Ben Glaser
Biographic Data
| ID | 3858764 |
|---|---|
| NAME | Ben Glaser |
| GIVEN NAMES | Ben |
| FAMILY NAME | Glaser |
| SIGNATURE | BEN GLASER |
| AFFILIATIONS | Fordham University |
| ORCID | 0009-0007-1079-9513 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
White Things
The limited prosodic literacy of revamped formalisms perpetuates the whiteness of lyric reading. By prizing ironic distance and elevating the critic as form's discoverer, the concept of poetic form reinscribes racialized value judgments even where critics hope to valorize nonwhite poetic strategies. Formalism should instead attend to the history that gave poets their sense of form. Nonwhite poets mark how this process of formalization, through wh…
Forms of Poetic Attention
Book Review| December 01 2020 Forms of Poetic Attention Alford, Lucy, Forms of Poetic Attention, New York: Columbia University Press, 2020. Ben Glaser Ben Glaser Ben Glaser is assistant professor of English at Yale University. His work has appeared or is forthcoming in ELH, PMLA, Victorian Poetry, Modernism/modernity, and other venues. He is the author of Modernism's Metronome: Meter and Twentieth-Century Poetics (2020) and coeditor with Jonathan…
Critical Rhythm
Diff ering Fates of Some Modernist Poets' Investments of Belief in Sounds
Critical Rhythm
Polymetrical Dissonance
Polymetrical Dissonance:Tennyson, A. Mary F. Robinson, and Classical Meter Ben Glaser (bio) What did A. Mary F. Robinson learn from her work as a translator of Greek, Greek meter, and from her study of classical prosody more generally? What expressive possibilities did she garner from the study of a language whose prosody bears little to no resemblance to English, and whose adoption threatens to become less boon than boondoggle? What she learns, …
No prominent works on this page.
Polymetrical Dissonance
Polymetrical Dissonance:Tennyson, A. Mary F. Robinson, and Classical Meter Ben Glaser (bio) What did A. Mary F. Robinson learn from her work as a translator of Greek, Greek meter, and from her study of classical prosody more generally? What expressive possibilities did she garner from the study of a language whose prosody bears little to no resemblance to English, and whose adoption threatens to become less boon than boondoggle? What she learns, …
Critical Rhythm
Diff ering Fates of Some Modernist Poets' Investments of Belief in Sounds
Critical Rhythm
Forms of Poetic Attention
Book Review| December 01 2020 Forms of Poetic Attention Alford, Lucy, Forms of Poetic Attention, New York: Columbia University Press, 2020. Ben Glaser Ben Glaser Ben Glaser is assistant professor of English at Yale University. His work has appeared or is forthcoming in ELH, PMLA, Victorian Poetry, Modernism/modernity, and other venues. He is the author of Modernism's Metronome: Meter and Twentieth-Century Poetics (2020) and coeditor with Jonathan…
White Things
The limited prosodic literacy of revamped formalisms perpetuates the whiteness of lyric reading. By prizing ironic distance and elevating the critic as form's discoverer, the concept of poetic form reinscribes racialized value judgments even where critics hope to valorize nonwhite poetic strategies. Formalism should instead attend to the history that gave poets their sense of form. Nonwhite poets mark how this process of formalization, through wh…
Art (4 works) · Philosophy (4 works) · Linguistics (3 works) · Literature (3 works) · Poetry (3 works) · Poetry Analysis and Criticism (3 works) · Prosody (3 works) · Aesthetics (2 works) · Art history (2 works) · Digital Humanities and Scholarship (2 works)