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Shepherd Steiner

Biographic Data

ID3859420
NAMEShepherd Steiner
GIVEN NAMESShepherd
FAMILY NAMESteiner
SIGNATURESTEINER S
AFFILIATIONSUniversity of Manitoba
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Speakers

    Shepherd Steiner•ARTICLE•Mosaic•2022

    Speakers Shepherd Steiner Erin Manning Erin Manning is Research Chair in Speculative Pragmatism, Art and Pedagogy at Concordia University, and Director of the SenseLab. She is an exhibiting artist and her books include Relationscapes: Movement, Art, Philosophy (2009), Always More Than One: Individuation's Dance (2013), Thought in the Act: Passages in the Ecology of Experience, which she co-wrote with Brian Massumi (2014), and finally The Minor Ge…

  • Introduction

    Shepherd Steiner•ARTICLE•Mosaic•2022

  • Crossings

    Frederic Neyrat, Shepherd Steiner•ARTICLE•Mosaic•2021

    The following interview with Frédéric Neyrat was conducted electronically in 2020. Mosaic is pleased to publish the interview here

  • Afterword

    Shepherd Steiner•ARTICLE•Mosaic•2021

    Afterword Shepherd Steiner Mosaic issue 54.2 is a special archival issue developed as the first part of a collaborative project with the Dutch artist team Bik Van der Pol. The second part involves a collaborative project hinging on a series of lectures that will be published in a subsequent issue. Relative Time/Little Time concentrates on the flow or pace of current time, especially in relation to past time. We are particularly interested in the …

  • Crossings

    Shepherd Steiner, Ian Wallace•ARTICLE•Mosaic•2020

    The following interview with Ian Wallace was conducted electronically in 2020. Mosaic is pleased to publish it here

  • Mirror on the Wall

    Shepherd Steiner•ARTICLE•Asian Diasporic Visual Cultures…•2016

    This article focuses on the work of Vancouver artist Ken Lum. It argues that the motif of voice, the question of identity, and the problem of writing that surfaces in Lum’s work should be understood as integral to the early reception of Deconstruction in Canada. Through close readings of Lum’s work the author reconstructs the importance of logos , a question that is situated in turn as part of a generational dialogue Lum had with key figures of t…

  • Photography at a crossroads

    Shepherd Steiner•ARTICLE•Philosophy of Photography•2013

    The article focuses on the work of Ian Wallace, Jeff Wall and Rodney Graham, in particular, a notion of the studio that provides both an anchor and departure for the work of all three. This genealogy turns primarily on Wallace's photo-conceptual work from the 1970s, which establishes the space of the studio as an allegory of painting or the modernist tradition, and as the topological equivalent of the museum and street. Using Wallace's model of p…

  • Dialectical inroads to a post-political photography

    Shepherd Steiner•ARTICLE•Philosophy of Photography•2011

    This article focuses on the interpretative complexities encountered in the work of Lidwien van de Ven. First, it aims to map out the always porous nature of the relationships between aesthetics, politics and religion that make up her palimpsest-like images. Second, it aims to tease out a three-part analytics of photography. Third, it attempts to flesh out a difficult notion of spectacle that is inherent to her wide-ranging practice, and which dis…

  • Reading Reading in Benjamin's “Little History of Photography”

    Shepherd Steiner•ARTICLE•InTensions•2008

    The essay focuses on the problem of reading in Walter Benjamin’s “Little History of Photography”, with the ultimate aim of reading reading. To do so the essay places specific pressure on the notions of ‘aura’ and ‘allegory,’ two well-known themes in Benjamin scholarship that are instanced by Benjamin in this text in an especially crisp and particular way. As a corrective to a ‘postmodern’ theory of the sign and the championing of allegory specifi…

  • On Formalism and Tinkering with the Political on the Far Side of the Subject at documenta 12

    Open Access•Shepherd Steiner•ARTICLE•Journal of Visual Culture•2008

  • In Other Hands

    Shepherd Steiner•ARTICLE•Oxford Art Journal•2007

    Journal Article In Other Hands: Jeff Wall's Beispiel Get access Shepherd Steiner Shepherd Steiner Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 30, Issue 1, March 2007, Pages 135–151, https://doi.org/10.1093/oxartj/kcl031 Published: 01 March 2007

No prominent works on this page.

  • In Other Hands

    Shepherd Steiner•ARTICLE•Oxford Art Journal•2007

    Journal Article In Other Hands: Jeff Wall's Beispiel Get access Shepherd Steiner Shepherd Steiner Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 30, Issue 1, March 2007, Pages 135–151, https://doi.org/10.1093/oxartj/kcl031 Published: 01 March 2007

  • Reading Reading in Benjamin's “Little History of Photography”

    Shepherd Steiner•ARTICLE•InTensions•2008

    The essay focuses on the problem of reading in Walter Benjamin’s “Little History of Photography”, with the ultimate aim of reading reading. To do so the essay places specific pressure on the notions of ‘aura’ and ‘allegory,’ two well-known themes in Benjamin scholarship that are instanced by Benjamin in this text in an especially crisp and particular way. As a corrective to a ‘postmodern’ theory of the sign and the championing of allegory specifi…

  • On Formalism and Tinkering with the Political on the Far Side of the Subject at documenta 12

    Open Access•Shepherd Steiner•ARTICLE•Journal of Visual Culture•2008

  • Dialectical inroads to a post-political photography

    Shepherd Steiner•ARTICLE•Philosophy of Photography•2011

    This article focuses on the interpretative complexities encountered in the work of Lidwien van de Ven. First, it aims to map out the always porous nature of the relationships between aesthetics, politics and religion that make up her palimpsest-like images. Second, it aims to tease out a three-part analytics of photography. Third, it attempts to flesh out a difficult notion of spectacle that is inherent to her wide-ranging practice, and which dis…

  • Photography at a crossroads

    Shepherd Steiner•ARTICLE•Philosophy of Photography•2013

    The article focuses on the work of Ian Wallace, Jeff Wall and Rodney Graham, in particular, a notion of the studio that provides both an anchor and departure for the work of all three. This genealogy turns primarily on Wallace's photo-conceptual work from the 1970s, which establishes the space of the studio as an allegory of painting or the modernist tradition, and as the topological equivalent of the museum and street. Using Wallace's model of p…

  • Mirror on the Wall

    Shepherd Steiner•ARTICLE•Asian Diasporic Visual Cultures…•2016

    This article focuses on the work of Vancouver artist Ken Lum. It argues that the motif of voice, the question of identity, and the problem of writing that surfaces in Lum’s work should be understood as integral to the early reception of Deconstruction in Canada. Through close readings of Lum’s work the author reconstructs the importance of logos , a question that is situated in turn as part of a generational dialogue Lum had with key figures of t…

  • Crossings

    Shepherd Steiner, Ian Wallace•ARTICLE•Mosaic•2020

    The following interview with Ian Wallace was conducted electronically in 2020. Mosaic is pleased to publish it here

  • Crossings

    Frederic Neyrat, Shepherd Steiner•ARTICLE•Mosaic•2021

    The following interview with Frédéric Neyrat was conducted electronically in 2020. Mosaic is pleased to publish the interview here

  • Afterword

    Shepherd Steiner•ARTICLE•Mosaic•2021

    Afterword Shepherd Steiner Mosaic issue 54.2 is a special archival issue developed as the first part of a collaborative project with the Dutch artist team Bik Van der Pol. The second part involves a collaborative project hinging on a series of lectures that will be published in a subsequent issue. Relative Time/Little Time concentrates on the flow or pace of current time, especially in relation to past time. We are particularly interested in the …

  • Speakers

    Shepherd Steiner•ARTICLE•Mosaic•2022

    Speakers Shepherd Steiner Erin Manning Erin Manning is Research Chair in Speculative Pragmatism, Art and Pedagogy at Concordia University, and Director of the SenseLab. She is an exhibiting artist and her books include Relationscapes: Movement, Art, Philosophy (2009), Always More Than One: Individuation's Dance (2013), Thought in the Act: Passages in the Ecology of Experience, which she co-wrote with Brian Massumi (2014), and finally The Minor Ge…

  • Introduction

    Shepherd Steiner•ARTICLE•Mosaic•2022

Art (8 works) · Computer Science (6 works) · Philosophy (6 works) · Sociology (6 works) · Art history (4 works) · Visual arts (4 works) · Visual Culture and Art Theory (4 works) · Aesthetics (3 works) · Art, Politics, and Modernism (3 works) · Library science (3 works)

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