLE•boundary 2•1990

  • Defining Marginality

    Jonathan Crewe•ARTICLE•Tulsa Studies in Women s Literature•1991

  • Gerald Bruns's Cavell

    Jonathan Crewe•ARTICLE•Critical Inquiry•1991

  • Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form

    Jonathan Crewe•ARTICLE•Tulsa Studies in Women s Literature•1995

  • In the Field of Dreams

    Jonathan Crewe•ARTICLE•Representations•1995•References: 3

    Research Article| April 01 1995 In the Field of Dreams: Transvestism in Twelfth Night and The Crying Game Jonathan Crewe Jonathan Crewe Search for other works by this author on: This Site PubMed Google Scholar Representations (1995) 50: 101–121. https://doi.org/10.2307/2928727 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon C…

  • Baby Killers

    Jonathan Crewe•ARTICLE•differences•1995•References: 2

    Research Article| November 01 1995 Baby Killers Jonathan Crewe Jonathan Crewe jonathan crewe teaches Renaissance literature and critical theory at Dartmouth College and has published extensively on Renaissance texts. He is now at work on a book dealing with topics and problems in criticism in the aftermath of the new historicism and in a cultural milieu increasingly dominated by the agendas of the new right. Search for other works by this author …

  • Transcoding the World

    Jonathan Crewe•ARTICLE•Signs: Journal of Women in…•1997

  • Black Hamlet

    Jonathan Crewe•ARTICLE•Poetics Today•2001•References: 3

    This article examines Black Hamlet, written in 1937 by the pioneering South African psychoanalyst Wulf Sachs. Sachs's book stages a cultural exchange in the guise of a professional dialogue between the author and a Manyika healer-diviner given the pseudonym John Chavafambira in the book. Sachs reports the dialogue extensively and stages it artfully, yet the superiority of Western medical-scientific and psychoanalytic practices to traditional Afri…

  • Hamlet” in Purgatory

    Jonathan Crewe•ARTICLE•Safundi•2014

    Since readers of this article will likely have read David Schalkwyk’s Hamlet’s Dreams, I will keep summary to a minimum while trying to convey my sense of what is important about this book. Briefly

Art (15 works) · Literature (9 works) · Art history (7 works) · History (7 works) · Philosophy (7 works) · Political science (7 works) · Computer Science (5 works) · History (5 works) · Law (5 works) · Sociology (5 works)

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