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Jeremy Biles

Biographic Data

ID3855209
NAMEJeremy Biles
GIVEN NAMESJeremy
FAMILY NAMEBiles
SIGNATUREBILES J
AFFILIATIONSSchool of the Art Institute of Chicago
VERIFIEDNo
TOTAL WORKS37
TOTAL CITATIONS0
AUTHOR COUNT35
EDITOR COUNT2
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Conjuring an Experimental Spirit at the Religious Studies Review

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2024

  • Living Things: Sensations of the Sacred at the Yotsuya Simon Doll Museum

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2023

  • Forbidden Zones: Surrealism and the Sacred

    Open Access•Jeremy Biles, Jeremy Biles Jeremy Biles et al.•ARTICLE•Religious Studies Review•2023

  • For Further Reading on Surrealism and Religion: An Annotated Bibliography

    Open Access•Jeremy Biles, Jesse Bransford et al.•ARTICLE•Religious Studies Review•2023

    The editors of this issue offer the following annotated bibliography as a modest sampler-far from exhaustive-of work that may be of special interest to those wishing to investigate the relations between surrealism and religion, magic, the occult, the sacred

  • Dissolve, Coagulate, Repeat: A Further Note on the Collages of Pfeiffer + Walz

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2023

    The images in the preceding pages constitute the second installment of an open series of collages by collaborative duo Ryan M. Pfeiffer and Rebecca Walz (Pfeiffer + Walz) under the title Solve et Coagula. In previous reflections on their work (RSR 48:1), I drew upon ulterior surrealist Georges Bataille's concept of “heterology” to comment on some conceptual and technical aspects of these works. Heterology entails the examination and activation of…

  • Eros in the Classroom or Toward a Pedagogy of the Impossible: Bataille and the Academic Study of Religion

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2022

  • To whom …. An open letter to my colleagues, with reference to the contents of this issue

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2022

  • Rotten Grid: Notes on Collage Occasioned by the Work of Ryan M. Pfeiffer + Rebecca Walz

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2022

  • Border. Film. In Swedish. Directed by Ali Abbasi. Meta Film Stockholm, 2018

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2019

  • Xenofeminism: A Politics for Alienation. Manifesto. By Laboria Cuboniks. 2018. http://www.laboriacuboniks.net/#interrupt

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2019

  • Paradise Rot: A Novel. Fiction. By Jenny Hval. Translated by Marjam Idriss. London: Verso, 2018

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2019

  • Sacrum

    Open Access•Jeremy Biles•ARTICLE•Journal of Extreme Anthropology•2019

    He sits down on a chair before his desk; immediately there is discomfort. It is an invitation, a provocation

  • RAW. Film. Directed by JuliaDucournau. Focus World, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2018

  • Jesus Christ Superstar. Opera. Chicago Lyric Opera, 2018

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2018

  • Hieronymous Bosch: Touched by the Devil. Film. Directed by Pieter van Huystee. Pieter van Huystee Film and Television, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • Shin Godzilla. Film. Directed by Hideaki Anno and Shinji Higuchi. Toho Pictures, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • Twin Peaks: The Return. Television. Created and written by MarkFrost and DavidLynch. Showtime Networks, 2017

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • A Spell to Ward off the Darkness. Film. Directed by Ben Russell and Ben Rivers. Must Kasi and Rouge International, August 2013. Screened in 2016 at the University of Chicago's Reva and David Logan Cen…

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • The Neon Demon Film. Directed by Nicolas Winding Refn. Space Rocket Nation, 2016

    Open Access•Jeremy Biles, Christian Sheppard et al.•ARTICLE•Religious Studies Review•2016

  • The Forbidden Room Film. Directed by GuyMaddin and co‐directed by EvanJohnson. Buffalo Gals Pictures, 2015

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2016

    John 6:12 provides the epigraph to Maddin's latest movie, a dense, maniacal, hyperkinetic work of cinematic exuberance that scholars and teachers of religion and film will want to contemplate at length. The Bible verse, in which Jesus asks his disciples to “gather up the fragments, that nothing may be lost” after the miraculous feeding of the multitude, provides a religious frame for the fragmented content of the movie, and for the act of movie-m…

  • Negative Ecstasies: Georges Bataille and the Study of Religion

    Jeremy Biles, Kent Brintnall•BOOK•Negative Ecstasies•2015

  • Negative Ecstasies: Georges Bataille and the Study of Religion

    Open Access•Jeremy Biles, Kent L Brintnall•BOOK•Negative Ecstasies•2015

  • Figuring (Out) Mark C. Taylor

    Jeremy Biles•ARTICLE•The Journal of Religion•2015

  • Ex Machina. Film. Directed by AlexGarland. Distributed by Universal Studios, 2015

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2015

  • Goodbye to Language. Film. Directed by Jean‐LucGodard. Wild Bunch S.A., 2014

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2015

Next

No prominent works on this page.

  • René Girard and Myth: An Introduction . Richard J. Golsan

    Jeremy Biles•ARTICLE•The Journal of Religion•2003

  • Haunted Ground: Journeys Through a Paranormal America – By Darryl V. Caterine

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2012

  • The Jefferson Bible: The Life and Morals of Jesus of Nazareth Extracted Textually from The Gospels in Greek, Latin, French & English – By Thomas Jefferson

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2012

  • Christ to Coke: How Image Becomes Icon – By Martin Kemp

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2012

  • Upstream Color . Film. Directed by ShaneCarruth. ERPB, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2013

  • The Act of Killing . Film. Directed by JoshuaOppenheimer. Co‐directed by Christine Sine and Anonymous. Distributed by Cinephil and Drafthouse Films, 2012

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2013

  • The Following. Television. Created by Kevin Williamson. Fox Broadcasting Company, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2013

  • Preachers' Daughters . Television. Season 1. Lifetime, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2013

  • Spring Breakers . Film. Directed by HarmonyKorine. A24 Films, 2012

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2013

  • Her. Film. Directed by SpikeJonze. Warner Bros. Pictures, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2014

  • Snowpiercer. Film. Directed by BongJoon‐ho. Moho Films and Opus Pictures, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2014

  • Negative Ecstasies: Georges Bataille and the Study of Religion

    Jeremy Biles, Kent Brintnall•BOOK•Negative Ecstasies•2015

  • Negative Ecstasies: Georges Bataille and the Study of Religion

    Open Access•Jeremy Biles, Kent L Brintnall•BOOK•Negative Ecstasies•2015

  • Figuring (Out) Mark C. Taylor

    Jeremy Biles•ARTICLE•The Journal of Religion•2015

  • Ex Machina. Film. Directed by AlexGarland. Distributed by Universal Studios, 2015

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2015

  • Goodbye to Language. Film. Directed by Jean‐LucGodard. Wild Bunch S.A., 2014

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2015

  • Moebius. Film. Directed by KimKi‐Duk. Distributed by Next Entertainment World, 2013

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2015

  • The Neon Demon Film. Directed by Nicolas Winding Refn. Space Rocket Nation, 2016

    Open Access•Jeremy Biles, Christian Sheppard et al.•ARTICLE•Religious Studies Review•2016

  • The Forbidden Room Film. Directed by GuyMaddin and co‐directed by EvanJohnson. Buffalo Gals Pictures, 2015

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2016

    John 6:12 provides the epigraph to Maddin's latest movie, a dense, maniacal, hyperkinetic work of cinematic exuberance that scholars and teachers of religion and film will want to contemplate at length. The Bible verse, in which Jesus asks his disciples to “gather up the fragments, that nothing may be lost” after the miraculous feeding of the multitude, provides a religious frame for the fragmented content of the movie, and for the act of movie-m…

  • Hieronymous Bosch: Touched by the Devil. Film. Directed by Pieter van Huystee. Pieter van Huystee Film and Television, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • Shin Godzilla. Film. Directed by Hideaki Anno and Shinji Higuchi. Toho Pictures, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • Twin Peaks: The Return. Television. Created and written by MarkFrost and DavidLynch. Showtime Networks, 2017

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • A Spell to Ward off the Darkness. Film. Directed by Ben Russell and Ben Rivers. Must Kasi and Rouge International, August 2013. Screened in 2016 at the University of Chicago's Reva and David Logan Cen…

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2017

  • RAW. Film. Directed by JuliaDucournau. Focus World, 2016

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2018

  • Jesus Christ Superstar. Opera. Chicago Lyric Opera, 2018

    Open Access•Jeremy Biles•ARTICLE•Religious Studies Review•2018

Computer Science (32 works) · Library science (25 works) · Citation (24 works) · History (18 works) · Sociology (15 works) · Art history (13 works) · Media studies (13 works) · Media, Religion, Digital Communication (13 works) · Art (10 works) · Religious Tourism and Spaces (8 works)

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