White Things
Form, Formalization, and the Use of Prosody
Bibliographic Data
| ID | 4822355 |
|---|---|
| Authors | Ben Glaser (0009-0007-1079-9513, corresponding author) |
| Year | 2024 |
| Volume | 54 |
| Issue | 4 |
| Pages | 1547-1572 |
| Publication date | 2024-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Literary History (JOURNAL) |
| Journal identifiers | ISSN: 0028-6087 • E-ISSN: 1080-661X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/nlh.2024.a922185 |
| OpenAlex | W4392707186 |
| Language | EN |
| Citations received | 1 |
The limited prosodic literacy of revamped formalisms perpetuates the whiteness of lyric reading. By prizing ironic distance and elevating the critic as form's discoverer, the concept of poetic form reinscribes racialized value judgments even where critics hope to valorize nonwhite poetic strategies. Formalism should instead attend to the history that gave poets their sense of form. Nonwhite poets mark how this process of formalization, through which forms become abstracted and bear value, consistently entails racialization. They prompt us, I argue, not to form but to prosodic details whose contingency and phenomenological complexity suspend codes of formalist reading
Archaeology · Biology · Linguistics · Prosody · White (mutation) · White paper · History · Media, Communication, and Education · Philosophy
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |